Spiral. Koji Suzuki
Ando in.
Ando had learned just about everything he could by fax. His purpose today was to see with his own eyes things that couldn’t be faxed, and to speak directly to the doctor who’d been in charge of the autopsies. He and Kurahashi exchanged small talk, and then began to share their observations of the bodies they’d dissected. Apparently, Kurahashi had been quite surprised by the unidentified sarcomas he’d found blocking the coronary arteries. As soon as the conversation turned to them, his cool demeanor cracked.
“Would you care to see?” So saying, he went to get one of the tissue samples from the blocked arteries.
Ando had a good look at it with his naked eye, then placed it under a microscope and examined it on a cellular level. One glance told him that these cells had undergone the same transformations as Ryuji’s. When cells are treated with a hematoxylin-eosin stain, the cytoplasm turns red while the nucleus turns blue, allowing them to be differentiated with ease. Here, the diseased cells’ shapes were distorted; their nuclei were larger than normal. Whereas normal cells had an overall reddish tint, these cells looked bluish. Ando stared at the red, amoeba-like speckles floating on the blue. He had to find out what had caused this change—the culprit, as it were. Obviously, it wasn’t going to be easy. He had to deduce the murder weapon and the criminal entirely on the basis of the damage done to the victims’ bodies.
Ando lifted his eyes from the microscope and took a deep breath. Somehow, the longer he looked, the harder it was to breathe. “Whose cells are these, by the way?”
“The wife’s.” Kurahashi turned his head only slightly to answer. He was standing by the shelves which covered one wall, removing and replacing files. He kept shaking his head, evidently unable to locate what he was looking for.
Ando bent over the instrument again, and again the microscopic world assailed him.
So these are Kazuyuki Asakawa’s wife’s. Knowing who they belonged to, he found himself trying to imagine, in detail, what had happened to their owner. Last month, a car her husband had been driving had collided with a truck near the Oi exit ramp on the Metropolitan Bayside Expressway. Sunday, October 21st, noon. Autopsies had confirmed that mother and child had expired an hour prior to the accident. In other words, they had died simultaneously, at around eleven in the morning. Of the same cause, no less. And that was what he just couldn’t wrap his mind around.
So small these lumps of flesh were compared to the rest of the body, yet big enough to block off an artery and stop a heart. He had a hard time imagining that these sarcomas had been growing gradually over a long period of time, since they’d claimed two lives at virtually the same instant. Even if the victims had contracted a virus of some sort, if the virus required an incubation period of months before producing its symptoms, there was no way the two victims should have died nearly simultaneously. The physical differences between the victims should have assured some sort of lag. There was a thirty year age difference between Shizu and Yoko Asakawa, and that should have had some effect. Maybe it was just a coincidence? But no, that couldn’t be. The young couple autopsied at Yokodai had died simultaneously, too. And if it wasn’t just a coincidence, he had no choice but to conclude that the period between infection and death was extremely short.
The viral hypothesis didn’t seem to make for an adequate explanation. Ando momentarily laid aside that scenario, wondering if it could have been food poisoning or the like. With food poisoning, when two people eat the same spoiled item, it’s not uncommon for both to fall prey to the same symptoms at the same time. Of course, “food poisoning” could involve a wide range of things; there are natural, chemical, and bacterial toxins. But he’d never heard of any toxin that caused sarcomas in the coronary artery. Perhaps some lab somewhere had been performing ultra-secret bacteriological research, and something had mutated and escaped …
Ando looked up again. He was merely speculating, and he knew all too well that guessing would get him nowhere.
Kurahashi approached the table where Ando was sitting and pulled out a chair. He held a file folder, from which he drew out ten or so photos.
“These are from the scene of the accident. I don’t know if they’ll be of any use to you.”
Ando hardly expected that shots of the scene would give him anything to go on. He was convinced that the problem was rooted in irregularities at the cellular level, and not in a driver’s carelessness. But since Kurahashi had gone to all the trouble of digging out the photos, Ando didn’t feel right about returning them without at least taking a look at them. He glanced through them, one by one.
The first photo was of the wrecked automobile. The hood had been crumpled up until it was shaped like a mountain. Both headlights and the bumper were crushed. The windshield had been shattered, too, but the center pillars hadn’t been bent. Although the car itself had been totaled, most of the shock evidently hadn’t carried to the back seat.
Next was a shot of the surface of the road. It was dry, and there were no skidmarks, suggesting that Asakawa hadn’t been watching where he was going. Where was he looking, then? Most likely at the back seat. Maybe he was even touching the cold bodies of his wife and daughter. Ando recalled the sequence of events he’d worked out in Miyashita’s lab three days before.
He flipped through two or three more pictures, laying them on the table like playing cards. There was nothing in them to catch the eye, he thought, but then his hand stopped. He was holding a photo of the car’s interior. The camera had been lodged against the passenger’s side window and aimed so as to take in the front of the cabin. The seat belt was draped over the driver’s seat, and the passenger’s seat was pushed forward. Ando stared, momentarily unsure of what in this picture had aroused his interest.
He’d had the same experience paging absently through books before. Sometimes a word would return to mind and keep him from turning the pages, but he’d be unable to remember where in the book he’d seen it, or, for that matter, what the word was. His palms started to perspire. He could feel his intuition at work. This photo was trying to tell him something. He brought the picture so close to his face that his nose was almost touching it. He examined every corner of it. Then he concentrated his vision on one point, and finally found the thing that had been hiding there.
On the passenger’s seat sat the black thing, mostly hidden because the back of the seat had been pushed forward. A section of the front and one of the sides were the only visible portions. A similar flat, black thing rested on the floor of the car, also on the passenger’s side, held down there by the headrest of the passenger’s seat. Ando gave a little cry of excitement and called Kurahashi over.
“Hey, what do you think this is?” He held the photo out to Kurahashi and indicated where he should look. The short man took off his glasses and looked closely at the photo. Then he shook his head, not so much because he couldn’t make out the thing, but because he couldn’t figure out why Ando was interested in it.
“What is it?” Kurahashi muttered without taking his eyes from the photo.
“It looks to me like a video deck,” said Ando, seeking confirmation.
“That is what it looks like.” As soon as he recognized the object for what it was, Kurahashi thrust the photo back at Ando. The object on the passenger’s seat could just as well have been a candy box, given its black, rectangular shape. But a close look at the front of the object revealed a round black button. It certainly looked like a video deck, but it could also have been a tuner or an amp. Regardless, Ando had decided that a video deck was what it was. The thing on the floor, under the headrest, looked like a portable word processor or a personal computer. Considering Asakawa’s profession, it wasn’t odd that he’d be carrying around a word processor. But a video deck?
“Why’s it there?”
His conclusion that it was a video machine, of course, had to do with what Mai had told him. According to her, the day after Ryuji’s death, Asakawa had visited Ryuji’s apartment and asked her repeatedly about a videotape. The very next day, he’d put a video deck on the passenger seat of a car and gone somewhere, only to get in an accident on his way home to Shinagawa. Where had he been with that