When Men Grew Tall, or The Story of Andrew Jackson. Alfred Henry Lewis
blooming Rachel. The moody Robards, half soaked in corn whisky, sits by the open door, ear on the conversation, eye on the not-over-distant woods. If the worthless Robards will not work, at least he may maintain a halfbright lookout for murderous Indians; and he does.
The widow Donelson glances across from the corn bread she is mixing.
“The runner who came on ahead,” she says, addressing the blooming Rachel, “reports the party as being due to-morrow. Mr. Jackson, the new State's Attorney, who will come with it, is to board and lodge with us.”
The blooming Rachel looks brightly up. The drunken Robards likewise looks up; but his face is gloomy with incipient jealousy.
“A Mr. Jackson, eh?” he sneers. Then, to the blooming Rachel: “It's mighty likely you'll find in him a new lover to try your wiles on.”
The blooming Rachel colors and her black eyes snap, but she holds her tongue. The widow Donelson is also silent. The mother and daughter have found wordlessness the best return to those insults, which it is the habit of the jealous drunkard to hurl at his pretty wife.
The runner made true report, and the party in which travels the horse-faced Andy makes its appearance next day. Tall, slender, elegant, self-possessed, and with a manner which marks him above the common, he is disliked by the drunken Robards on sight. When he declines to drink with that sot, the dislike crystallizes into hatred. The outrageous jealousy of Robards has found a new reason for its green-eyed existence, and he already goes drunkenly pondering the slaughter of the horse-faced Andy. Since he will never advance beyond the pondering stage, for certain reasons called “craven” among men of clean courage, his homicidal lucubrations are the less important.
Andy the horse-faced does not notice Robards. He does, however, notice with a thrill of pleasure the beautiful Rachel, and is glad to find his lines are down in such pleasant places.
He is vastly taken with the boarding house of the widow Donelson, and incautiously says as much. He praises her corn pone and fried squirrel, and vehemently avers that her hog and hominy are the best he ever ate.
Rachel the blooming does not allow her husband's jealousy to interrupt hospitality, and piles high the young State's Attorney's plate with these delicacies. She even brings out a store of wild honey and cream—dainties sparse and few and far between in these rude regions. She calls this “hospitality”; her jealous drunkard of a husband calls it “making advances.” He says that in the course of a long, and he might have added misspent, life, he has observed that a coquette, with designs on a man's heart, never fails to begin by making an ally of his stomach.
“Hence,” says the drunken deductionist, “that honey and cream.”
That night, after Rachel the blooming and her drunken husband retire, a bitter quarrel breaks out between them. It rages with such fury that the bicker arouses one Overton, who occupies the adjoining chamber. Mr. Overton is a severe character, firm and clear as to his rights. He objects to having his rest disturbed, alleging that he has troubles of his own. Taking final offense at the language of the brute Robards, which is more emphatic than nice, he gets his pistols. Rapping on the intervening wall to invoke attention, he informs that vituperative drunkard of his intention to instantly put him (Robards) to death, should he so much as raise his voice above a whisper for the balance of the night.
Rachel seeks her mother, and the jealous drunkard quiets down. He is not unacquainted with Mr. Overton, who is reputed to possess as restless a brace of hair triggers as ever owned flint and pan. Altogether he is precisely the one whose word would carry weight with such as Robards, and, on the back of his interference in the domestic affairs of that inebriate, a great peace settles upon the blockhouse of the widow Donelson which abides throughout the night.
As for the horse-faced State's Attorney, he knows nothing of the differences between Rachel and the jealous Robards. He does not sleep in the blockhouse, having been appointed to a blanket couch in the “Bunk House,” a separate dormitory structure which stands at a little distance.
During breakfast, the blooming Rachel again freights daintily deep the plate of the young State's Attorney. Thereupon the favored one beams his thanks, while behind his back as though to soothe his hate, the malevolent Rob-ards sits cleaning a rifle, casting upon him the while an occasional midnight look. Just across is the taciturn Overton, proprietor of those restless hair triggers, wondering over his bacon and eggs where this drama of love and threatened murder is to end.
CHAPTER IV—COLONEL WAIGHTSTILL AVERY OFFENDS
NOW, when the horse-faced Andy finds himself in the Cumberland country, he begins to look about him. Being a lawyer, his instinct leads him to consider those opposing ranks of commerce, the debtor and creditor classes. He finds the former composed of persons of the highest honor. Also, their honor is sensitive and easily touched, being sensitive and touchy in proportion as the bulk of their debts is increased. The debtor class, as the same finds representation about those two Cumberland forums, Nashville and Jonesboro, holds it to be the privilege of every gentleman, when dunned, to challenge and if practicable kill his creditor honorably at ten paces.
So firm indeed is the debtor class in this belief, that the creditor class, less warlike and with more to lose, seldom presents a bill. Neither does it refuse the opposition credit; for the debtor class also clings to the no less formidable theory, that to refuse credit is an insult quite as stinging as a dun direct.
In short, the horse-faced Andy discovers the region to be a very Arcadia for debtors. Their credit is without a limit and their debts are never due. He resolves to disturb these commercial Arcadians; he will break upon them as a Satan of solvency come to trouble their debt paradise.
The horse-faced Andy, as has been noted, is Scotch-Irish. Being Irish, his honor is as sensitive and his soul as warlike as are those of the most debt-eaten individual along the Cumberland. Being Scotch, he believes debts should be paid, and holds that a creditor may ask for his money without forfeiting life. He urges these views in tavern and street; and thereupon the creditors, taking heart, come to him with their claims. He accepts the trusts thus proffered; as a corollary, having now flown in the face of the militant debtor class, he is soon to prove his manhood.
The horse-faced Andy files a declaration for a client, on a mixed claim based upon bacon, molasses and rum. The defendant, a personage yclept Irad Miller, genus debtor, species keel boatman, is a very patrician among bankrupts, boasting that he owes more and pays less than any man south of the Ohio river. Also, having been already offended by the foppish frivolity of that ruffled shirt and grass-green surtout, he is outraged now, when the ruffled grass-green one brings suit against him.
Breathing fire and smoke, the insulted Irad lowers his horns, and starts for the horse-faced Andy. His methods at this crisis are characteristic of the Cumberland; he merely grinds the horse-faced Andy's polished boot beneath his heel, mentioning casually the while that he himself is “half hoss, half alligator,” and can drink the Cumberland dry at a draught.
This is fighting talk, and the horse-faced Andy so accepts it. He surveys the truculent Irad with the cautious tail of his eye, and finds him discouragingly tall and broad and thick. The survey takes time, but the injured Irad prevents it being wasted by again grinding the polished toes.
Andy the strategic suddenly seizes a rail from the nearby fence, and charges the indebted one. The end of the rail strikes that insolvent in what is vulgarly known as the pit of the stomach, and doubles him up like a two-foot rule. At that, he who is “half hoss, half alligator,” gives forth a screech of which an injured wild cat might be proud, and perceiving the rail poised for a second charge makes off. This small adventure gives the horse-faced Andy station, and an avalanche of claims pours in upon him.
Having established himself in the confidence of common men, it still remains with our horsefaced hero to conquer the esteem of the bar. The opportunity is not a