Two Poets. Honore de Balzac
to poetry, was drawn by his tastes towards natural science.
The exchange of roles was the beginning of an intellectual comradeship. Before long, Lucien told David of his own father’s farsighted views of the application of science to manufacture, while David pointed out the new ways in literature that Lucien must follow if he meant to succeed. Not many days had passed before the young men’s friendship became a passion such as is only known in early manhood. Then it was that David caught a glimpse of Eve’s fair face, and loved, as grave and meditative natures can love. The et nunc et semper et in secula seculorum of the Liturgy is the device taken by many a sublime unknown poet, whose works consist in magnificent epics conceived and lost between heart and heart. With a lover’s insight, David read the secret hopes set by the mother and sister on Lucien’s poet’s brow; and knowing their blind devotion, it was very sweet to him to draw nearer to his love by sharing her hopes and her self-sacrifice. And in this way Lucien came to be David’s chosen brother. As there are ultras who would fain be more Royalist than the King, so David outdid the mother and sister in his belief in Lucien’s genius; he spoiled Lucien as a mother spoils her child.
Once, under pressure of the lack of money which tied their hands, the two were ruminating after the manner of young men over ways of promptly realizing a large fortune; and, after fruitless shakings of all the trees already stripped by previous comers, Lucien bethought himself of two of his father’s ideas. M. Chardon had talked of a method of refining sugar by a chemical process, which would reduce the cost of production by one-half; and he had another plan for employing an American vegetable fibre for making paper, something after the Chinese fashion, and effecting an enormous saving in the cost of raw material. David, knowing the importance of a question raised already by the Didots, caught at this latter notion, saw a fortune in it, and looked upon Lucien as the benefactor whom he could never repay.
Any one may guess how the ruling thoughts and inner life of this pair of friends unfitted them for carrying on the business of a printing house. So far from making fifteen to twenty thousand francs, like Cointet Brothers, printers and publishers to the diocese, and proprietors of the Charente Chronicle (now the only newspaper in the department) – Sechard & Son made a bare three hundred francs per month, out of which the foreman’s salary must be paid, as well as Marion’s wages and the rent and taxes; so that David himself was scarcely making twelve hundred francs per annum. Active and industrious men of business would have bought new type and new machinery, and made an effort to secure orders for cheap printing from the Paris book trade; but master and foreman, deep in absorbing intellectual interests, were quite content with such orders as came to them from their remaining customers.
In the long length the Cointets had come to understand David’s character and habits. They did not slander him now; on the contrary, wise policy required that they should allow the business to flicker on; it was to their interest indeed to maintain it in a small way, lest it should fall into the hands of some more formidable competitor; they made a practice of sending prospectuses and circulars – job-printing, as it is called – to the Sechard’s establishment. So it came about that, all unwittingly, David owed his existence, commercially speaking, to the cunning schemes of his competitors. The Cointets, well pleased with his “craze,” as they called it, behaved to all appearance both fairly and handsomely; but, as a matter of fact, they were adopting the tactics of the mail-coach owners who set up a sham opposition coach to keep bona fide rivals out of the field.
Inside and outside, the condition of the Sechard printing establishment bore testimony to the sordid avarice of the old “bear,” who never spent a penny on repairs. The old house had stood in sun and rain, and borne the brunt of the weather, till it looked like some venerable tree trunk set down at the entrance of the alley, so riven it was with seams and cracks of all sorts and sizes. The house front, built of brick and stone, with no pretensions to symmetry, seemed to be bending beneath the weight of a worm-eaten roof covered with the curved pantiles in common use in the South of France. The decrepit casements were fitted with the heavy, unwieldy shutters necessary in that climate, and held in place by massive iron cross bars. It would have puzzled you to find a more dilapidated house in Angouleme; nothing but sheer tenacity of mortar kept it together. Try to picture the workshop, lighted at either end, and dark in the middle; the walls covered with handbills and begrimed by friction of all the workmen who had rubbed past them for thirty years; the cobweb of cordage across the ceiling, the stacks of paper, the old-fashioned presses, the pile of slabs for weighting the damp sheets, the rows of cases, and the two dens in the far corners where the master printer and foreman sat – and you will have some idea of the life led by the two friends.
One day early in May, 1821, David and Lucien were standing together by the window that looked into the yard. It was nearly two o’clock, and the four or five men were going out to dinner. David waited until the apprentice had shut the street door with the bell fastened to it; then he drew Lucien out into the yard as if the smell of paper, ink, and presses and old woodwork had grown intolerable to him, and together they sat down under the vines, keeping the office and the door in view. The sunbeams, playing among the trellised vine-shoots, hovered over the two poets, making, as it were, an aureole about their heads, bringing the contrast between their faces and their characters into a vigorous relief that would have tempted the brush of some great painter.
David’s physique was of the kind that Nature gives to the fighter, the man born to struggle in obscurity, or with the eyes of all men turned upon him. The strong shoulders, rising above the broad chest, were in keeping with the full development of his whole frame. With his thick crop of black hair, his fleshy, high-colored, swarthy face, supported by a thick neck, he looked at first sight like one of Boileau’s canons: but on a second glance there was that in the lines about the thick lips, in the dimple of the chin, in the turn of the square nostrils, with the broad irregular line of central cleavage, and, above all, in the eyes, with the steady light of an all-absorbing love that burned in them, which revealed the real character of the man – the wisdom of the thinker, the strenuous melancholy of a spirit that discerns the horizon on either side, and sees clearly to the end of winding ways, turning the clear light of analysis upon the joys of fruition, known as yet in idea alone, and quick to turn from them in disgust. You might look for the flash of genius from such a face; you could not miss the ashes of the volcano; hopes extinguished beneath a profound sense of the social annihilation to which lowly birth and lack of fortune condemns so many a loftier mind. And by the side of the poor printer, who loathed a handicraft so closely allied to intellectual work, close to this Silenus, joyless, self-sustained, drinking deep draughts from the cup of knowledge and of poetry that he might forget the cares of his narrow lot in the intoxication of soul and brain, stood Lucien, graceful as some sculptured Indian Bacchus.
For in Lucien’s face there was the distinction of line which stamps the beauty of the antique; the Greek profile, with the velvet whiteness of women’s faces, and eyes full of love, eyes so blue that they looked dark against a pearly setting, and dewy and fresh as those of a child. Those beautiful eyes looked out from under their long chestnut lashes, beneath eyebrows that might have been traced by a Chinese pencil. The silken down on his cheeks, like his bright curling hair, shone golden in the sunlight. A divine graciousness transfused the white temples that caught that golden gleam; a matchless nobleness had set its seal in the short chin raised, but not abruptly. The smile that hovered about the coral lips, yet redder as they seemed by force of contrast with the even teeth, was the smile of some sorrowing angel. Lucien’s hands denoted race; they were shapely hands; hands that men obey at a sign, and women love to kiss. Lucien was slender and of middle height. From a glance at his feet, he might have been taken for a girl in disguise, and this so much the more easily from the feminine contour of the hips, a characteristic of keen-witted, not to say, astute, men. This is a trait which seldom misleads, and in Lucien it was a true indication of character; for when he analyzed the society of to-day, his restless mind was apt to take its stand on the lower ground of those diplomatists who hold that success justifies the use of any means however base. It is one of the misfortunes attendant upon great intellects that perforce they comprehend all things, both good and evil.
The two young men judged society by the more lofty standard because their social position was at the lowest end of the scale, for unrecognized power is apt to avenge itself for lowly station by viewing the world from a lofty standpoint. Yet it is, nevertheless, true