Prince Fortunatus. Black William

Prince Fortunatus - Black William


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Some of the conversation—between the women—is natural; trivial, but natural. The plain truth is, my dear Linn, it is a very foolish, stupid book, which should never have been printed at all; but I suppose your fashionable friend could afford to pay for having it printed."

      "But, look here, Maurice," Lionel said, in considerable surprise, "I don't see how it can be so very stupid, when Lady Adela herself is one of the brightest, cleverest, shrewdest, most intelligent women you could meet with anywhere—quite unusually so."

      "That may be; but she is not the first clever woman who has made the mistake of imagining that because she is socially popular she must therefore be able to write a book."

      "And what am I to say to Octavius Quirk?"

      "What are you to say to the log-rollers? Don't say anything. Get Lady Adela to ask one or two of them to dinner. You'll fetch Quirk that way easily; they say Gargantua was a fool compared to him."

      "I've seen him do pretty well at the Garden, especially about two in the morning," was the young baritone's comment; and then, as he began to get into his ordinary attire, he said, "To tell you the truth, Maurice, Lady Adela rather hinted that she would be pleased to make the acquaintance of any—of any literary man—"

      "Who could do her book a good turn?"

      "No, you needn't put it as rudely as that. She rather feels that, in becoming an authoress, she has allied herself with literary people—and would naturally like to make acquaintances; so, if it came to that, I should consider myself empowered to ask Quirk whether he would accept an invitation to dinner—I mean, at Cunyngham Lodge. It's no use asking you, Maurice?" he added, with a little hesitation.

      Maurice Mangan laughed.

      "No, no, Linn, my boy; thank you all the same, I say," he continued, as he took up his hat and stick, seeing that Lionel was about ready to go, "do you ever hear from Miss Francie Wright, or have you forgotten her among all your fine friends?"

      "Oh, I hear from Francie sometimes," he answered, carelessly, "or about her, anyway, whenever I get a letter from home. She's very well. Boarding out pauper sick children is her new fad; and I believe she's very busy and very happy over it. Come along, Maurice; we'll walk up to the Garden, and get something of an appetite for supper."

      When they arrived at the Garden Club (so named from its proximity to Covent Garden) they went forthwith into the spacious apartment on the ground floor which served at once as dining-room, newspaper-room, and smoking-room. There was hardly anybody in it. Four young men in evening dress were playing cards at a side-table; at another table a solitary member was writing; but at the long supper-table—which was prettily lit up with crimson-shaded lamps, and the appointments of which seemed very trim and clean and neat—all the chairs were empty, and the only other occupants of the place were the servants, who wore a simple livery of white linen.

      "What for supper, Maurice?" the younger of the two friends asked.

      "Anything—with salad," Mangan answered; he was examining a series of old engravings that hung around the walls.

      "On a warm night like this what do you say to cold lamb, salad, and some hock and iced soda-water?"

      "All right."

      Supper was speedily forthcoming, and, as they took their places, Mangan said,

      "You don't often go down to see the old people, Linn?"

      "I'm so frightfully busy!"

      "Has Miss Francie ever been up to the theatre—to see 'The Squire's Daughter,' I mean?"—this question he seemed to put rather diffidently.

      "No. I've asked her often enough; but she always laughs and puts it off. She seems to be as busy down there as I am up here."

      "What does she think of the great name and fame you have made for yourself?"

      "How should I know?"

      Then there was silence for a second or two.

      "I wish you'd run down to see them some Sunday, Linn; I'd go down with you."

      "Why not go down by yourself?—they'd be tremendously glad to see you."

      "I should be more welcome if I took you with me. You know your cousin likes you to pay a little attention to the old people. Come! Say Sunday week."

      "My dear fellow, Sunday is my busiest day. Sunday night is the only night I have out of the seven. And I fancy that it is for that very Sunday evening that Lord Rockminster has engaged the Lansdowne Gallery; he gives a little dinner-party, and his sisters have a big concert afterwards—we've all got to sing the chorus of the new marching-song Lady Sybil has composed for the army."

      "Who is Lady Sybil?"

      "The sister of the authoress whose novel you were reading."

      "My gracious! is there another genius in the family?"

      "There's a third," said Lionel, with a bit of a smile. "What would you say if Lady Rosamund Bourne were to paint a portrait of me as Harry Thornhill for the Royal Academy?"

      "I should say the betting was fifty to one against its getting in."

      "Ah, you're unjust, Maurice; you don't know them. I dare say you judged that novel by some high literary standard that it doesn't pretend to reach. I am sure of this, that if it's half as clever as Lady Adela Cunyngham herself, it will do very well."

      "It will do very well for the kind of people who will read it," said the other, indifferently.

      This was a free-and-easy place; when they had finished supper, Lionel Moore lit a cigarette, and his friend a briar-root pipe, without moving from the table; and Mangan's prayer was still that his companion should fix Sunday week for a visit to the little Surrey village where they had been boys together, and where Lionel's father and mother (to say nothing of a certain Miss Francie Wright, whose name cropped up more than once in Mangan's talk) were still living. But during this entreaty Lionel's attention happened to be attracted to the glass door communicating with the hall; and instantly he said, in an undertone:

      "Here's a stroke of luck, Maurice; Quirk has just come in. How am I to sound him? What should I do?"

      "Haven't I told you?" said Mangan, curtly. "Get your swell friends to feed him."

      Nevertheless, this short, fat man, who now strode into the room and nodded briefly to these two acquaintances, speedily showed that on occasion he knew how to feed himself. He called a waiter, and ordered an underdone beefsteak with Spanish onions, toasted cheese to follow, and a large bottle of stout to begin with; then he took the chair at the head of the table, thus placing himself next to Lionel Moore.

      "A very empty den to-night," observed this new-comer, whose heavy face, watery blue eyes, lank hair plentifully streaked with gray, and unwholesome complexion would not have produced a too-favorable impression on any one unacquainted with his literary gifts and graces.

      Lionel agreed; and then followed a desultory conversation about nothing in particular, though Mr. Octavius Quirk was doing his best to say clever things and show off his boisterous humor. Indeed, it was not until that gentleman's very substantial supper was being brought in that Lionel got an opportunity of artfully asking him whether he had heard anything of Lady Adela Cunyngham's forthcoming novel. He was about to proceed to explain that "Lady Arthur Castletown" was only a pseudonym, when he was interrupted by Octavius Quirk bursting into a roar—a somewhat affected roar—of scornful laughter.

      "Well, of all the phenomena of the day, that is the most ludicrous," he cried, "—the so-called aristocracy thinking that they can produce anything in the shape of art or literature. The aristocracy—the most exhausted of all our exhausted social strata—what can be expected from it? Why, we haven't anywhere nowadays either art or literature or drama that is worthy of the name—not anywhere—it is all a ghastly, spurious make-believe—a mechanical manufactory of paintings and books and plays without a spark of life in them—"