Sacred Bones. Michael Spring
Praise for
Sacred bones
“A very warm, lively historical novel—the best ever written on the subject of relic thieves. I look forward to recommending it to all my colleagues and friends.”
—PATRICK GEARY, professor of Western Medieval History at the Institute for Advanced Studies in Princeton; former president of the Medieval Academy of America, and Distinguished Professor of Medieval History Emeritus at the University of California
“I love the crack and pop of Spring’s well-turned sentences, which make an unimaginable world vivid and compelling. There are just so many felicities of phrase and observation. The book is very funny, too. I was completely won over.”
—JOHN LAHR, former drama critic of The New Yorker; author of Tennessee Williams: Mad Pilgrimage of the Flesh, a 2014 National Book Award finalist
To Janis, my irrepressible, irreplaceable partner and friend
and to
Evan, Declan, Josh, and Sister Sue
Copyright © 2015 Michael Spring
All rights reserved. No part of this book may be reproduced in any manner whatsoever without written permission from the Publisher, except in the case of brief quotations embedded in critical articles and reviews, and certain other noncommercial uses permitted by copyright law.
Page 29: Random House. The right to reprint 12 lines from page 184 of The Aeneid by Virgil, translated by Robert Fitzgerald.
Pages 175-177: Harvard University Press. The right to reprint pages 5-7 from The History of the Translation of the Blessed Martyrs of Christ, Marcellinus and Peter. Published in 1926. Author Barrett Wendell. Copyright is in the public domain.
Pages 178-179: From Princeton University Press. The right to reprint 270 words from Patrick Geary’s Furta Sacra.
Four Winds Press
San Francisco, CA
FourWindsPress.com
ISBN: 978-1-940423-10-4
Cover and interior design by Domini Dragoone
Cover art—Mural: detail of wall painting from Cubiculum 15 of the Villa of Agrippa Postumus, Boscotrecase, c. 10 BC. Praying Skeleton: “Side View of a Praying Skeleton” by William Cheselden, from Osteographia, 1733. Arm: Bernhard Siegfried Albinus (anatomist), Jan Wanderlaar (artist), and Andrew Bell (engraver); from Tabulae sceleti e musculorum corporis humani, 1777.
Distributed by Publishers Group West
THE KINGS & EMPERORS
~
Charlemagne (Charles I)
born 742, died 814
768-814 King of the Franks
800-814 Emperor of the Romans
Louis I (Charles’s son; Louis the Pious)
born 778, died 840
781-814 King of Aquitaine
814-840 King of the Franks
(Charlemagne oversaw Louis’s coronation as co-emperor)
THE ABBOTS
~
Einhard
(author of The Life of Charlemagne; private secretary to Louis I)
born 775, died 840
Hildoin
(chaplain to Louis I; abbot of the Abbey of Saint Médard in Soissons)
born 775, died 840
THE POPES (BISHOPS OF ROME)
~
Leo III
Dec. 795-June 816
Stephen IV
June 816-Jan. 817
Paschal I
Jan. 817-Feb. 824
Eugenius II
June 824-Aug. 827
Valentine
Aug. 827-Sept. 827
Gregory IV
Dec. 827-Jan. 844
ONE
Deusdona is the name I go by. “God’s gift.” I’d prefer the name of a Roman senator: Publius, say, or Marcius—someone who gave his life to public service back in the days of the Republic, when Rome was the center of the world, not Aachen. But you can’t improve on Deusdona, not if you make a living buying and selling sacred bones. It’s a name that has given me instant credibility in a competitive field, and helped me grow my business.
My real name is buried with my mother, who died bringing me into the world, and with my father, who disappeared under a new moon in the year of the Great Flood. More than forty winters later, I still wake in the night and see the waters bursting through the Flaminian Gates, ripping them from their hinges, sweeping over the walls to the foot of the Capitoline Hill. My father leans against a toppled pillar near the Forum, enjoying the sonorities of Virgil’s Georgics, when suddenly the waters engulf him. He calls out a name, but all I can hear are the rushing waters.
Neighbors brought me to the orphanage at Saint Peter’s, where I grew up in the company of monks and priests. They still visit me in my sleep. I see their pale, eager faces peering out at me from behind their hoods, and feel the terrible sweetness of their touch.
I longed to be educated in the Lateran with the cubicularii, in personal attendance on the pope, but that was a preferment reserved for the sons of the wealthy. I was sent instead to a school for priests, in the glow of Saint Peter’s, outside the city walls. I was only seven, but I was sure God was banishing me for my sins. Exile could not have been a harsher punishment. Years passed before I understood that God wanted me to grow up in Peter’s presence, at the spiritual heart of the Church. The Lateran occupied a green and airy site, surrounded by gardens and vineyards. It was gifted to the Church by Constantine himself. But the pope was isolated there with his scribes and legates, away from the people. When pilgrims arrived in Rome, it was Peter’s bones, not the pope’s, they went to see. Our current Father, Gregory, still has to cross town to celebrate High Mass. It’s a wonderful procession, but each time he passes I want to shout out, “You’re the Keeper of the Keys of Heaven and Hell, not just the bishop of a powerful See. Move closer to Peter’s rock and leave the Lateran to the sheep and vines.” It’s a wonder God hasn’t struck me down for my impertinence.
• 800 AD •
I had my first glimpse of a pope on a bitingly cold spring morning, when Leo rode from the Lateran to the Holy See for the Festival of Saint Mark. Leo was a foreigner, the son of Atyuppius—a Saracen or Slav. He had tricked some virgins into drinking pig’s blood from the holy chalice and one of them had given birth to an aurochs with horns. Still, he was Peter’s successor, a man intimate with God. His face, I assumed, must radiate a wonderful light.
I