The Magic Egg, and Other Stories. Frank Richard Stockton
show—which was well worth seeing, I can assure you—until the people had been straining their eyes upward for almost half an hour. And this sort of thing—I will tell you if you do not know it—is one of the methods of producing hypnotic sleep.
"There was no one present who was not an impressionable subject, for I was very careful in sending out my invitations, and when I became almost certain that my audience was thoroughly hypnotized, I stopped the show and began the real exhibition, which was not really for their benefit, but for mine.
"Of course, I was dreadfully anxious for fear I had not succeeded entirely, and that there might be at least some one person who had not succumbed to the hypnotic influences, and so I tested the matter by bringing out that table and telling them it was something it was not. If I had had any reason for supposing that some of the audience saw the table as it really was, I had an explanation ready, and I could have retired from my position without any one supposing that I had intended making hypnotic experiments. The rest of the exhibition would have been some things that any one could see, and as soon as possible I would have released from their spell those who were hypnotized. But when I became positively assured that every one saw a light pine table with four straight legs, I confidently went on with the performances of the magic egg."
Edith Starr was still standing by the library table. She had not heeded Loring's advice to sit down, and she was trembling with emotion.
"Herbert Loring," she said, "you invited my mother and me to that exhibition. You gave us tickets for front seats, where we would be certain to be hypnotized if your experiment succeeded, and you would have made us see that false show, which faded from those people's minds as soon as they recovered from the spell, for as they went away they were talking only of the fireworks, and not one of them mentioned a magic egg, or a chicken, or anything of the kind. Answer me this: did you not intend that I should come and be put under that spell?"
Loring smiled. "Yes," he said, "of course I did. But then your case would have been different from that of the other spectators: I should have explained the whole thing to you, and I am sure we would have had a great deal of pleasure, and profit too, in discussing your experiences. The subject is extremely—"
"Explain to me!" she cried. "You would not have dared to do it! I do not know how brave you may be, but I know you would not have had the courage to come here and tell me that you had taken away my reason and my judgment, as you took them away from all those people, and that you had made me a mere tool of your will—glaring and panting with excitement at the wonderful things you told me to see where nothing existed. I have nothing to say about the others. They can speak for themselves if they ever come to know what you did to them. I speak for myself. I stood up with the rest of the people. I gazed with all my power, and over and over again I asked myself if it could be possible that anything was the matter with my eyes or my brain, and if I could be the only person there who could not see the marvellous spectacle that you were describing. But now I know that nothing was real, not even the little pine table—not even the man!"
"Not even me!" exclaimed Loring. "Surely I was real enough!"
"On that stage, yes," she said. "But you there proved you were not the Herbert Loring to whom I promised myself. He was an unreal being. If he had existed he would not have been a man who would have brought me to that public place, all ignorant of his intentions, to cloud my perceptions, to subject my intellect to his own, and make me believe a lie. If a man should treat me in that way once he would treat me so at other times, and in other ways, if he had the chance. You have treated me in the past as to-day you treated those people who glared at the magic egg. In the days gone by you made me see an unreal man, but you will never do it again! Good-by."
"Edith," cried Loring, "you don't—"
But she had disappeared through a side door, and he never spoke to her again.
Walking home through the dimly lighted streets, Loring involuntarily spoke aloud.
"And this," he said, "is what came out of the magic egg!"
"HIS WIFE'S DECEASED SISTER"
It is now five years since an event occurred which so colored my life, or rather so changed some of its original colors, that I have thought it well to write an account of it, deeming that its lessons may be of advantage to persons whose situations in life are similar to my own.
When I was quite a young man I adopted literature as a profession, and having passed through the necessary preparatory grades, I found myself, after a good many years of hard and often unremunerative work, in possession of what might be called a fair literary practice. My articles, grave, gay, practical, or fanciful, had come to be considered with a favor by the editors of the various periodicals for which I wrote, on which I found in time I could rely with a very comfortable certainty. My productions created no enthusiasm in the reading public; they gave me no great reputation or very valuable pecuniary return; but they were always accepted, and my receipts from them, at the time to which I have referred, were as regular and reliable as a salary, and quite sufficient to give me more than a comfortable support.
It was at this time I married. I had been engaged for more than a year, but had not been willing to assume the support of a wife until I felt that my pecuniary position was so assured that I could do so with full satisfaction to my own conscience. There was now no doubt in regard to this position, either in my mind or in that of my wife. I worked with great steadiness and regularity, I knew exactly where to place the productions of my pen, and could calculate, with a fair degree of accuracy, the sums I should receive for them. We were by no means rich, but we had enough, and were thoroughly satisfied and content.
Those of my readers who are married will have no difficulty in remembering the peculiar ecstasy of the first weeks of their wedded life. It is then that the flowers of this world bloom brightest; that its sun is the most genial; that its clouds are the scarcest; that its fruit is the most delicious; that the air is the most balmy; that its cigars are of the highest flavor; that the warmth and radiance of early matrimonial felicity so rarefy the intellectual atmosphere that the soul mounts higher, and enjoys a wider prospect, than ever before.
These experiences were mine. The plain claret of my mind was changed to sparkling champagne, and at the very height of its effervescence I wrote a story. The happy thought that then struck me for a tale was of a very peculiar character, and it interested me so much that I went to work at it with great delight and enthusiasm, and finished it in a comparatively short time. The title of the story was "His Wife's Deceased Sister," and when I read it to Hypatia she was delighted with it, and at times was so affected by its pathos that her uncontrollable emotion caused a sympathetic dimness in my eyes which prevented my seeing the words I had written. When the reading was ended and my wife had dried her eyes, she turned to me and said, "This story will make your fortune. There has been nothing so pathetic since Lamartine's `History of a Servant Girl.'"
As soon as possible the next day I sent my story to the editor of the periodical for which I wrote most frequently, and in which my best productions generally appeared. In a few days I had a letter from the editor, in which he praised my story as he had never before praised anything from my pen. It had interested and charmed, he said, not only himself, but all his associates in the office. Even old Gibson, who never cared to read anything until it was in proof, and who never praised anything which had not a joke in it, was induced by the example of the others to read this manuscript, and shed, as he asserted, the first tears that had come from his eyes since his final paternal castigation some forty years before. The story would appear, the editor assured me, as soon as he could possibly find room for it.
f anything could make our skies more genial, our flowers
brighter, and the flavor of our fruit and cigars more delicious, it was a letter like this. And when, in a very short time, the story was published, we found that the reading public was inclined to receive it with as much sympathetic interest and favor as had been shown to it by the editors. My personal friends soon began to express