Renshaw Fanning's Quest: A Tale of the High Veldt. Mitford Bertram
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Renshaw Fanning's Quest: A Tale of the High Veldt
Prologue
“Just consider! You would soon get to hate me. I should be the ruin of you.”
Thus the owner of the bright, sparkling face which was turned, half mockingly, half ruefully, upon that of her companion. Looking out killingly from under the broad-brimmed hat, the dark, lustrous eyes seemed to melt into his.
“How can you say such a thing?” was the reply, in the deep, half-tremulous tone of a man who is in dead earnest. “How can you say such a thing?” he repeated involuntarily, driving a spur into his horse’s flank with a dig that made that spirited animal curvet and prance beneath the restraining curb.
“Oh, take care! you are making my horse restive. And I am such a bad rider, as you know!” And the lithe, graceful figure in the well-fitting habit was thrown into the relief involved by a real physical effort. “How can I say so?” she went on; “how can I say so? Why, it is only candid on my part. Do you seriously think a butterfly like me is cut out for a life on the High Veldt?”
The man’s bronzed features faded to a ghastly paleness. He averted his head for some moments, as though with a wild instinctive idea of breaking the spell that was upon him. Overhead towered the stately cone of a great mountain, soaring aloft in the summer haze. Around, in undulating sweep, the bushclad slopes shut in the tortuous, stony road. Birds piped and called to one another in the lustrous sunlight, and the rich sensuous air was alive with the drowsy boom of bees and the metallic plash of the river in its rocky bed beneath.
“There are other and pleasanter places in this country than the High Veldt,” he said at last, but in the tone of an advocate pleading a hopeless cause, and that cause his own.
“But even then,” she rejoined, her voice softening as though in compunction over the final stab she was about to inflict, “even then – no one is less qualified to make you happy than I am, believe me. Why, you don’t really know me as I am! Sometimes I think I hardly know myself.”
“You do yourself injustice,” he said. “Give me the opportunity of proving it.”
A curious passing spasm – a kind of a stormy look – shot across the beautiful face.
“You are too generous,” she replied vehemently, “and far too good to be made miserable for life by such a little wretch as I am. Better, far, feel a little sorry now than that.”
“And you are underrating yourself. But I will not hurry you. Take time; but oh, my darling, don’t tell me that what you said just now is your final answer.”
“I must tell you that very thing. It cuts me to the heart to give you pain; and that is more than I have been able to say before to any man living. But – there are reasons – if you only knew. There. Forget that I ever said that. But I know that with you anything I may say is as safe as death itself.”
This time he made no reply. For one brief instant their eyes met, and in that instant he understood her; understood, too, that her first answer was final.
Yet he was goodly to look upon, this man, with his splendid physique, and refined, noble countenance. Many a feminine heart, we trow, would have beat quicker – but with vivid joy – at such words as he had addressed to his present companion. Many a pair of eyes would have brightened gladsomely into a quick love-light. Many another would have desired no better protector and stay until her life’s end than this man now riding by the side of her who had rejected him.
To propose on horseback is the very worst place a man can choose wherein to propose, says some one or other, by reason of both the proposer and proposee being in a measure subject to the precarious whims of one or a pair of wholly unreliable quadrupeds. He who now rode there had either never heard that salutary axiom or had forgotten it for the occasion; but now he was made to feel its force by a male voice, some little distance ahead, hallooing —
“Now, you two good people, spur up, or we shall never get there to-night!”
And a bend in the road brought into view other horsemen – other “habits” – stationary, and obviously and provokingly awaiting the arrival of the two laggards.
And the equestrians, now merged into one group, rode on their way in the golden sunlight of that lovely afternoon, rejoicing in the exquisite glories of the wild and romantic mountain road. But, in the prevailing mirth, one among them bore no part, for he carried within his breast the dead burden of a sore and aching heart.
Chapter One.
Thirst-Land
The heat was terrible.
Terrible, even for the parched, burning steppes of the High Veldt, whose baked and crumbling surface lay gasping in cracks and fissures beneath the blazing fierceness of the African sun. Terrible for the stock, enfeebled and emaciated after months of bare subsistence on such miserable wiry blades of shrivelled grass as it could manage to pick up, and on the burnt and withered Karroo bushes. Doubly terrible for those to whom the wretched animals, all skin and bone, and dying off like flies, represented nothing more nor less than the means of livelihood itself.
Far away to the sky-line on every side, far as the eye could travel, stretched the dead, weary surface of the plain. Not a tree, not a bush to break the level. On the one hand a low range of flat-topped hills floated, mirage like, in mid-air, so distant that a day’s journey would hardly seem to bring you any nearer; on the other, nothing – nothing but plain and sky, nothing but the hard red earth, shimmering like a furnace in the intolerable afternoon heat; nothing but a frightful desert, wherein, apparently, no human being could live – not even the ape-like Bushman or the wild Koranna. Yet, there stands a house.
A house thoroughly in keeping with its surroundings. A low one-storied building, with a thatched roof and walls of sun-baked brick. Just a plain parallelogram; no attempt at ornamentation, no verandah, not even a stoep. No trace of a garden either, for in this horrible desert of drought and aridity nothing will grow. Hard by stand the square stone kraals for the stock, and a little further on, where the level of the plain sinks into a slight depression, is an artificial dam, its liquid store at present reduced to a small patch of red and turgid water lying in the middle of a surrounding margin of dry flaky mud, baked into a criss-cross pattern of cracks, like a huge mosaic.
On a low, stony kopje, a few hundred yards distant from this uninviting homestead, sits its owner. Nobody but a Boer could dwell in such a place, would be the first thought succeeding that of wonder that any white man could be found to inhabit it at all. But a glance would suffice to show that he now sitting there is not a member of that dogged and pachydermatous race. The face is a fine – even a noble – one, whose features the bronzed and weatherworn results of a hard life have failed to roughen. A broad, lofty brow, and pensive dark eyes stamp their owner as a man of intellect and thought, while the peculiar curve of the well-formed nostrils betokens a sensitive and self-contained nature. The lower half of the face is hidden by a dark silky beard and moustache.
One brown, sinewy hand grasps a geologist’s hammer, with which it chips away listlessly at the ground. But, although the action is now purely mechanical, it is not always so, as we shall see if we use our story-teller’s privilege and dip into his inner thoughts. Briefly rendered, they run in this wise:
“Oh, this awful drought! When is it going to end? Not that it much matters, either way, now, for there’s hardly a sound hoof left on the place; and, even if a good rain did come, it would only finish off the whole fever-stricken lot. Well, I’ll have to clear out, that’s one consolation. I’ve held on as long as any man could, and now I’ll just have to go.”
His gaze wanders over the arid plain. Far away through the shimmer it rests on a multitude of white specks – a flock of Angora goats, striving in desperation to pick up what miserable subsistence it may.
“There’s nothing to be done with the place – nothing,” he muses, bringing his hammer down upon a boulder with a despairing whack. “It won’t sell even for an old song – no one will so much as touch land now, nor will they for a long time to come, and there isn’t a ‘stone’ (‘Diamond’ in digger parlance) on the whole farm, for I’ve dug and fossicked in every likely place, and unlikely one, too. No; I’ll shut up