The Last Call: A Romance (Vol. 1 of 3). Dowling Richard

The Last Call: A Romance (Vol. 1 of 3) - Dowling Richard


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and shook his head, and laughing and shaking his head became him. His mother looked at him half sadly, and thought: "No girl in all the world could refuse my boy-my handsome boy, my noble boy. And now one of them is going to take him away from me, who reared him, and have known him every hour since he was born." "Eugene," said the father deliberately, "do I understand that you wish me to give you my opinions on marriage?" The young man burst into a loud laugh. He had got far beyond the theoretic aspect of the affair now, and his father's opinion would have made very little impression indeed when compared with the impression Ellen Creagh had left upon his heart. After this the three talked upon the subject of Eugene's possible marriage, he telling them no more about the adventure on the beach than that the notion of marriage had been put into his mind by the sight of a most estimable young lady, in every way suited to him, but of whom he had only the slightest knowledge up to this. That night, when Ellen Creagh found herself in her own room, no thoughts of love were in her head. A feeling of pity for the fair young man she had met was uppermost in her head. It was not sentimental pity, but pity of a much more substantial and worldly kind. She had a letter to write, and sat down to write it. It began, "My dear Ruth," and continued to narrate certain trivial matters connected with seaweed and shells. Then it went on to say: "I have seen young Mr. O'Donnell, son of your father's great friend, here. I was quite startled when I heard the name. I was introduced to him by a friend who had told me of him before." When she had finished her letter, she addressed it to Miss Vernon, Fitzwilliam Square, Dublin. She added a postscript, saying: "I hope you will soon get out of Dublin. You must be weary of it this lovely weather. I shall write again in a few days." Then she stood awhile at the table, musing over the events in the boat. "He could not have been serious," she thought. "I daresay if I had looked at his face I should have seen him smiling. Anyway, he took it very quietly." That night Dominique Lavirotte slept little. "Though he were my friend over and over again," he cried passionately, "he shall not. No! Not if I were to-" Here he covered his face with his hands. "What a horrible thought! I can see his white face now in the moonlight. Why is it white? Why is it moonlight? Oh, God! was beauty ever such as hers?"

