Helen and Arthur; or, Miss Thusa's Spinning Wheel. Caroline Lee Hentz
for the family use. Indeed the fame of her spinning spread far and wide, and people from adjoining towns often sent orders for quantities of Miss Thusa’s marvelous thread.
She was now the guest of Mrs. Gleason, the mother of Helen, who always appropriated to her use a nice little room in a snug corner of the house, where she could turn her wheel from morning till night, and bend over her beloved distaff. Helen, who was too young to be sent to school by day, or to remain in the family sitting-room at night, as her mother followed the good, healthy rule of early to bed and early to rise, seemed thrown by fate upon Miss Thusa’s miraculous resources for entertainment and instruction. Thus her imagination became preternaturally developed, while the germs of reason and judgment lay latent and unquickened.
“Please stop spinning Miss Thusa, and tell me a story,” said the child, venturing to put her little foot on the treadle, and giving the crank a sudden jerk.
“Yes! Don’t tease—I must smooth the flax on the distaff and wet the thread on the spindle first. There—that will do. Come, yellow bird, jump into my lap, and say what you want me to tell you. Shall it he the gray kitten, with the big bunch of keys on its neck, that turned into a beautiful princess, or the great ogre, who killed all the little children he could find for breakfast and supper?”
“No,” replied Helen, shuddering with a strange mixture of horror and delight. “I want to hear something you never told before.”
“Well—I will tell you the story of the worm-eaten traveler. It is half singing, half talking, and a powerful story it is. I would act it out, too, if you would sit down in the corner till I’ve done. Let go of me, if you want to hear it.”
“Please Miss Thusa,” said the excited child, drawing her stool into the corner, and crouching herself upon it, while Miss Thusa rose up, and putting back her wheel, prepared to commence her heterogeneous performance. She often “acted out” her stories and songs, to the great admiration of children and the amusement of older people, but it was very seldom this favor was granted, without earnest and reiterated entreaties. It was the first time she had ever spontaneously offered to personate the Sibyl, whose oracles she uttered, and it was a proof that an unusual fit of inspiration was upon her.
She was very tall and spare. When in the attitude of spinning, she stooped over her distaff, she lost much of her original height, but the moment she pushed aside her wheel, her figure resumed its naturally erect and commanding position. She usually wore a dress of dark gray stuff, with immense pockets, a black silk neckerchief folded over her shoulders, a white tamboured muslin cap, with a black ribbon passed two or three times round the crown. To preserve the purity of the muslin, and the lustre of the ribbon, she always wore a piece of white paper, folded up between her head and the muslin, making the top of the cap appear much more opaque than the rest.
The worm-eaten traveler! What an appalling, yet fascinating communication! Helen waited in breathless impatience, watching the movements of the Sibyl, with darkened pupils and heaving bosom.
At length when a sudden gust of wind blew a naked bough, with a sound like the rattling of dry bones against the windows, and a falling brand scattered a shower of red sparks over the hearth-stone, Miss Thusa, waving the bony fingers of her right hand, thus began—
“Once there was a woman spinning by the kitchen fire, spinning away for dear life, all living alone, without even a green-eyed cat to keep her from being lonely. The coals were all burnt to cinders, and the shadows were all rolled up in black bundles in the four corners of the room. The woman went on spinning, singing as she spun—
‘Oh! if I’d good company—if I’d good company,
Oh! how happy should I be!’
There was a rustling noise in the chimney as if a great chimney-swallow was tumbling down, and the woman stooped and looked up into the black flue.”
Here Miss Thusa bowed her tall form, and turned her beaked nose up towards the glowing chimney. Helen, palpitating with excitement followed her motions, expecting to see some horrible monster descend all grim with soot.
“Down came a pair of broad, dusty, skeleton feet,” continued Miss Thusa, recoiling a few paces from the hearth, and lowering her voice till it sounded husky and unnatural, “right down the chimney, right in front of the woman, who cried out, while she turned her wheel round and round with her bobbin, ‘What makes your feet so big, my friend?’ ‘Traveling long journeys. Traveling long journeys,’ replied the skeleton feet, and again the woman sang—
‘Oh! if I’d good company—if I’d good company,
Oh! how happy should I be!’
Rattle—rattle went something in the chimney, and down came a pair of little mouldering ankles. ‘What makes your ankles so small?’ asked the woman. ‘Worm-eaten, worm-eaten,’ answered the mouldering ankles, and the wheel went merrily round.”
It is unnecessary to repeat the couplet which Miss Thusa sang between every descending horror, in a voice which sounded as if it came through a fine-toothed comb, in little trembling wires, though it gave indescribable effect to her gloomy tale.
“In a few moments,” continued Miss Thusa, “she heard a shoving, pushing sound in the chimney like something groaning and laboring against the sides of the bricks, and presently a great, big, bloated body came down and set itself on legs that were no larger than a pipe stem. Then a little, scraggy neck, and, last of all, a monstrous skeleton head that grinned from ear to ear. ‘You want good company, and you shall have it,’ said the figure, and its voice did sound awfully—but the woman put up her wheel and asked the grim thing to take a chair and make himself at home.
“ ‘I can’t stay to-night,’ said he, ‘I’ve got a journey to take by the moonlight. Come along and let us be company for each other. There is a snug little place where we can rest when we’re tired.’ ”
“Oh! Miss Thusa, she didn’t go, did she?” interrupted Helen, whose eyes, which had been gradually enlarging, looked like two full midnight moons.
“Hush, child, if you ask another question, I’ll stop short. She didn’t do anything else but go, and they must have been a pretty sight walking in the moonlight together. The lonely woman and the worm-eaten traveler. On they went through the woods and over the plains, and up hill and down hill, over bridges made of fallen trees, and streams that had no bridges at all; when at last they came to a kind of uneven ground, and as the moon went behind a cloud, they went stumbling along as if treading over hillocks of corn.
“ ‘Here it is,’ cried the worm-eaten traveler, stopping on the brink of a deep, open grave. The moon looked forth from behind a cloud, and showed how awful deep it was. She wanted to turn back then, but the skeleton arms of the figure seized hold of her, and down they both went without ladder or rope, and no mortal ever set eyes on them more.
‘Oh! if I’d good company—if I’d good company,
Oh! how happy should I be!’ ”
It is impossible to describe the intensity with which Helen listened to this wild, dark legend, crouching closer and closer to the chimney corner, while the chillness of superstitious terror quenched the burning fire-rose on her cheek.
“Was the spinning woman you, Miss Thusa?” whispered she, afraid of the sound of her own voice; “and did you see it with your own eyes?”
“Hush, foolish child!” said Miss Thusa, resuming her natural tone; “ask me no questions, or I’ll tell you no tales. ’Tis time for the yellow bird to be in its nest. Hark! I hear your mother calling me, and ’tis long past your bed-time. Come.”
And Miss Thusa, sweeping her long right arm around the child, bore her shrinking and resisting towards the nursery room.
“Please, Miss Thusa,” she pleaded, “don’t leave me alone. Don’t leave me in the dark. I’m not one bit sleepy—I never shall go to sleep—I’m afraid of the worm-eaten man.”
“I