Demanding the Impossible. Peter Marshall

Demanding the Impossible - Peter  Marshall


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      Marquis de Sade

      The spirit of free enquiry sparked off by the Enlightenment led to increasingly bold questioning of existing social and moral laws in the latter half of the eighteenth century. The boldest thinker of them all was the Marquis de Sade. Donatien Alphonse François de Sade of course is remembered for his perversity, and sadism is associated with an abnormal pleasure in cruelty. In fact, the picture of de Sade as a monster is largely the work of prudish and puritanical moralists who have never read his books. The imaginary portraits of de Sade as a dashing Casanova are as inaccurate as his reputation: he was a plump little man with fair hair, blue eyes and a tiny mouth.

      De Sade’s writings were denied official publication by the French courts as late as 1957 and are still not widely available. This is unfortunate, for de Sade was not only an arch-rebel but a highly original thinker. His contribution to an understanding of sexual psychopathology is well-known; less recognized is his importance as a social philosopher. Poets have most appreciated his libertarian genius: Swinburne called him ‘That illustrious and ill-requited benefactor of humanity’, while Apollinaire declared that he was ‘the freest spirit that has yet existed’.1

      De Sade knew of the tyranny of men at first hand, both from within himself and from others. After completing a Jesuit education, which endowed him with a lifelong hatred of religion, he acquired various military ranks and served in the Seven Years’ War. The experience made him a staunch opponent to offensive war. After his marriage at twenty-three in the presence of the King and Queen and most of the higher members of the Court, his sexual escapades landed him in prison in 1778.

      Although de Sade conscientiously explored all imaginable extensions of sexual pleasure, his known behaviour (which includes only the beating of a housemaid and an orgy with several prostitutes) departs greatly from the clinical picture of active sadism.2 From 1778, with no legal charge brought against him, de Sade spent all but ten of the remaining thirty-seven years of his life in close confinement. In prison, he drew on his experiences to write in earnest, partly in self-justification, partly in wish-fulfilment. Throughout this time, his wife supported him with courage and devotion.

      At the outbreak of the French Revolution, de Sade had been held for five years in the notorious ‘Tour de la Liberté’ of the Bastille. One of seven prisoners left, he was removed eleven days before the people of Paris stormed it. The Constituent Assembly released him on Good Friday in 1790. The relative freedom of the press at the time enabled him to publish the following year Justine, ou les malheurs de la vertu which had been written in 1788.

      De Sade actively supported the republicans, and served in the revolutionary ‘Section des Piques’ and was elected president of his group. In 1792, he wrote a pamphlet entitled Idée sur la mode de la sanction des loix which proposed that all laws brought forward by the representatives should be directly voted on by the populace at large. His proposal was based on his awareness of the ability of power to corrupt: ‘I have studied men and I know them; I know the difficulties that they make in giving up any power that is granted to them, and that nothing is more difficult than to establish limits to delegate power.’3

      In 1791, de Sade wrote An Address of a Citizen of Paris to the King of France, calling on Louis XVI to respect the powers entrusted to him by men who are ‘free and equal according to the laws of Nature’. Ironically, the republican de Sade was arrested again for his alleged royalist sympathies. He was released after the fall of Robespierre in 1794. During the following seven years of freedom, he published in 1797 the ten volumes of his bomb-shell La Nouvelle Justine, ou les malheurs de la vertu suivie de l’histoire de Juliette sa soeur. He was rearrested in 1801 and Napoleon’s ministers had all the copies that could be found destroyed. No authoritarian government could allow the exposures of the mechanisms of despotism contained in them and de Sade was confined to an asylum for the rest of his life. A quarter of his entire output, ranging from plays to short stories were burnt during Napoleon’s rule.

      Although de Sade has been remembered for his erotica, he appears in his writings more preoccupied with religion than sex. Indeed, far from being an amoralist, he was not only obsessed by moral issues but had a powerful conscience. He called honour ‘man’s guiding rein’. He had a profound and continuous awareness of the difference between good and evil, had no delusions about the ‘roses and raptures of vice’.4 Like Blake and Nietzsche, he wanted to go beyond existing definitions of good and evil and to forge his own ethical code. And like the philosophes, he tried to follow nature, arguing that the experience of pleasure is a sign that we are acting in accordance with our own nature and nature as a whole: ‘All acts which give pleasure … must be natural and right.’5 He who abandons himself most to the promptings of nature will also be the happiest. In this sense, de Sade was a consistent hedonist.

      In his metaphysics, de Sade was a militant atheist and philosophical materialist, completely opposed to the tyranny of the Church and the repressive nature of Christian doctrine. The Christian God, with his threat of divine retribution, is for de Sade too immoral and base to be acceptable. In place of God, he puts Nature as the prime mover of the universe.

      The attributes of nature are not entirely clear in de Sade’s writing. At first nature appears as a beneficent force: the law of nature is interpreted as ‘Make others as happy as you wish to be yourself.’ But gradually in his work, nature begins to turn into a sort of malevolent goddess – a ‘cruel stepmother’—so that the law of nature degenerates into: ‘Please yourself, no matter at whose expense.’6 De Sade eventually came to believe that nature is fundamentally destructive (its sole object in creation is to have the pleasure of destruction) and proceeds by corruption. It follows that by satisfying his destructive instincts man is following nature. This is the metaphysical and moral foundation of sadism: if making others feel pain gives pleasure, it is natural and right. To be moral in the conventional sense is to oppose nature; existing virtue is therefore unnatural and the result of a false education.

      In his politics, de Sade challenged the fundamental premisses of European civilization. He had a very low opinion of politics; it is a ‘science born of falsehood and ambition’ which teaches ‘men to deceive their equals without being deceived themselves’.7 In every book, he stresses that society is divided into two antagonistic classes founded on property. Anticipating Proudhon, he defines property as ‘a crime committed by the rich against the poor’. The origin of the right of property is in usurpation: ‘the right is in origin itself a theft, so that the law punishes theft because it attacks theft’.8 Speaking from direct experience, de Sade knew that the lawcourts only dispense justice in favour of the wealthy: ‘The laws of a people are never anything but the mass and the result of the interests of the legislators.’9 As for war between nations, it is simply authorized murder in which hired men slaughter one another in the interests of tyrants: ‘The sword is the weapon of him who is in the wrong, the commonest resource of ignorance and stupidity.’10

      In place of the existing class-ridden and unjust society, de Sade proposed several alternatives at different stages in his life. Before the outbreak of the French Revolution, in the second volume of Aline et Valcour, written in 1788 and published in 1795, he depicted a Utopia in the city of Tamoe in the South Seas. The king Zamé had as a young man visited Europe and found that the greatest causes of misery were private property, class distinctions, religion and family life. He therefore chooses to avoid these ills by making the State control manufacture and employ all the people. All have equal commodities and comforts, and there is no prison or death penalty.

      After witnessing the rise to power of Robespierre,


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