      CHAPTER III

      It was in the full height of summer, and by the bland sea, and while gathering a bouquet of wild flowers for a girl clad in white, and sitting on a mound hard by, that Eugene O'Donnell had for the first time the courage to tell himself he was in love. A minute before and he had stood in great fear of this said love-it had seemed silly, childish, unworthy of a full-grown man in the perfect possession of all his faculties. And now, all at once, even while his back was towards her, and he was not under the glamour of her eye, the magic of her touch, the mysterious fascinations of her motions, when, apparently, nothing was going on in the bare daylight but the tranquil ripple of the waves on the shore below, this fear left him, and all at once he confessed to himself his love, and began to glory in it. Once the flood-gate was broken down his nature knew no pause, saw no obstacle, appreciated no difficulty. Turning round hastily, with the flowers in his hand and a laugh upon his lips, such a laugh as he had never laughed before, for now the whole nature of the man was stirred, he cried: "What a fool I have been, Ellen." It was the first time he had called her by her name, and yet it seemed old and familiar to him. "What a fool I have been," he said, "to bother about these flowers." She blushed, and looked up timidly, and looked down bashfully, and smiled, and moved as though to rise, and then sat still. She was not familiar with her name upon his lips. "Eugene," to her mind, seemed familiar, for from one reason or another, perhaps the love of brevity, she so called him when she thought of him. But to hear him call her Ellen was as though her secret had been penetrated, and the fact that she called him Eugene laid bare. "What a fool I have been to gather these idle flowers," he repeated. "They are but the symbols of what I could say so much better in words. May I speak?" She grew red, and then deadly pale, and seemed about to faint. Her lips opened, but no sound came. "Whether you give me leave or not," he said, "I must. Ellen," he went on, "I think there is at this moment but one thing I believe impossible, and it is that I could ever go away from you. I never was in love before, and I don't exactly know the regular thing to say, but I'll tell you how I feel. If you were to get up off that mound now and walk away, supposing back to Glengowra or to the world's end, I'd follow you. And I'd never cease to follow you, even beyond the world's end, until you turned back and put your hand in mine. That's better than these flowers," he said, tossing the bouquet from him. "It's straighter, anyway, Ellen. Will you give me your hand, dear?" He called her "dear," and after a little while her hand was raised slightly from where it lay, and he took it, and she let it bide with him. So the stupid flowers lay-nowhere; and two pure hearts, sweet with God's goodliest graces, were opened to the understanding of one another. Then came moonlight nights to make the rich completion of the full day. He sang to her among the rocks, with the cool fresh sea washing beneath their unwearied feet. She sat clasped to him, and glad to be so clasped; and he sat strong beside her, and conscious of his strength. There was no worshipping on his part, no bowing down before a golden image. He took her to his heart in the beauty of her wholesome girlhood, as one takes a melody or a flower, without question and without any exaggeration of dearness beyond the exaggeration compelled by all beautiful things. These moonlit nights amid the rocks were the dearest things which had been, up to that, with him. There was no impediment in the course of his true love; his father was affluent; he had explained the whole matter at home; he had brought his sweetheart home, and there had she been approved of. Her mother saw no reason why the handsome, good-natured, good-humoured, well-off young man should not marry her beautiful daughter; and the daughter, on her part, saw all the reasons between heaven and earth, and several others which had no existence in heaven or earth or the region between, why she should marry him. It was their custom in these moonlight nights to stroll down to that cove where their first meeting had taken place, and where the glamour of her beauty had first fallen upon him. Here, of nights, were privacy, the moon and the sea, and the perfections lent to the moon and the sea by the cliffs and the rocks and the sounds of the sea (that are subtler than any voice); and now and then the sounds of the land, which take away the aerial perspective of the sea and bring to the soothed eye visions of homesteads and fallows, of sleeping woods and gentle useful beasts, of pious folk at rest by night and pious folk at rest for ever; and, over all, the limitless quiet of night. Here on several occasions they sat for hours, from the late sunset, through the late dusk, into the dark. And once or twice, when he bade her good-bye at her mother's gate, he stole back again to the cove which had been the theatre of the magic drama in which he was acting. He now lived in the village, and often sat at the cove until the blue dawn blotted out the bluer night, and the seagulls awoke, and the sails of the fishing-boats out in the bay were trimmed for home. All this time, though he knew it not, a shadow dogged him, an evil shadow, a morally misshapen shadow, a pitiless dark shadow, that hid here and there where it could, behind wall, or tree, or rock, and ever glared unwholesomely. The shadow of a swarthy man, of a man that showed his teeth in the moonlight and fumbled something in his pocket; a sinister stealthy shadow, that boded good to no one, lurked, and dodged, and followed in the footsteps of the lovers like the evil genius of their career. When all had been settled between the lovers, Ellen had written to Mrs. Vernon and obtained release from her duties in that household. A month had now gone by since that meeting on the shingle, and it was arranged that in another month the wedding was to take place. The course of true love was running as smooth as the planets in their orbits. The happiest man and woman in Ireland were Eugene O'Donnell and Ellen Creagh. As the days went by that cove grew dearer to his heart; and even now, when the moon was making moonlight for lovers somewhere else, he, Eugene O'Donnell, could not keep away from it, nor could he sleep. One night he left her at her mother's gate and walked slowly down the road to the cove. It was dark for a summer night. Yet still there was light enough to see a large object, say the figure of a man, fifty yards off. He knew the ground as a farmer knows his farm. Following the declivity of the road he soon arrived at the broken ground. Here was a high rock on the right, high enough to conceal a man; and here, behind this rock, was hidden a man with gleaming teeth, and in his right hand a gleaming blade. As O'Donnell drew near the rock the man sprang forth, seized the other by the throat with the left hand, and, whirling up his right, whispered: "You shall never marry her." "Lavirotte! Lavirotte! My God, Lavirotte, are you mad?" "Yes, and you are dead." The hand holding the knife descended swiftly.

      CHAPTER IV

      Instinctively O'Donnell shot his left hand upward and seized the descending


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