The Mafulu: Mountain People of British New Guinea. Robert Wood Williamson
bands are made by both men and women, but are coloured by men only. They are commonly unstained and undecorated; but some of them, and especially those worn for visiting and at dances, are more or less decorated. Some that I have noticed are stained in one colour covering the whole garment; others in two colours arranged in alternate transverse bands, sometimes with narrow spaces of unstained cloth between; and again others have bands of one colour alternating with bands of unstained cloth. Some are decorated with lines or groups of lines of one colour, or alternating lines or groups of lines of two colours, painted transversely across the cloth. Others, while simply stained in one colour or stained or decorated in one of the ways above described, have another simple terminal design near the end of the garment.
The men’s bands are usually small and narrow, as compared with those worn by the Roro and Mekeo people; and the women’s bands seemed to me to be generally even narrower than those of the men, particularly in front. Men’s bands, which I have measured, were about 6 inches wide at one end, narrowing down to about 3 inches at the other; and the widths of women’s bands were 4 or 5 inches or less at one end, narrowing down to about 2 inches at the other. But the bands of both men and women, especially those of the latter, often become so crumpled up and creased with wear that the portion passing between the legs dwindles down to about an inch or less in width. One is tempted to think, as regards both men and women, that, from the point of view of covering, the bands might be dispensed with altogether. This remark applies still more strongly to the case of young boys and unmarried girls, including among the latter big full-grown girls, who are in fact fully developed women, whose bands can hardly be regarded as being more than nominal, and who, especially the girls and young women, and even sometimes married women who are nursing their babies, can really only be described as being practically naked.
Plate 13 (Figs, 1, 2, and 3) illustrates the staining and decoration of perineal bands.1 Fig. 1 is a section of a man’s band about 6 inches wide. The transverse lines, which extend along the whole length of the band, are in alternate groups of black and red. The background is unevenly stained yellow behind the black lines; but the background behind the red lines and the spaces intervening between the groups of lines are unstained. Fig. 2 is the pattern near the end of a woman’s band about 5 inches wide. The lines are coloured red. There is no pattern on the rest of the band; but the whole of the band, including the background of the pattern, is stained yellow. Fig. 3 is a section of a woman’s band about 2½ inches wide. The colouring is in alternate bands of red and yellow with irregular unstained spaces between.
I was struck with the gradual reduction of the women’s dress as I travelled from the coast, with its Roro inhabitants, through Mekeo, and thence by Lapeka and Ido-ido to Dilava, and on by Deva-deva to Mafulu. The petticoats of the Roro women gave way to the shorter ones of Mekeo, and these seemed to get shorter as I went further inland. Then at Lapeka they were still shorter. At Ido-ido, which is Kuni, the petticoats ceased, and there was only the perineal band. Then, again, at Dilava (still Kuni) this band was narrower, and at Deva-deva, and finally at Mafulu, it was often, as I have said, almost nominal.
I was told that the age at which a boy usually begins to wear his band is about 10 or 12, or in the case of a chief’s son 16 or 17; but that girls assume their bands at a somewhat earlier age, say at 7 or 8. So far as my personal observation went I should have thought that the usual maximum age of nakedness for both boys and girls was rather younger, and I never saw a naked boy of an age anything like 16.
The assumption of the perineal band is the subject of a ceremony which will be dealt with hereafter.
Caps are very often worn by men, but not by women or children. These are simply pieces of plain unstained bark cloth about 9 inches wide, which are coiled and twisted on the head. The result is often a shapeless mass; but there are methods of arranging the cloth in definite ways which produce describable results. Sometimes the cloth is merely coiled several times around the head, so as to produce a tall thin turban-shaped band, the crown of the head being left uncovered. Often this plan is extended by turning the end of the cloth over, so as to cover the top of the head, thus producing in some cases a result which resembles a fez, and in other cases one which looks more like a tight skullcap. Again the cap often has its centre terminating in an end or tassel hanging over, thus making it look like a cap of liberty; and yet again I have seen the cap look almost like the square paper caps often worn by certain artisans at home. These caps are seen in several of the plates.
Abdominal belts are commonly worn by both men and women, but not as a rule by children. There are several distinct forms of these:—
(1) A thick strong dark-coloured belt (Plate 14, Fig. I) made of tree bark; made and worn by men only. The belt is about 3 or more inches wide and is often so long that it passes twice round the body, the outer end being fastened to the coil beneath it by two strings. This form of belt is sometimes ornamented with simple straight-lined geometric patterns carved into the belt, but it is never coloured. The process of manufacture is as follows: they cut off a strip of bark large enough for one, two, three, or four belts, and coil it up in concentric circles, like the two circles of the belt when worn. They then place it so coiled into water, and leave it there to soak for a few days, after which they strip off the outer part, leaving the smooth inner bark, which they dry, and finally cut into the required lengths, to which they add the attachment strings made of native fibre.
(2) A belt made of a material looking like split cane and thin strips from the fibre of what I was told was a creeping plant2; made and worn by men only. The latter material is obtained by splitting the fibre into thin strips. These strips and the strips of split cane-like material are rather coarse in texture. The former are of a dull red-brown colour (natural, not produced by staining) and the latter are stone-yellow. The two are plaited together in geometric patterns. The width of the belt is about 2 inches. It only passes once round the man’s body; and the plaiting is finished with the belt on the body, so that it can only afterwards be removed by unplaiting or cutting it off.
(3) A belt (Plate 14, Fig. 2) made of stone-yellow unsplit cane; made and worn by both men and women. This is the simplest form of belt, being merely a strip of cane intertwined (not plaited) so as to form a band about half an inch wide, and left the natural colour of the cane. Both men and women, when short of food, use this belt to reduce the pain of hunger, by tightening it over the stomach. It is, therefore, much worn during a period of restricted diet prior to a feast. Women also use it, along with their other ordinary means, to bring about abortion, the belt being for this purpose drawn very tightly round the body. Often two, or even three, such belts are worn together.
(4) A belt (Plate 14, Fig. 3) made of coarse, sometimes very coarse, stone-yellow split cane or cane-like material; made and worn by men only. This belt is left the natural colour of the material, which is plaited so as to form a band from half an inch to 2 inches broad, the two ends of which are bound together with cane. It also, like No. 2, is finished on the body. A man will often wear two or three of these belts together.
(5) A belt (Plate 15, Fig. i) made out of the inner fibre of a creeping plant3; made and worn by men only. The fibre threads used for this belt are very fine, so the plaiting is minute, instead of being coarse like that of No. 2; but it is generally done rather loosely and openly. The belt is usually about 2 inches wide or a trifle less and is often plaited in slightly varying geometric patterns. It is not stained in manufacture, but the natural stone-grey colour of the fibre soon becomes tinted as the result of wear and the staining of the wearer’s body, and in particular it often becomes an ornamental red. This belt also is finished on the man’s body.
(6) A belt (Plate 15, Fig. 2) made of the inner fibre of what I was told was another creeping plant4 and the stem of a plant which I believe to be one of the Dendrobiums5; made and worn by men only. The fibres of the former plant are stained black; the reedy stems of the other plant are put in short bamboo stems filled with water, and then boiled. They are then easily split up into flattish straws, and become a colour varying from rather bright yellow to brown. For making the belt these two materials, looking rather like black and bright yellow straw, are plaited together in various geometrical patterns. The width of the belt is 2 inches, or a trifle more. It is tied at the ends with fibre string.
(7) A rather special form of belt (Plate 15, Fig. 3) used mainly for visiting