The Works of Robert Louis Stevenson – Swanston Edition. Volume 21. Robert Louis Stevenson
are my father’s friend,” she said; “we shall be great friends too. You must come and see me soon.”
Then she was gone down the hillside at a run; and Dick stood by himself in a state of some bewilderment and even distress. There were elements of laughter in the business; but the black dress, and the face that belonged to it, and the hand that he had held in his, inclined him to a serious view. What was he, under the circumstances, called upon to do? Perhaps to avoid the girl? Well, he would think about that. Perhaps to break the truth to her? Why, ten to one, such was her infatuation, he would fail. Perhaps to keep up the illusion, to colour the raw facts; to help her to false ideas, while yet not plainly stating falsehoods? Well, he would see about that; he would also see about avoiding the girl. He saw about this last so well, that the next afternoon beheld him on his way to visit her.
In the meantime the girl had gone straight home, light as a bird, tremulous with joy, to the little cottage where she lived alone with a maiden aunt; and to that lady, a grim, sixty years old Scotswoman, with a nodding head, communicated news of her encounter and invitation.
“A friend of his?” cried the aunt. “What like is he? What did ye say was his name?”
She was dead silent, and stared at the old woman darkling. Then very slowly, “I said he was my father’s friend; I have invited him to my house, and come he shall,” she said; and with that she walked off to her room, where she sat staring at the wall all the evening. Miss M’Glashan, for that was the aunt’s name, read a large bible in the kitchen with some of the joys of martyrdom.
It was perhaps half-past three when Dick presented himself, rather scrupulously dressed, before the cottage door; he knocked, and a voice bade him enter. The kitchen, which opened directly off the garden, was somewhat darkened by foliage; but he could see her as she approached from the far end to meet him. This second sight of her surprised him. Her strong black brows spoke of temper easily aroused and hard to quiet; her mouth was small, nervous, and weak; there was something dangerous and sulky underlying, in her nature, much that was honest, compassionate, and even noble.
“My father’s name,” she said, “has made you very welcome.”
And she gave him her hand with a sort of curtsey. It was a pretty greeting, although somewhat mannered; and Dick felt himself among the gods. She led him through the kitchen to a parlour, and presented him to Miss M’Glashan.
“Esther,” said the aunt, “see and make Mr. Naseby his tea.”
As soon as the girl was gone upon this hospitable intent, the old woman crossed the room and came quite near to Dick as if in menace.
“Ye know that man?” she asked, in an imperious whisper.
“Mr. Van Tromp?” said Dick. “Yes; I know him.”
“Well, and what brings ye here?” she said. “I couldn’t save the mother – her that’s dead – but the bairn!” She had a note in her voice that filled poor Dick with consternation. “Man,” she went on, “what is it now? Is it money?”
“My dear lady,” said Dick, “I think you misinterpret my position. I am young Mr. Naseby of Naseby House. My acquaintance with Mr. Van Tromp is really very slender; I am only afraid that Miss Van Tromp has exaggerated our intimacy in her own imagination. I know positively nothing of his private affairs, and do not care to know. I met him casually in Paris – that is all.”
Miss M’Glashan drew a long breath. “In Paris?” she said. “Well, and what do you think of him? – what do ye think of him?” she repeated, with a different scansion, as Richard, who had not much taste for such a question, kept her waiting for an answer.
“I found him a very agreeable companion,” he said.
“Ay,” said she, “did ye! And how does he win his bread?”
“I fancy,” he gasped, “that Mr. Van Tromp has many generous friends.”
“I’ll warrant!” she sneered; and before Dick could find more to say, she was gone from the room.
Esther returned with the tea-things, and sat down.
“Now,” she said cosily, “tell me all about my father.”
“He” – stammered Dick, “he is a very agreeable companion.”
“I shall begin to think it is more than you are, Mr. Naseby,” she said, with a laugh. “I am his daughter, you forget. Begin at the beginning, and tell me all you have seen of him, all he said and all you answered. You must have met somewhere; begin with that.”
So with that he began: how he had found the Admiral painting in a café; how his art so possessed him that he could not wait till he got home to – well, to dash off his idea; how (this in reply to a question) his idea consisted of a cock crowing and two hens eating corn; how he was fond of cocks and hens; how this did not lead him to neglect more ambitious forms of art; how he had a picture in his studio of a Greek subject which was said to be remarkable from several points of view; how no one had seen it nor knew the precise site of the studio in which it was being vigorously though secretly confected; how (in answer to a suggestion) this shyness was common to the Admiral, Michelangelo, and others; how they (Dick and Van Tromp) had struck up an acquaintance at once, and dined together that same night; how he (the Admiral) had once given money to a beggar; how he spoke with effusion of his little daughter; how he had once borrowed money to send her a doll – a trait worthy of Newton, she being then in her nineteenth year at least; how, if the doll never arrived (which it appeared it never did), the trait was only more characteristic of the highest order of creative intellect; how he was – no, not beautiful – striking, yes, Dick would go so far, decidedly striking in appearance; how his boots were made to lace and his coat was black, not cut-away, a frock; and so on, and so on by the yard. It was astonishing how few lies were necessary. After all, people exaggerated the difficulty of life. A little steering, just a touch of the rudder now and then, and with a willing listener there is no limit to the domain of equivocal speech. Sometimes Miss M’Glashan made a freezing sojourn in the parlour; and then the task seemed unaccountably more difficult; but to Esther, who was all eyes and ears, her face alight with interest, his stream of language flowed without break or stumble, and his mind was ever fertile in ingenious evasions and —
What an afternoon it was for Esther!
“Ah!” she said at last, “it’s good to hear all this! My aunt, you should know, is narrow and too religious; she cannot understand an artist’s life. It does not frighten me,” she added grandly; “I am an artist’s daughter.”
With that speech, Dick consoled himself for his imposture; she was not deceived so grossly after all; and then if a fraud, was not the fraud piety itself? – and what could be more obligatory than to keep alive in the heart of a daughter that filial trust and honour which, even although misplaced, became her like a jewel of the mind? There might be another thought, a shade of cowardice, a selfish desire to please; poor Dick was merely human; and what would you have had him do?
CHAPTER IV
ESTHER ON THE FILIAL RELATION
A month later Dick and Esther met at the stile beside the cross roads; had there been any one to see them but the birds and summer insects, it would have been remarked that they met after a different fashion from the day before. Dick took her in his arms, and their lips were set together for a long while. Then he held her at arm’s length, and they looked straight into each other’s eyes.
“Esther!” he said, – you should have heard his voice!
“Dick!” said she.
“My darling!”
It was some time before they started for their walk; he kept an arm about her, and their sides were close together as they walked; the sun, the birds, the west wind running among the trees, a pressure, a look, the grasp tightening round a single finger, these things stood them in lieu of thought and filled their hearts with joy. The path they were following led them through a wood of pine trees carpeted with heather and blueberry, and upon this pleasant carpet, Dick, not without some seriousness,