THE RELENTLESS CITY. E. F. Benson
the almost incredible delusion that it was musical, and flocked to the opera with all the fervour of a newly-born passion. It was not, it never had been, and it never would be musical, but this particular form of the game 'Let's pretend' was in fashion, and the syndicate rejoiced. Soon London would get tired of the game, and the syndicate would be sad again.
But the longest act comes to an end at last, and even as the curtain fell, Mrs. Palmer began screaming again. She screamed when she was amused because she was amused, and she screamed when she was bored in order that it might appear that she was not. Just now she was amusing herself very tolerably, for as soon as the lights were up, the world in general flocked into her box, supplementing the very desirable company already assembled there.
'Why, of course I am coming back next year,' she was explaining. 'And if Lewis doesn't come with me, and take Seaton House for me, so as to be able to have more than one person to dinner at a time, I guess I'll have a word or two to say to him which he won't forget; and if you, Mrs. Massington, don't come over to us in the fall with Lord Keynes, I shall cry my eyes out; and if that monster, Mr. Brancepeth, is as impudent again as he was at dinner, saying that he would pick them up and take them home to remind him of me, I'll ask him to leave my box, and call him back the moment afterwards, because I can't help forgiving him.'
There was a laugh at this brilliant effort of imagination, and Mrs. Massington leaned back in her chair towards Charlie, while Mrs. Palmer continued her voluble remarks.
'You are getting quite polished, Charlie,' she said. 'I should not have suspected you of so much gallantry.'
'I hope you never suspect me of anything,' he said.
'Oh, I do—of lots of things. Chiefly of a disapproving attitude. You are always disapproving. Now, you probably disapprove of my going to America.'
'You have not gone yet,' he said.
'No, but I shall. Mrs. Palmer has asked me to stay with them, and I am going. And Bertie is really going too.'
'So he told me to-night.'
'Who suggested it? His father?'
'Yes. As usual, he has shown his immensely good sense.'
Mrs. Massington laughed.
'You are extremely old-fashioned,' she said. 'I wonder at your dining with Mrs. Palmer at all, and coming to her box.'
'I often wonder at it myself,' said he. 'Never mind that. I haven't seen you for an age. What have you been doing with yourself?'
'I haven't been doing anything with myself. It is other people who have been doing all sorts of things with me. I have been taken by the scruff of the neck and dragged—literally dragged—from place to place. All this week there's been the Serington case, you see. I was in the court for three mornings, getting up at unheard-of hours to be there. Really it was very amusing. Topsie in the witness-box was the funniest thing you can possibly imagine. He jumped every time anybody asked him a question. They seem to have had the most extraordinary manage, and the servants appear to have spent their entire time in looking through keyholes. I wonder how the house-work got done at all. Charlie, you don't appear in the least amused.'
He looked at her a moment gravely.
'Am I really so awfully old-fashioned?' he asked.
'Yes, you old darling, I think you are. Are you shocked at my calling you an old darling? It's quite true, you know.'
'Delighted to hear it. But am I old-fashioned, then?'
'Certainly. Antique, out of date, obsolete. Of course, that sort of thing, all the Serington affair, is extremely shocking, and they are done for, quite done for; nobody will ever speak to them again—at least, except abroad. But because it is shocking, I don't see why I should pretend not to be amused at the really ridiculous figure Topsie cut in the witness-box. It would argue a very imperfect sense of humour if I was not amused, and great hypocrisy if I pretended not to be. I was amused, I roared; I was afraid they would turn me out.'
He laughed.
'Somehow, whatever you do, I can't disapprove,' he said; 'though the notion of all Topsie's friends sitting there and looking at him, and talking it over afterwards, makes me feel ill. But you——'
'Dear Charlie, it is too nice of you. But break those rose-coloured spectacles through which you so kindly observe me. It is no use. I have told you before it was no use, and I don't like telling you again.'
'Why?' he asked.
'Oh, that is so like a man, and especially an Englishman. You know why. Because it hurts you.'
'You dislike hurting me? That is something,' said he.
'But that is all,' she said.
The orchestra had taken their places, and a silence began to spread over the theatre as the lights were lowered. Then suddenly he leaned towards her so that he could smell the faint, warm fragrance of her presence.
'You mean that?' he asked.
She nodded her head in reply, and the curtain rose.
Chapter II
Mrs. Palmer, when the opera was over, had many voluble good-byes to say to her friends, for she was leaving London next day, and sailing for her native shores in the middle of the week. Consequently, it was some time before the two young men could get off from Covent Garden, but eventually they strolled away together to pick up a hansom rather than wait for one. Charlie Brancepeth's rooms were in Half Moon Street, and it was thus nearer one than twelve when they got home. He threw himself into a long easy-chair with an air of fatigue, while the other strolled about somewhat aimlessly and nervously, smoking a cigarette, sipping whisky-and-soda, with the indolent carriage of a man who is at home with himself and his surroundings. In person he was of the fair, blue-eyed type of his family, small-featured, and thin, and looking taller, in consequence, than he really was. His eyebrows, darker than his hair, had the line of determination and self-reliance; but one felt somehow that his appearance had less to do with the essential man beneath than with the ancestors from whom he had inherited it. But his aimless, undetermined strolling one felt was more truly his own.
At last he went to the window and threw it open, letting in the great bourdon hum of London, coming somewhat muffled through the heavy air. Only the gentlest draught drew into the room from outside, barely stirring the flowers in the window-boxes, but spreading slowly over the room the warm, drowsy scent of them. Then, taking himself by the shoulders, as it were, he sat down.
'Charlie, I am going to America,' he said, 'in order, if possible, to find an extremely wealthy girl who is willing to marry me.'
'So I understood when you said the mercantile spirit was not suppressed. Well, you are frank, anyhow. Will you tell her that? Will you ask how much she expects to have as a dowry?'
'No, it will be unnecessary to tell her anything; she will know. You don't suppose the Americans really think that lots of us go there to find wives because we prefer them to English girls? They know the true state of the case perfectly well. They only don't choose to recognise it, just as one doesn't choose to recognise a man one doesn't want to meet. They look it in the face, and cut it—cut it dead.'
'I dare say you are perfectly right,' said Charlie with marked neutrality.
'I suppose you disapprove; you have a habit of disapproving, as I heard Sybil Massington say to you to-night. By the way, she is going to America, too, she told me.'
Charlie's face remained perfectly expressionless.
'Yes,' he said slowly. 'You might arrange to travel together. Never mind that now, though. You told me your father had some very sensible things to say about mercenary marriages. Do tell me what they were; he is always worth listening to.'
Bertie Keynes hailed this with obvious relief. It was easier to