The Complete Charlie Chan Series – All 6 Mystery Novels in One Edition. Earl Derr Biggers
somebody 'until the sands of the desert grow cold.'"
"It wasn't much of a promise," agreed Holley. "Either he was a great kidder, or he'd never been on the desert at night. But look here—is this your first experience with this country? What kind of a Californian are you?"
"Golden Gate brand," smiled Eden. "Yes, it's true, I've never been down here before. Something tells me I've missed a lot."
"You sure have. I hope you won't rush off in a hurry. By the way, how long do you expect to be here?"
"I don't know," replied Eden. He was silent for a moment; his friend at home had told him that Holley could be trusted, but he really did not need that assurance. One look into the editor's friendly gray eyes was sufficient. "Holley, I may as well tell you why I've come," he continued. "But I rely on your discretion. This isn't an interview."
"Suit yourself," Holley answered. "I can keep a secret if I have to. But tell me or not, just as you prefer."
"I prefer to tell you," Eden said. He recounted Madden's purchase of the Phillimore pearls, his request for their delivery in New York, and then his sudden unexpected switch to the desert. "That, in itself, was rather disturbing," he added.
"Odd, yes," agreed Holley.
"But that wasn't all," Bob Eden went on. Omitting only Charlie Chan's connection with the affair, he told the whole story—the telephone call from the cigar store in San Francisco, the loving solicitude at the dock and after of the man with the dark glasses, the subsequent discovery that this was Shaky Phil Maydorf, a guest at the Killarney Hotel, and last of all, the fact that Louie Wong had been summoned from the Madden ranch by his relative in Chinatown. As he related all this out there on that lonesome desert, it began to take on a new and ominous aspect; the future loomed dark and thrilling. Had that great opening between the hills been, in reality, the gateway to adventure? Certainly it looked the part. "What do you think?" he finished.
"Me?" said Holley. "I think I'm not going to get that interview."
"You don't believe Madden is at the ranch?"
"I certainly don't. Look at Paula's experience the other night. Why couldn't she see him? Why didn't he hear her at the door and come to find out what the row was about? Because he wasn't there. My lad, I'm glad you didn't venture out here alone. Particularly if you've brought the pearls as I presume you have."
"Well, in a way, I've got them. About this Louie Wong? You know him, I suppose?"
"Yes. And I saw him at the station the other morning. Look at tomorrow's Eldorado Times and you'll find the big story, under the personals. 'Our respected fellow townsman, Mr. Louie Wong, went to San Francisco on business last Wednesday.'"
"Wednesday, eh? What sort of lad is Louie?"
"Why—he's just a Chinaman. Been in these parts a long time. For the past five years he's stayed at Madden's ranch the year round, as caretaker. I don't know a great deal about him. He's never talked much to any one round here—except the parrot."
"The parrot? What parrot?"
"His only companion on the ranch. A little gray Australian bird that some sea captain gave Madden several years ago. Madden brought the bird—its name is Tony—here to be company for the old caretaker. A rough party, Tony—used to hang out in a barroom on an Australian boat. Some of his language when he first came was far from pretty. But they're clever, those Australian parrots. You know, from associating with Louie, this one has learned to speak Chinese."
"Amazing," said Bob Eden.
"Oh, not so amazing as it sounds. A bird of that sort will repeat anything it hears. So Tony rattles along in two languages. A regular linguist. The ranchers round here call him the Chinese parrot." They had reached a little group of cottonwoods and pepper trees sheltering a handsome adobe ranch house—an oasis on the bare plain. "Here we are at Madden's," Holley said. "By the way—have you got a gun?"
"Why, no," Bob Eden replied. "I didn't bring any. I thought that Charlie—"
"What's that?"
"No matter. I'm unarmed."
"So am I. Walk softly, son. By the way, you might open that gate, if you will."
Bob Eden got out and, unlatching the gate, swung it open. When Holley had steered Horace Greeley inside the yard, Eden shut the gate behind him. The editor brought his car to a stop twenty feet away, and alighted.
The ranch house was a one-story structure, eloquent of the old Spanish days in California before Iowa came. Across the front ran a long low veranda, the roof of which sheltered four windows that were glowing warmly in the chill night. Holley and the boy crossed the tile floor of the porch, and came to a big front door, strong and forbidding.
Eden knocked loudly. There was a long wait. Finally the door opened a scant foot, and a pale face looked out. "What is it? What do you want?" inquired a querulous voice. From inside the room came the gay lilt of a fox-trot.
"I want to see Mr. Madden," Bob Eden said. "Mr. P.J. Madden."
"Who are you?"
"Never mind. I'll tell Madden who I am. Is he here?"
The door went shut a few inches. "He's here, but he isn't seeing any one."
"He'll see me, Thorn," said Eden sharply. "You're Thorn, I take it. Please tell Madden that a messenger from Post Street, San Francisco, is waiting."
The door swung instantly open, and Martin Thorn was as near to beaming as his meager face permitted.
"Oh, pardon me. Come in at once. We've been expecting you. Come in—ah—er—gentlemen." His face clouded as he saw Holley. "Excuse me just a moment."
The secretary disappeared through a door at the rear, and left the two callers standing in the great living-room of the ranch house. To step from the desert into a room like this was a revelation. Its walls were of paneled oak; rare etchings hung upon them; there were softly shaded lamps standing by tables on which lay the latest magazines—even a recent edition of a New York Sunday newspaper. At one end, in a huge fireplace, a pile of logs was blazing, and in a distant corner a radio ground out dance music from some far orchestra.
"Say, this is home, sweet home," Bob Eden remarked. He nodded to the wall at the opposite end of the room from the fireplace. "And speaking of being unarmed—"
"That's Madden's collection of guns," Holley explained. "Wong showed it to me once. They're loaded. If you have to back away, go in that direction." He looked dubiously about. "You know, that sleek lad didn't say he was going for Madden."
"I know he didn't," Eden replied. He studied the room thoughtfully. One great question worried him—where was Charlie Chan?
They stood there, waiting. A tall clock at the rear of the room struck the hour of nine, slowly, deliberately. The fire sputtered; the metallic tinkle of jazz flowed on.
Suddenly the door through which Thorn had gone opened suddenly behind them, and they swung quickly about. In the doorway, standing like a tower of granite in the gray clothes he always affected, was the man Bob Eden had last seen on the stairs descending from his father's office, Madden, the great financier—P.J. himself.
Bob Eden's first reaction was one of intense relief, as of a burden dropping from his shoulders with a "most delectable thud." But almost immediately after came a feeling of disappointment. He was young, and he craved excitement. Here was the big desert mystery crashing about his ears, Madden alive and well, and all their fears and premonitions proving groundless. Just a tame handing over of the pearls—when Charlie came—and then back to the old rut again. He saw Will Holley smiling.
"Good evening, gentlemen," Madden was saying. "I'm very glad to see you. Martin," he added to his secretary, who had followed him in, "turn off that confounded racket. An orchestra, gentlemen—an orchestra in the ballroom of a hotel in Denver. Who says the day of miracles is past?" Thorn silenced the jazz; it died with a gurgle of protest. "Now," inquired Madden, "which of you comes from Post Street?"
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