London's Heart: A Novel. Farjeon Benjamin Leopold
Benjamin Leopold
London's Heart: A Novel
CHAPTER I
IN WHICH MR. PODMORE DECLARES THAT HE IS NOT ACCOUNTABLE
FOR HIMSELF
The scene opens in the locality of Soho-that labyrinth of narrow paths which always wears a depressed and melancholy air, as if it had just gone into mourning. If Soho ever had bright days in the shape of a sunny youth, it must have been very long ago. No trace of them remains; a settled sadness lies upon its queer narrow thoroughfares now and for evermore. The very voices of its residents are more subdued and resigned than other voices are in other places.
No locality in London contains so strange a variety of life's phases as may be found in Soho. And yet it is full of mystery, and its ways are dark and secret. Men and women may live there for years, and their antecedents and present modes of life shall be as little known as if they lived in the most remote corner of the earth. Soho is the molehill of the Great City. You may have a thousand pounds a year and spend it in Soho, and your neighbours not only shall not notice it, but shall be as utterly indifferent to you as if you lived on tenpence a day-as hundreds of poor fellows are doing at this present moment. Hard-working mechanics live there; weary-eyed needlewomen; libertines; ballet-girls, whose salary is twenty shillings a week, and who wear furs and false hair and diamond rings; and man-owls, who sleep by day and prey by night. On the doorstep of some of the houses in which these persons dwell, children in the afternoon play with marbles and broken pieces of crockery. Here is a group composed of half a dozen dirty-stockinged little girls, who look at you shyly as you pause before them, and put their fingers in their mouths and giggle surreptitiously. Speak to this one-a clear gray-eyed girl of some eight summers, with intelligent well-formed face and beautiful light hair. Question her, and bribe her with pence, and you may obtain from her the information that she lives in the next street, at the baker's, on the second-floor back; that mother and father live there, of course; that seven brothers and sisters live there, making a family party of ten in all; that they have only one room, in which mother cooks the meals, and in which they all sleep; and that sometimes Uncle Bob pays them a visit, and eats and sleeps with them for a few days. Wondrous is the inner life of Soho. It is the abode of much seediness and much suffering. Many a poor gentleman eats his bread-and-dripping there, and, if he can afford it, cooks his herring there, and thinks sadly of times, gone by, when his life had its days of sunshine. He looks forward yearningly to the time to come; but rich as is the harvest that grows in the fields of Hope, the chance of its ever being gathered is a dismal one indeed. The poor gentleman, ill-fed, ill-dressed, reads faded letters in his garret, kisses pictures there, and dreams hopefully of the future, which contains for him nothing but a grave.
In one of Soho's quiet streets-belonging to that peculiar family of streets which are invariably round the corner-is a tallow-chandler's shop, ambitiously designated by its proprietor, J. Gribble senior, as an oil and colour warehouse. This designation glares at you from over the blue shopfront in yellow letters-glares at you defiantly, as if it is aware beforehand that doubt of its assertion must necessarily rise in your mind. The window of the shop, in which the stock is displayed, is dusty and dirty, and everything behind it has a faded and second-hand appearance. In a corner of the window is a sheet of note-paper, on which is written-in feeble and uncertain letters-"Down with Cooperation!" There is an exception, however, to the generally dusty aspect of the window. In a centre pane, which is kept clean, is a square of blue cardboard, on which the following announcement is neatly written, in yellow round-hand:
under his Treatment, he has never turned out one Incurable.
J. G. junior has had Numerous Patients brought to him Partly Deformed or Weakened through Improper Treatment, and has in a very few Hours invariably restored to them their Original Strength.
J. G, junior's Royal Umbrella and Parasol Hospital, Second-floor Front.
The stock has not a very inviting appearance: comprising, for the most part, candles, mouse-traps, balls of twine, bars of yellow soap-so arranged as to be suggestive of prison-windows-and limbs and wings and dead bodies of flies. These latter seem to be the peculiar attribute of shop and parlour windows in Soho. One might almost be pardoned for the supposition that every discontented fly in London makes it a practice to go to Soho and die.
The shop has its public entrance for customers, and its private entrance for the residents of the house-so private indeed, so circumscribed and squeezed up, that scarcely one out of fifty passers-by would know that it was there; and that one, seeing it by merest chance, might well be lost in wonder at the perplexing idea of a stout man struggling through the narrow passage into which the mockery of a door must necessarily open. Three bell-handles display themselves on each side of the door to snare and entrap the uninitiated; a goggle-eyed knocker (with a face so hideous that babies have gone into convulsions at the sight of it) also adds to the entanglement of ideas. For, knowing that the house contains many inhabitants who have no connection with each other, and some of whom may indeed be at variance, the uninitiated brings confusion upon himself by ringing the wrong bell or knocking the wrong knock. A woman, who lodged somewhere in the vicinity of the coal-cellar, was often the occasion of much distress to the knockers and ringers. This woman, who always made her appearance fresh from the washing-tub, and who came up-stairs invariably wiping her wet arms upon her apron, was afflicted with the perpetual conviction that a ring or a knock, whether single, or double, or treble, was certainly intended for her; and as her temper was none of the sweetest, unpleasant scenes occurred. Many a box on the ears did youthful knockers and ringers receive from the damp hands of the disappointed woman, and many an angry mother would make her appearance in the passage a few minutes afterwards and exchange shrill civilities with the bad-tempered castigator. Sometimes these angry mothers would go almost into hysterics because the woman below declined to comply with such invitations as, "Come up, and I'll show yer!" or, "Come up, and I'll scratch yer eyes out for yer!" or, "What d'yer mean by slappin' my boy Billy about on the 'ead, which was weak from a babby? What d'yer mean by it, yer minx? – What d'yer mean?" (This last fortissimo.) "Come up, and I'll tear the 'air out of yer 'ead!" After which challenges and defiances the angry mothers, with very white faces, would issue into the street, and form the centres of little knots of female neighbours only too willing to discuss the matter and express their opinions. A facetious person, who had called several times at the house, and who was never able to solve the mystery of the bells, once hit upon what he conceived to be a happy idea. He gave a postman's knock; but the rush of eager feet from all parts of the house, and the glare of angry faces that met his smiling one when the door was opened, were sufficient warnings to him never to try it again; and he never did.
In the front room of the first floor of this house sits an old man, working in somewhat idle fashion on a few wooden castors or wheels. It is Saturday on a summer evening in June. The window is open; on the sill are two flower-pots. The room, which is a humble one, is very clean and tidy, and there are evidences of comfort, even of refinement about it, humble as it is. Some cheap graceful ornaments are on the mantelshelf: a pair of shells; a shepherd and a shepherdess, condemned by the exigencies of art to live apart from each other, notwithstanding their languishing looks; and, in the centre of the mantelshelf, a vase with two of yesterday's roses in it. These roses, as they are placed in the vase, touch the photograph of a young girl, which hangs in a frame above them. She is pretty and fresh-looking, and there is a smile upon her face which induces gladness in the beholder: as spring flowers and bright skies do. On either side of the portrait, hung on a higher level, is a picture of the same young girl, disguised. On the right-hand side of the mantelshelf she is dressed in a Spanish costume; on her shoulders is a black-lace shawl arranged with the most charming