The Magic Egg, and Other Stories. Frank Richard Stockton
enthusiastic opinions upon it. It was highly praised in many of the leading newspapers, and, altogether, it was a great literary success. I am not inclined to be vain of my writings, and, in general, my wife tells me, I think too little of them. But I did feel a good deal of pride and satisfaction in the success of "His Wife's Deceased Sister." If it did not make my fortune, as my wife asserted it would, it certainly would help me very much in my literary career.
In less than a month from the writing of this story, something very unusual and unexpected happened to me. A manuscript was returned by the editor of the periodical in which "His Wife's Deceased Sister" had appeared.
"It is a good story," he wrote, "but not equal to what you have just done. You have made a great hit, and it would not do to interfere with the reputation you have gained by publishing anything inferior to `His Wife's Deceased Sister,' which has had such a deserved success."
I was so unaccustomed to having my work thrown back on my hands that I think I must have turned a little pale when I read the letter. I said nothing of the matter to my wife, for it would be foolish to drop such grains of sand as this into the smoothly oiled machinery of our domestic felicity, but I immediately sent the story to another editor. I am not able to express the astonishment I felt when, in the course of a week, it was sent back to me. The tone of the note accompanying it indicated a somewhat injured feeling on the part of the editor.
"I am reluctant," he said, "to decline a manuscript from you; but you know very well that if you sent me anything like `His Wife's Deceased Sister' it would be most promptly accepted."
I now felt obliged to speak of the affair to my wife, who was quite as much surprised, though, perhaps, not quite as much shocked, as I had been.
"Let us read the story again," she said, "and see what is the matter with it." When we had finished its perusal, Hypatia remarked: "It is quite as good as many of the stories you have had printed, and I think it very interesting, although, of course, it is not equal to `His Wife's Deceased Sister.'"
"Of course not," said I; "that was an inspiration that I cannot expect every day. But there must be something wrong about this last story which we do not perceive. Perhaps my recent success may have made me a little careless in writing it."
"I don't believe that," said Hypatia.
"At any rate," I continued, "I will lay it aside, and will go to work on a new one."
In due course of time I had another manuscript finished, and I sent it to my favorite periodical. It was retained some weeks, and then came back to me.
"It will never do," the editor wrote, quite warmly, "for you to go backward. The demand for the number containing `His Wife's Deceased Sister' still continues, and we do not intend to let you disappoint that great body of readers who would be so eager to see another number containing one of your stories."
I sent this manuscript to four other periodicals, and from each of them it was returned with remarks to the effect that, although it was not a bad story in itself, it was not what they would expect from the author of "His Wife's Deceased Sister."
The editor of a Western magazine wrote to me for a story to be published in a special number which he would issue for the holidays. I wrote him one of the character and length he desired, and sent it to him. By return mail it came back to me.
"I had hoped," the editor wrote, "when I asked for a story from your pen, to receive something like `His Wife's Deceased Sister,' and I must own that I am very much disappointed."
I was so filled with anger when I read this note that I openly objurgated "His Wife's Deceased Sister." "You must excuse me," I said to my astonished wife, "for expressing myself thus in your presence, but that confounded story will be the ruin of me yet. Until it is forgotten nobody will ever take anything I write."
"And you cannot expect it ever to be forgotten," said Hypatia, with tears in her eyes.
It is needless for me to detail my literary efforts in the course of the next few months. The ideas of the editors with whom my principal business had been done, in regard to my literary ability, had been so raised by my unfortunate story of "His Wife's Deceased Sister" that I found it was of no use to send them anything of lesser merit. And as to the other journals which I tried, they evidently considered it an insult for me to send them matter inferior to that by which my reputation had lately risen. The fact was that my successful story had ruined me. My income was at an end, and want actually stared me in the face; and I must admit that I did not like the expression of its countenance. It was of no use for me to try to write another story like "His Wife's Deceased Sister." I could not get married every time I began a new manuscript, and it was the exaltation of mind caused by my wedded felicity which produced that story.
"It's perfectly dreadful!" said my wife. "If I had had a sister, and she had died, I would have thought it was my fault."
"It could not be your fault," I answered, "and I do not think it was mine. I had no intention of deceiving anybody into the belief that I could do that sort of thing every time, and it ought not to be expected of me. Suppose Raphael's patrons had tried to keep him screwed up to the pitch of the Sistine Madonna, and had refused to buy anything which was not as good as that. In that case I think he would have occupied a much earlier and narrower grave than the one on which Mr. Morris Moore hangs his funeral decorations."
"But, my dear," said Hypatia, who was posted on such subjects, "the Sistine Madonna was one of his latest paintings."
"Very true," said I. "But if he had married as I did, he would have painted it earlier."
I was walking homeward one afternoon about this time, when I met Barbel, a man I had known well in my early literary career. He was now about fifty years of age, but looked older. His hair and beard were quite gray, and his clothes, which were of the same general hue, gave me the idea that they, like his hair, had originally been black. Age is very hard on a man's external appointments. Barbel had an air of having been to let for a long time, and quite out of repair. But there was a kindly gleam in his eye, and he welcomed me cordially.
"Why, what is the matter, old fellow?" said he. "I never saw you look so woe-begone."
I had no reason to conceal anything from Barbel. In my younger days he had been of great use to me, and he had a right to know the state of my affairs. I laid the whole case plainly before him.
"Look here," he said, when I had finished; "come with me to my room; I have something I would like to say to you there."
I followed Barbel to his room. It was at the top of a very dirty and well-worn house, which stood in a narrow and lumpy street, into which few vehicles ever penetrated, except the ash and garbage-carts, and the rickety wagons of the venders of stale vegetables.
"This is not exactly a fashionable promenade," said Barbel, as we approached the house, "but in some respects it reminds me of the streets in Italian towns, where the palaces lean over toward each other in such a friendly way."
Barbel's room was, to my mind, rather more doleful than the street. It was dark, it was dusty, and cobwebs hung from every corner. The few chairs upon the floor and the books upon a greasy table seemed to be afflicted with some dorsal epidemic, for their backs were either gone or broken. A little bedstead in the corner was covered with a spread made of New York "Heralds" with their edges pasted together.
"There is nothing better," said Barbel, noticing my glance toward this novel counterpane, "for a bed-covering than newspapers; they keep you as warm as a blanket, and are much lighter. I used to use `Tribunes,' but they rattled too much."
The only part of the room which was well lighted was one end near the solitary window. Here, upon a table with a spliced leg, stood a little grindstone.
"At the other end of the room," said Barbel, "is my cook-stove, which you can't see unless I light the candle in the bottle which stands by it. But if you don't care particularly to examine it, I won't go to the expense of lighting up. You might pick up a good many odd pieces of bric-a-brac, around here, if you chose to strike a match and investigate. But I would not