The Rough Road. Locke William John

The Rough Road - Locke William John


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It made his mother ill, and sent him away with her to foreign health resorts. Doggie and McPhail travelled luxuriously, lived in luxurious hotels and visited in luxurious ease various picture galleries and monuments of historic or æsthetic interest. The boy, artistically inclined and guided by the idle yet well-informed Phineas, profited greatly. Phineas sought profit to them both in other ways.

      “Mrs. Trevor,” said he, “don’t you think it a sinful shame for Marmaduke to waste his time over Latin and mathematics, and such things as he can learn at home, instead of taking advantage of his residence in a foreign country to perfect himself in the idiomatic and conversational use of the language?”

      Mrs. Trevor, as usual, agreed. So thenceforward, whenever they were abroad, which was for three or four months of each year, Phineas revelled in sheer idleness, nicotine, and the skilful consumption of alcohol, while highly paid professors taught Marmaduke – and, incidentally, himself – French and Italian.

      Of the world, however, and of the facts, grim or seductive, of life, Doggie learned little. Whether by force of some streak of honesty, whether through sheer laziness, whether through canny self-interest, Phineas McPhail conspired with Mrs. Trevor to keep Doggie in darkest ignorance. His reading was selected like that of a young girl in a convent: he was taken only to the most innocent of plays: foreign theatres, casinos, and such-like wells of delectable depravity, existed almost beyond his ken. Until he was twenty it never occurred to him to sit up after his mother had gone to bed. Of strange goddesses he knew nothing. His mother saw to that. He had a mild affection for his cousin Peggy, which his mother encouraged. She allowed him to smoke cigarettes, drink fine claret, the remains of the cellar of her father, the bishop, a connoisseur, and crème de menthe. And, until she died, that was all poor Doggie knew of the lustiness of life.

      Mrs. Trevor died, and Doggie, as soon as he had recovered from the intensity of his grief, looked out upon a lonely world. Phineas, like Mrs. Micawber, swore he would never desert him. In the perils of Polar exploration or the comforts of Denby Hall, he would find Phineas McPhail ever by his side. The first half-dozen or so of these declarations consoled Doggie tremendously. He dreaded the Church swallowing up his only protector and leaving him defenceless. Conscientiously, however, he said:

      “I don’t want your affection for me to stand in your way, sir.”

      “‘Sir’?” cried Phineas, “is it not practicable for us to do away with the old relations of master and pupil, and become as brothers? You are now a man, and independent. Let us be Pylades and Orestes. Let us share and share alike. Let us be Marmaduke and Phineas.”

      Doggie was touched by such devotion. “But your ambitions to take Holy Orders, which you have sacrificed for my sake?”

      “I think it may be argued,” said Phineas, “that the really beautiful life is delight in continued sacrifice. Besides, my dear boy, I am not quite so sure as I was when I was young, that by confining oneself within the narrow limits of a sacerdotal profession, one can retain all one’s wider sympathies both with human infirmity and the gladder things of existence.”

      “You’re a true friend, Phineas,” said Doggie.

      “I am,” replied Phineas.

      It was just after this that Doggie wrote him a cheque for a thousand pounds on account of a vaguely indicated year’s salary.

      If Phineas had maintained the wily caution which he had exercised for the past seven years, all might have been well. But there came a time when unneedfully he declared once more that he would never desert Marmaduke, and declaring it, hiccoughed so horribly and stared so glassily, that Doggie feared he might be ill. He had just lurched into Doggie’s own peacock-blue and ivory sitting-room when he was mournfully playing the piano.

      “You’re unwell, Phineas. Let me get you something.”

      “You’re right, laddie,” Phineas agreed, his legs giving way alarmingly, so that he collapsed on a brocade-covered couch. “It’s a touch of the sun, which I would give you to understand,” he continued with a self-preservatory flash, for it was an overcast day in June, “is often magnified in power when it is behind a cloud. A wee drop of whisky is what I require for a complete recovery.”

      Doggie ran into the dining-room and returned with a decanter of whisky, glass and siphon – an adjunct to the sideboard since Mrs. Trevor’s death. Phineas filled half the tumbler with spirit, tossed it off, smiled fantastically, tried to rise, and rolled upon the carpet. Doggie, frightened, rang the bell. Peddle, the old butler, appeared.

      “Mr. McPhail is ill. I can’t think what can be the matter with him.”

      Peddle looked at the happy Phineas with the eyes of experience.

      “If you will allow me to say so, sir,” said he, “the gentleman is dead drunk.”

      And that was the beginning of the end of Phineas. He lost grip of himself. He became the scarlet scandal of Durdlebury and the terror of Doggie’s life. The Dean came to the rescue of a grateful nephew. A swift attack of delirium tremens crowned and ended Phineas McPhail’s Durdlebury career.

      “My boy,” said the Dean on the day of Phineas’s expulsion, “I don’t want to rub it in unduly, but I’ve warned your poor mother for years, and you for months, against this bone-idle, worthless fellow. Neither of you would listen to me. But you see that I was right. Perhaps now you may be more inclined to take my advice.”

      “Yes, Uncle,” replied Doggie submissively.

      The Dean, a comfortable florid man in the early sixties, took up his parable and expounded it for three-quarters of an hour. If ever young man heard that which was earnestly meant for his welfare, Doggie heard it from his Very Reverend Uncle’s lips.

      “And now, my dear boy,” said the Dean by way of peroration, “you cannot but understand that it is your bounden duty to apply yourself to some serious purpose in life.”

      “I do,” said Doggie. “I’ve been thinking over it for a long time. I’m going to gather material for a history of wall-papers.”

      CHAPTER II

      Thenceforward Doggie, like the late Mr. Matthew Arnold’s fellow-millions, lived alone. He did not complain. There was little to complain about. He owned a pleasant old house set in fifteen acres of grounds. He had an income of three thousand pounds a year. Old Peddle, the butler, and his wife, the housekeeper, saved him from domestic cares. Rising late and retiring early, like the good King of Yvetot, he cheated the hours that might have proved weary. His meals, his toilet, his music, his wall-papers, his drawing and embroidering – specimens of the last he exhibited with great success at various shows held by Arts and Crafts Guilds, and such-like high and artistic fellowships – his sweet-peas, his chrysanthemums, his postage stamps, his dilettante reading and his mild social engagements, filled most satisfyingly the hours not claimed by slumber. Now and then appointments with his tailor summoned him to London. He stayed at the same mildewed old family hotel in the neighbourhood of Bond Street at which his mother and his grandfather, the bishop, had stayed for uncountable years. There he would lunch and dine stodgily in musty state. In the evenings he would go to the plays discussed in the less giddy of Durdlebury ecclesiastical circles. The play over, it never occurred to him to do otherwise than drive decorously back to Sturrocks’s Hotel. Suppers at the Carlton or the Savoy were outside his sphere of thought or opportunity. His only acquaintance in London were vague elderly female friends of his mother, who invited him to chilly semi-suburban teas and entertained him with tepid reminiscence and criticism of their divers places of worship. The days in London thus passed drearily, and Doggie was always glad to get home again.

      In Durdlebury he began to feel himself appreciated. The sleepy society of the place accepted him as a young man of unquestionable birth and irreproachable morals. He could play the piano, the harp, the viola, the flute, and the clarinet, and sing a very true mild tenor. As secretary of the Durdlebury Musical Association, he filled an important position in the town. Dr. Flint – Joshua Flint, Mus. Doc. – organist of the cathedral, scattered broadcast golden opinions of Doggie. There was once a concert of old English music, which the dramatic critics of the great newspapers attended – and one of them mentioned Doggie –


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