The Book of Susan: A Novel. Dodd Lee Wilson
firmament, and even, I regret to say, if persistently harassed, thrust forth a rigid pink tongue. This, Susan has since informed me, is the embryonic state of "swearing like anything."
The little boys, on the whole, were better. They often said cruel things, but Susan felt that they said them in a quite different spirit from their instinctively snobbish and Grundyish sisters – said them merely by way of bravado, or just for the fun of seeing whether or not she would cry. And then they often let her join in their games, and on those happy occasions treated her quite as an equal, with an impartial and, to Susan, entirely blissful roughness. Susan early decided that she liked boys much better than girls.
There was, for example, Jimmy Kane, whose widowed mother took in washing, and so never had any time to clean up her huddled flat, over Heinze's grocery store, or her family of four – two boys and two girls. No one ever saw skin, as in itself it really is, on the faces of Mrs. Kane's children, and Jimmy was always, if comparison be possible, the grimiest of the brood. For some reason Jimmy always had a perpetual slight cold, and his funny flat button of a nose wept, winter and summer alike, though never into an unnecessary handkerchief. His coat-sleeve served, even if its ministrations did not add to the tidiness of his countenance.
Susan often wished she might scrub him, just to see what he really looked like; for she idolized Jimmy. Not that Jimmy ever had paid any special attention to her, except on one occasion. It was merely that he accepted her as part of the human scheme of things, which in itself would almost have been enough to win Susan's affectionate admiration. But one day, as I have hinted, he became the god of her idolatry.
The incident is not precisely idyllic. A certain Joe – Giuseppe Gonfarone; ætat. 14 – whose father peddled fruit and vegetables, had recently come into the neighborhood; a black-curled, brown-eyed little devil, already far too wise in the manifold unseemliness of this sad old planet. Joe was strong, stocky, aggressive, and soon posed as something of a bully among the younger boys along Birch Street. Within less than a month he had infected the minds of many with a new and rich vocabulary of oaths and smutty words. Joe was not of the unconsciously foul-mouthed; he relished his depravity. In fact, youngster as he was, Joe had in him the makings of that slimiest product of our cities – the street pimp, or cadet.
It was one fine spring day, three years or so before I met Susan in the Eureka Garage, that Joe, with a group of Birch Street boys, was playing marbles for keeps, just at the bottom of the long incline which carries Birch Street down to the swamp land and general dump at the base of East Rock. Susan was returning home from Orange Street, after bearing her father his full dinner pail, and as she came up to the boys she halted on one foot, using the toe of her free foot meanwhile to scratch mosquito bites upward along her supporting shin.
"H'lo, Susan!" called Jimmy Kane, with his perfunctory good nature. "What's bitin' you?"
Then it was his turn to knuckle-down. Susan, still balanced cranelike, watched him eager-eyed, and was so delighted when he knocked a fine fat reeler of Joe's out of the ring, jumping up with a yell of triumph to pocket it, that she too gave a shrill cheer: "Oh, goody! I knew you'd win!"
The note of ecstasy in her tone infuriated Joe. "Say!" he shrieked. "You getta hell outta here!"
Susan's smile vanished; her white, even teeth – she had all her front ones, she tells me; she was ten – clicked audibly together.
"It's no business of yours!" she retorted.
"You're right; it ain't!" This from Jimmy, still in high good humor. "You stay here if you want. You're as good as him!"
"Who's as good as me?"
"She is!"
"Her?" Joe's lips curled back. He turned to the other boys, who had all scrambled to their feet by this time and, instinctively scenting mischief, were standing in a sort of ring. "He says she's good as me!"
Two of the smallest boys tittered, from pure excitement. Susan's nose went up.
"I'm better. I'm not a dago!"
Joe leaped toward Susan and thrust his dense, bull-like head forward, till his eyes were glaring into hers.
"Mebbe I live lika you – eh? Mebbe I live," cried Joe, "with a dirty whore!"
There was a gasp from the encircling boys as Susan fell back from this word, which she did not wholly comprehend, but whose vileness she felt, somehow, in her very flesh. Joe, baring gorilla teeth, burst into coarse jubilation.
It was just at this point that Jimmy Kane, younger than Joe by a year or more, and far slighter, jumped on the little ruffian – alas, from behind! – and dealt him as powerful a blow on the head as he could compass; a blow whose effectiveness, I reluctantly admit, was enhanced by the half brick with which Jimmy had first of all prudently provided himself. Joe Gonfarone went to earth, inert, but bleeding profusely.
There was a scuttling of frightened feet in every direction. Susan herself did not stop running until she reached the very top of the Birch Street incline. Then she looked back, her eyes lambent, her heart throbbing, not alone from the rapid ascent. Yes, there was Jimmy —her Jimmy! – kneeling in the dust by the still prostrate Joe. Susan could not hear him, but she knew somehow from his attitude that he was scared to death, and that he was asking Joe if he was hurt much. She agonized with her champion, feeling none the less proud of him, and she waited for him at the top of the rise, hoping to thank him, longing to kiss his hands.
But Jimmy, when he did pass her, went by without a glance, at top speed. He was bound for a doctor. So Susan never really managed to thank Jimmy at all. She merely idolized him in secret, a process which proved, however, fairly heart-warming and, in the main, satisfactory.
It took three stitches to mend Joe's head – a fact famous in the junior annals of Birch Street for some years – and soon after he appeared, somewhat broken in spirit, in the street again, his parents moved him, Margharita and the sloe-eyed twins to Bridgeport – very much, be it admitted, to the relief of Jimmy Kane, who had lived for three weeks nursing a lonely fear of dark reprisals.
III
There was one thing about Bob Blake's four-room house – it exactly fitted his family. The floor plan was simple and economically efficient. Between the monolithic door slab – relic of a time when Bob's house had been frankly "in the country" – and the public street lay a walk formed of a single plank supported on chance-set bricks. From the door slab one stepped through the front doorway directly into the parlor. Beyond the parlor lay the kitchen, from which one could pass out through a narrow door to a patch of weed-grown back yard. A ladderlike stair led up from one side of the kitchen, opposite to the single window and the small coal range. At the top of the stair was a slit of unlighted hallway with a door near either end of it. The door toward Birch Street gave upon the bedroom occupied by Bob and Pearl; the rearward door led to Susan's sternly ascetic cubiculum. No one of these four rooms could be described as spacious, but the parlor and Bob's bedroom may have been twelve by fifteen or thereabouts. Susan's quarters were a scant ten by ten.
The solider and more useful pieces of furniture in the house belonged to the régime of Susan's mother – the great black-walnut bed which almost filled the front bedroom; Susan's single iron cot frame; the parlor table with its marble top; the melodeon; the kitchen range; and the deal table in the kitchen, upon which, impartially, food was prepared and meals were served. To these respectable properties Pearl had added from time to time certain other objects of interest or art.
Thus, in the parlor, there was a cane rocking-chair, gilded; and on the wall above the melodeon hung a banjo suspended from a nail by a broad sash of soiled blue ribbon. On the drumhead of the banjo someone had painted a bunch of nondescript flowers, and Pearl always claimed these as her own handiwork, wrought in happier days. This was her one eagerly contested point of pride; for Bob, when in liquor, invariably denied the possibility of her ever having painted "that there bouquet." This flat denial was always the starting point for those more violent Sunday-night quarrels, which had done so much to reduce the furniture of the house to its stouter, more imperishable elements.
During the brief interval between the death of Susan's mother and the arrival of Pearl, Bob had placed his domestic affairs in the hands of an old negro-woman,