The Broken Font. Moyle Sherer

It is impossible to read or meditate concerning that period of history in which the scene and action of my tale are laid without partaking of the feelings of both parties in that great quarrel, and “being (in an innocent sense) on both sides.”

In such a spirit has my story been conceived and written. Until the sword was drawn, the more generous and constitutional Royalists were separated by but a faint line from the best and most patriotic men of the Parliament party.

I have, however, confined myself more particularly to the contemplation of those miseries and violent acts of persecution which the appeal to arms brought upon many private families, and especially upon those of the clergy.

In the contrivance of such a fiction, it became necessary to introduce pictures of fanaticism and hypocrisy, and to describe scenes of cruelty and of low interested persecution; but such parts of the story must not be considered separately from the rest. The general tenor of my volumes will, I trust, be found in strict consistency with that charity that “thinketh no evil,” but “hopeth all things.”

THE BROKEN FONT.

CHAPTER I.

Table of Contents

Thus till man end, his vanities goe round,

In credit here, and there discredited;

Striving to binde, and never to be bound;

To governe God, and not bee governed:

Which is the cause his life is thus confused,

In his corruption, by these arts abused.

Lord Brooke.

It was the early afternoon of a fine open day in the last week of April, in the year 1640. The sun shone warm; not a breath of wind was stirring the tender foliage of the tall trees, or the delicate flower of the lowly harebell beneath the hedge-rows. All was still, save that at intervals the voice of the cuckoo was heard—loud, but yet mellow—from the bosom of a neighbouring wood. The swains in the field lay stretched in the shade, as though summer were already come: in gardens and court-yards not a sound of labour or a clatter of life disturbed the silence of the hour.

In a shady alcove, which looked out on the bowling alley of Milverton House, sate the worthy old master of the mansion, with one leg crossed over the other, a book upon his knee, and a kindly smile playing across his manly features. Not far distant, upon the steps which led up to the near end of a stately terrace, was seated a fair little girl, about six years of age. A thick laurel protected her with its shadow; and it might be seen by the paper in her hand, by the motion of her lips, and by the sway of her little head and neck, that she was committing some task to memory, with that pleasure that makes a pastime even out of a lesson. Out on the smooth green an old flap-mouthed hound, whose hunting days were long past, lay basking in the sun, among the dispersed bowls, which the last players had idly neglected to put away; and with them a boy’s bow and arrow had been left, or forgotten, on the ground. The child’s murmur was lower than the soft coo from the dove-cote, or the gentle music of the fountain; and there was a hush of quiet about all these whispers of created life that was in harmony with the general silence.

The shadow of the dial had crept on nearly half an hour before this repose was broken. It was so at last, by a hot boy of fourteen, with vest unbuttoned, and without a hat, who came to seek his bow and arrow. The glad cry of “I have found them!” dispelled the silence: the little girl thrust her paper into her bosom, and jumped up at the sound of the welcome voice; and the old man looked up, and, putting his book down on the seat beside him, scolded the noble boy for having left the bowls out to be scorched and injured by the sun.

With no abatement of good humour, the cheerful boy, eagerly helped by the little girl, gathered them up, and carried them into the bowl-house. The old hound was too much accustomed to the thing even to stir for it, though one of the bowls almost touched his nose.

This

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