The Postmaster's Daughter. Louis Tracy
Minnie, too, cast scared glances at the window. When the girl had finally quitted the room, he laughed in a puzzled way.
"Am I dreaming, or are there visions about?" he murmured.
Urged, seemingly, by a sort of curiosity, he surveyed the room a second time through the same pane of glass. Being tall, he had to stoop slightly. Within, on the opposite side of the ledge, he saw the tiny brass candlestick with its inch of candle which he had used over-night while searching for a volume of Scott in the book-case lining the neighboring wall. Somehow, this simplest of domestic objects brought a thrill of recollection.
"Oh, dash it all!" he growled good-humoredly, "I'm getting nervy. I must chuck this bad habit of working late, and use the blessed hours of daylight."
Yet, as he sauntered down the lawn toward the stream, he knew well that he would do nothing of the sort. He loved that time of peace between ten at night and one in the morning. His thoughts ran vagrom then. Fantasies took shape under his pen which, in the cold light of morning, looked unreal and nebulous, though he had the good sense to restrain criticism within strict limits, and corrected style rather than matter. He was a writer, an essayist with no slight leaven of the poet, and had learnt early that the everyday world held naught in common with the brooding of the soul.
But he was no long-haired dreamer of impossible things. Erect and square-shouldered, he had passed through Sandhurst into the army, a profession abandoned because of its humdrum nature, when an unexpectedly "fat" legacy rendered him independent. He looked exactly what he was, a healthy, clean-minded young Englishman, with a physique that led to occasional bouts of fox-hunting and Alpine climbing, and a taste in literature that brought about the consumption of midnight oil. This latter is not a mere trope. Steynholme is far removed from such modern "conveniences" as gas and electricity.
At present he had no more definite object in life than to watch the trout rising in the pool. He held the fishing rights over half a mile of a noted river, but, by force of the law of hospitality, as it were, the stretch of water bordering the lawn was a finny sanctuary. Once, he halted, and looked fixedly at a dormer window in a cottage just visible above the trees on the opposite slope. Such a highly presentable young man might well expect to find a dainty feminine form appearing just in that place, and eke return the greeting of a waved hand. But the window remained blank—windows refused to yield any information that morning—and he passed on.
The lawn dipped gently to the water's edge, until the close-clipped turf gave way to pebbles and sand. In that spot the river widened and deepened until its current was hardly perceptible in fine weather. When the sun was in the west the trees and roofs of Steynholme were so clearly reflected in the mirror of the pool that a photograph of the scene needed close scrutiny ere one could determine whether or not it was being held upside down. But the sun shone directly on the water now, so the shelving bottom was visible, and Grant's quick eye was drawn to a rope trailing into the depths, and fastened to an iron staple driven firmly into the shingle.
He was so surprised that he spoke aloud.
"What in the world is that?" he almost gasped; a premonition of evil was so strong in him that he actually gazed in stupefaction at a blob of water and a quick-spreading ring where a fat trout rose lazily in midstream.
Somehow, too, he resisted the first impulse of the active side of his temperament, and did not instantly tug at the rope.
Instead, he shouted:—
"Hi, Bates!"
An answering hail came from behind a screen of laurels on the right of the house. There lay the stables, and Bates would surely be grooming the cob which supplied a connecting link between The Hollies and the railway for the neighboring market-town.
Bates came, a sturdy block of a man who might have been hewn out of a Sussex oak. His face, hands, and arms were the color of oak, and he moved with a stiffness that suggested wooden joints.
Evidently, he expected an order for the dogcart, and stood stock still when he reached the lawn. But Grant, who had gathered his wits, summoned him with crooked forefinger, and Bates jerked slowly on.
"What hev' ye done to yer face, sir?" he inquired.
Grant was surprised. He expected no such question.
"So far as I know, I've not been making any great alteration in it," he said.
"But it's all covered wi' blood," came the disturbing statement.
A handkerchief soon gave evidence that Bates was not exaggerating. Miss—or is it Madam?—Dorothy Perkins can scratch as well as look sweet, and a thorn had opened a small vein in Grant's cheek which bled to a surprising extent.
"Oh, it is nothing," he said. "I remember now—a rose shoot caught me as I went back into the dining-room a moment ago. I shouted for you to come and see this."
Soon the two were examining the rope and the staple.
"Now who put that there?" said Bates, not asking a question but rather stating a thesis.
"It was not here yesterday," commented his master, accepting all that Bates's words implied.
"No, sir, that it wasn't. I was a-cuttin' the lawn till nigh bed-time, an' it wasn't there then."
Grant was himself again. He stooped and grabbed the rope.
"Suppose we solve the mystery," he said.
"No need to dirty your hands, sir," put in Bates. "Let I haul 'un in."
In a few seconds the oaken tint in his face grew many shades lighter.
"Good Gawd!" he wheezed. At the end of the rope was the body of a woman.
There are few more distressing objects than a drowned corpse. On that bright June morning a dreadful apparition lost little of its grim repulsiveness because the body was that of a young and good-looking woman.
If one searched England it would be difficult to find two men of differing temperaments less likely to yield to the stress of even the most trying circumstance than Grant and Bates, yet, during some agonized moments the one, of tried courage and fine mettle, was equally horrified and shaken as the other, a gnarled and hard-grained rustic. It was he from whom speech might least be expected who first found his tongue. Bates, who had stooped, straightened himself slowly.
"By gum!" he said, "this be a bad business, Mr. Grant. Who is she? She's none of our Steynholme lasses."
Still Grant uttered no word. He just looked in horror at the poor husk of a woman who in life had undoubtedly been beautiful. She was well but quietly dressed, and her clothing showed no signs of violence. The all-night soaking in the river revealed some pitiful little feminine secrets, such as a touch of make-up on lips and cheeks, and the dark roots of abundant hair which had been treated chemically to lighten its color. The eyes were closed, and for that Grant was conscious of a deep thankfulness. Had those sightless eyes stared at him he felt he would have cried aloud in terror. The firm, well-molded lips were open, as though uttering a last protest against an untimely fate. Of course, both men were convinced that murder had been done. Not only were arms and body bound in a manner that was impossible of accomplishment by the dead woman herself, but an ugly wound on the smooth forehead seemed to indicate that she had been stunned or killed outright before being flung into the river.
And then, the rope and the staple suggested an outlandish, maniacal disposal of the victim. Here was no effort at concealment, but rather a making sure, in most brutal and callous fashion, that early discovery must be unavoidable.
The bucolic mind works in well-scored grooves. Receiving no assistance from his master, Bates pulled the body a little farther up on the strip of gravel so that it lay clear of the water.
"I mum fetch t' polis," he said.
The phrase, with its vivid significance, seemed to galvanize Grant into a species of comprehension.
"Yes," he agreed, speaking slowly, as though striving to measure the effect of each word. "Yes, go for the police,