The Wit of Women. Sanborn Kate
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The Wit of Women / Fourth Edition
PROEM.1
We are coming to the rescue,
Just a hundred strong;
With fun and pun and epigram,
And laughter, wit, and song;
With badinage and repartee,
And humor quaint or bold,
And stories that are stories,
Not several æons old;
With parody and nondescript,
Burlesque and satire keen,
And irony and playful jest,
So that it may be seen
That women are not quite so dull:
We come – a merry throng;
Yes, we're coming to the rescue,
And just a hundred strong.
CHAPTER I
THE MELANCHOLY TONE OF WOMEN'S POETRY – PUNS, GOOD AND BAD – EPIGRAMS AND LACONICS – CYNICISM OF FRENCH WOMEN – SENTENCES CRISP AND SPARKLING
To begin a deliberate search for wit seems almost like trying to be witty: a task quite certain to brush the bloom from even the most fruitful results. But the statement of Richard Grant White, that humor is the "rarest of qualities in woman," roused such a host of brilliant recollections that it was a temptation to try to materialize the ghosts that were haunting me; to lay forever the suspicion that they did not exist. Two articles by Alice Wellington Rollins in the Critic, on "Woman's Sense of Humor" and "The Humor of Women," convinced me that the deliberate task might not be impossible to carry out, although I felt, as she did, that the humor and wit of women are difficult to analyze, and select examples, precisely because they possess in the highest degree that almost essential quality of wit, the unpremeditated glow which exists only with the occasion that calls it forth. Even from the humor of women found in books it is hard to quote – not because there is so little, but because there is so much.
The encouragement to attempt this novel enterprise of proving ("by their fruits ye shall know them") that women are not deficient in either wit or humor has not been great. Wise librarians have, with a smile, regretted the paucity of proper material; literary men have predicted rather a thin volume; in short, the general opinion of men is condensed in the sly question of a peddler who comes to our door, summer and winter, his stock varying with the season: sage-cheese and home-made socks, suspenders and cheap note-paper, early-rose potatoes and the solid pearmain. This shrewd old fellow remarked roguishly "You're gittin' up a book, I see, 'baout women's wit. 'Twon't be no great of an undertakin', will it?" The outlook at first was certainly discouraging. In Parton's "Collection of Humorous Poetry" there was not one woman's name, nor in Dodd's large volume of epigrams of all ages, nor in any of the humorous departments of volumes of selected poetry.
Griswold's "Female Poets of America" was next examined. The general air of gloom – hopeless gloom – was depressing. Such mawkish sentimentality and despair; such inane and mortifying confessions; such longings for a lover to come; such sighings over a lover departed; such cravings for "only" – "only" a grave in some dark, dank solitude. As Mrs. Dodge puts it, "Pegasus generally feels inclined to pace toward a graveyard the moment he feels a side-saddle on his back."
The subjects of their lucubrations suggest Lady Montagu's famous speech: "There was only one reason she was glad she was a woman: she should never have to marry one."
From the "Female Poets" I copy this "Song," representing the average woman's versifying as regards buoyancy and an optimistic view of this "Wale of Tears":
"Ask not from me the sportive jest,
The mirthful jibe, the gay reflection;
These social baubles fly the breast
That owns the sway of pale Dejection.
"Ask not from me the changing smile,
Hope's sunny glow, Joy's glittering token;
It cannot now my griefs beguile —
My soul is dark, my heart is broken!
"Wit cannot cheat my heart of woe,
Flattery wakes no exultation;
And Fancy's flash but serves to show
The darkness of my desolation!
"By me no more in masking guise
Shall thoughtless repartee be spoken;
My mind a hopeless ruin lies —
My soul is dark, my heart is broken!"
In recalling the witty women of the world, I must surely go back, familiar as is the story, to the Grecian dame who, when given some choice old wine in a tiny glass by her miserly host, who boasted of the years since it had been bottled, inquired, "Isn't it very small of its age?"
This ancient story is too much in the style of the male story-monger – you all know him – who repeats with undiminished gusto for the forty-ninth time a story that was tottering in senile imbecility when Methuselah was teething, and is now in a sad condition of anecdotage.
It is affirmed that "women seldom repeat an anecdote." That is well, and no proof of their lack of wit. The discipline of life would be largely increased if they did insist on being "reminded" constantly of anecdotes as familiar as the hand-organ repertoire of "Captain Jinks" and "Beautiful Spring." Their sense of humor is too keen to allow them to aid these aged wanderers in their endless migrations. It is sufficiently trying to their sense of the ludicrous to be obliged to listen with an admiring, rapt expression to some anecdote heard in childhood, and restrain the laugh until the oft-repeated crisis has been duly reached. Still, I know several women who, as brilliant raconteurs, have fully equalled the efforts of celebrated after-dinner wits.
It is also affirmed that "women cannot make a pun," which, if true, would be greatly to their honor. But, alas! their puns are almost as frequent and quite as execrable as are ever perpetrated. It was Queen Elizabeth who said: "Though ye be burly, my Lord Burleigh, ye make less stir than my Lord Leicester."
Lady Morgan, the Irish novelist, witty and captivating, who wrote "Kate Kearney" and the "Wild Irish Girl," made several good puns. Some one, speaking of the laxity of a certain bishop in regard to Lenten fasting, said: "I believe he would eat a horse on Ash Wednesday." "And very proper diet," said her ladyship, "if it were a fast horse."
Her special enemy, Croker, had declared that Wellington's success at Waterloo was only a fortunate accident, and intimated that he could have done better himself, under similar circumstances. "Oh, yes," exclaimed her ladyship, "he had his secret for winning the battle. He had only to put his notes on Boswell's Johnson in front of the British lines, and all the Bonapartes that ever existed could never get through them!"
"Grace Greenwood" has probably made more puns in print than any other woman, and her conversation is full of them. It was Grace Greenwood who, at a tea-drinking at the Woman's Club in Boston, was begged to tell one more story, but excused herself in this way: "No, I cannot get more than one story high on a cup of tea!"
You see puns are allowed at that rarely intellectual assemblage – indeed, they are sometimes very bad; as when the question was brought up whether better speeches could be made after simple tea and toast, or under the influence of champagne and oysters. Miss Mary Wadsworth replied that it would depend entirely upon whether the oysters were cooked or raw; and seeing all look blank, she explained: "Because, if raw, we should be sure to have a raw-oyster-ing time."
Louisa Alcott's puns deserve "honorable mention." I will quote one. "Query – If steamers are named the Asia, the Russia, and the Scotia, why not call one the Nausea?"
At a Chicago dinner-party a physician received a menu card with the device of a mushroom, and showing it to the