Joan of Arc. Laura Richards
such and such crimes, the cause of it is that in my youth I was always allowed to do as I pleased." ("L'on m'a toujours laissé aller au gré de ma volonté.")
From a child, he showed distinction in the arts of war; appeared for a time clad in all the warlike virtues. Enormously rich, in his own right as well as by marriage, he was eagerly welcomed to the standard of Charles the Dauphin, who was correspondingly poor. We shall see him at Orleans, riding beside the Maid, one of her devoted admirers; through all the period of his youth, his public acts shone bright and gallant as his own sword.
The second period of his life shows the artist, the seeker, the man of boundless ambitions. He aspired to be "litterateur savant et artiste."14 He had a passion for the beautiful, a passion for knowledge; for manuscripts, music, drama, science, especially that so-called science of the occult. When he traveled, he carried with him his valuable library, from which he would not be separated: carried also his two splendid organs, his chapel, his military household. He kept his own court of over two hundred mounted men, knights, squires, pages, all magnificently equipped and maintained at his expense. At two of his cities, Machecoul and Tiffanges, he maintained all the clergy of a cathedral and a collegiate church: dean, archdeacon, etc., etc., twenty-five to thirty persons, who (like the library) accompanied him on his travels, no less splendidly dressed than the knights and squires.
Many pages of a bulky memoir are devoted to the various ways in which Gilles squandered his princely fortune. Our concern is with his efforts to restore it, or rather to make another when it was gone.
In the course of his studies, he had not neglected the then-still-popular one of alchemy, and to this he turned when no more money was to be had. Gold, it appeared, could be made; if so, he was the man to make it. Workshops were set up at Tiffanges, perhaps in that gloomy donjon tower which alone remains to-day of all that Arabian Nights castle of splendor and luxury. Alchemists were summoned and wrought night and day, spurred on by promises and threats. Night and day they wrought; but no gold appeared. Fearing for their lives, they hinted at other and darker things that might be necessary; at other agencies which might produce the desired result. If my lord would call in, for example, those who dealt in magic – ?
Frantic in his quest, Gilles stopped at nothing. Necromancers were sent for, and came; they in turn summoned "spirits from the vasty deep" or elsewhere, who obediently appeared. Trembling, yet exultant, Gilles de Rais spoke to the demons, asking for knowledge, power and riches ("science, puissance, et richesse"), promising in return anything and everything except his life and his soul. The demons, naturally enough, made no reply to this one-sided offer. It is curious to read of the midnight scenes in that summer of 1439 when Gilles and his magician-friend Prelati, with their three attendants, tried to strike this bargain with the infernal powers. Torches, incense, pentacles, crucibles, etc., etc.; nothing was omitted. They adjured Satan, Belial, and Beelzebub to appear and "speak up"; adjured them, singularly enough, in the name of the Holy Trinity, of the Blessed Virgin and all the saints. The demons remained mute; nor were they moved by sacrifices of dove, pigeon or kid. Finally, a demon called "Barron" made response: it appeared that what the fiends desired was human sacrifice: that without it no favors might be expected of them.
About this time the western provinces of France became afflicted with a terrible scourge. A monster, it was whispered, a murderous beast, bête d'extermination, was hiding in the woods, none knew where. Children began to disappear; youths and maidens too, all young and tender human creatures. They vanished, leaving no trace behind. At first the bereaved parents lamented as over some natural accident. The little one had strayed from home, had fallen into the river, had lost its way in the forest. The friends mourned with them, but were hardly surprised: it was not too strange for those wild days. But the thing spread. In the next village, two children had disappeared; in the next again, four. The creature, whatever it was, grew bolder, more ravenous. Terror seized the people; the whole countryside was in an agony of fear and suspense. Rumor spread far and wide; the beast took shape as a human monster; the ogre was evolved, Croquemitaine, who devoured children as we eat bread. A little while, and the monster was localized. It was within such a circle that the children were vanishing; near Tiffanges, near Machecoul, the two fairy castles of the great Seigneur Gilles de Rais. Slowly but surely the net of suspicion was drawn, closer, closer yet. The whispers spread, grew bolder, finally broke into open speech. "The beast of extermination" was none other than the Marshal of France, the companion of Dunois and La Hire, and of the Maid herself, the great lord and mighty prince, Gilles de Rais. Search was made in the chambers of Machecoul, in the gloomy vaults of Tiffanges. The bones of the murdered children were found, here lying in heaps on the floor, there hidden in the depths of well or oubliette. It is not a tale to dwell upon; it is enough to know that in a few years over three hundred children and young people had been foully and cruelly done to death.
In 1440 the matter reached the drowsy ear of Public Justice. Gilles was formally arrested (making no resistance, secure in his own power), was tried, tortured, and after making full confession and expressing repentance for his crimes, was condemned to be burned; but, meeting more tender executioners than did the Maid of France, was strangled instead, and his body piously buried by "certain noble ladies."
Every French child of education knows something of the "jeune et beau Dunois"; every French child, educated or not, knows the story of Joan of Arc; Anglo-Saxon children may not invariably attain this knowledge, but they all know Gilles de Rais, though they never heard his name. Soon after his death, he passed into the realm of Legend, and under the title of Bluebeard he lives, and will live as long as there are children. Legend, that enchanting but inaccurate dame, gave him his seven wives; he had but one, and she survived him. His own name soon passed out of use. Even in the town of Nantes, where he met his death, the expiatory monument raised by Marie de Rais on the place of her father's torture was called "le monument de Barbe-Bleue."
So, strangely enough, it is the children who keep alive the memory of their slayer.
CHAPTER V
THE VOICES
Et eussiez-vous, Dangier, cent yeulx
Assis et derrerière et devant,
Ja n'yrez si près regardant
Que vostre propos en soit mieulx.
In 1425, when Joan was in her fourteenth year, Domrémy had its first taste of actual war. Henry of Orly, a robber captain of the neighborhood, pounced upon the village with his band, so suddenly and swiftly that the people could not reach their island refuge. The robbers, more greedy than bloodthirsty, did not wait to slay, merely stripped the houses of everything worth carrying off, and "lifted" the cattle, as the Scots say, driving them some fifty miles to Orly's castle of Doulevant. The distressed villagers appealed to the lady of Bourlemont, who in turn called upon her kinsman Anthony of Vaudemont, a powerful noble of Lorraine. Cousin Anthony promptly sent men to recover the stolen cattle. Orly, resisting, was beaten off, and the beasts were brought back in safety to Domrémy, where the happy villagers received them with shouts of joy.
The English were not directly responsible for this raid. Orly was a free-lance, robbing and harrying on his own account; Vaudemont was Anglo-Burgundian at heart. None the less, people, here as everywhere, were beginning to feel that war and trouble had come with the English, and that there could be no lasting peace or quiet while they trod the soil of France.
Not long after this raid, about noon of a summer day, Joan of Arc was in her father's garden, which lay between the house and the little gray church. We do not know just what the girl was doing, whether gathering flowers for her pleasure, or herbs for household use, or simply dreaming away a leisure hour, as girls love to do. Suddenly "on her left hand, toward the church, she saw a great light, and had a vision of the archangel Michael, surrounded by other angels."15
Thus, briefly and simply, the marvelous story begins. Indeed, the beginning must needs be brief, since only Joan herself could tell of the vision, and she was always reticent about it. She would not, press her as they might, describe the appearance of the archangel. We must picture him for ourselves, and this, thanks to Guido Reni, we may easily do.
Gilles de Rais.
Lowell. "Joan of Arc," p. 28. N. B. – Other authorities place the light on her