The Lame Lover. Foote Samuel

The Lame Lover - Foote Samuel


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      The Lame Lover / A Comedy in Three Acts

      PROLOGUE

Written and Spoken by Mr. Gentleman

       Prologues, like cards of compliment, we find,

      Most as unmeaning as politely kind;

      To beg a favour, or to plead excuse,

      Of both appears to be the gen'ral use.

      Shall my words, tipt with flattery, prepare

      A kind exertion of your tend'rest care?

      Shall I present our Author to your sight,

      All pale and trembling for his fate this night?

      Shall I sollicit the most pow'rful arms

      To aid his cause – the force of beauty's charms?

      Or tell each critic, his approving taste

      Must give the sterling stamp, wherever plac'd?

      This might be done – but so to seek applause

      Argues a conscious weakness in the cause.

      No – let the Muse in simple truth appear,

      Reason and Nature are the judges here:

      If by their strict and self-describing laws,

      The sev'ral characters to-night she draws;

      If from the whole a pleasing piece is made,

      On the true principles of light and shade;

      Struck with the harmony of just design,

      Your eyes – your ears – your hearts, will all combine

      To grant applause: – but if an erring hand

      Gross disproportion marks in motley band,

      If the group'd figures false connexions show,

      And glaring colours without meaning glow,

      Your wounded feelings, turn'd a diff'rent way,

      Will justly damn – th' abortion of a play.

      As Farquhar has observ'd, our English law,

      Like a fair spreading oak, the Muse should draw,

      By Providence design'd, and wisdom made

      For honesty to thrive beneath its shade;

      Yet from its boughs some insects shelter find,

      Dead to each nobler feeling of the mind,

      Who thrive, alas! too well, and never cease

      To prey on justice, property, and peace.

      At such to-night, with other legal game,

      Our vent'rous author takes satiric aim;

      And brings, he hopes, originals to view,

      Nor pilfers from th' Old Magpie, nor the New 1.

      But will to Candour chearfully submit;

      She reigns in boxes, galleries, and pit.

      Dramatis Personæ

      ACT I

Enter Serjeant Circuit and CharlotCHARLOT

      I tell you, Sir, his love to me is all a pretence: it is amazing that you, who are so acute, so quick in discerning on other occasions, should be so blind upon this.

SERJEANT

      But where are your proofs, Charlot? What signifies your opening matters which your evidence cannot support?

CHARLOT

      Surely, Sir, strong circumstances in every court should have weight.

SERJEANT

      So they have collaterally, child, that is by way as it were of corroboration, or where matters are doubtful; then indeed, as Plowden wisely observes "Les circonstances ajout beaucoup depoids aux faits." – You understand me?

CHARLOT

      Not perfectly well.

SERJEANT

      Then to explain by case in point; A, we will suppose, my dear, robs B of a watch upon Hounslow heath – dy'e mind, child?

CHARLOT

      I do, Sir.

SERJEANT

      A, is taken up and indicted; B swears positively to the identity of A. – Dy'e observe?

CHARLOT

      Attentively.

SERJEANT

      Then what does me A, but sets up the alibi C, to defeat the affidavit of B. – You take me.

CHARLOT

      Clearly.

SERJEANT

      So far you see then the ballance is even.

CHARLOT

      True.

SERJEANT

      But then to turn the scale, child, against A, in favour of B, they produce the circumstance D, viz. B's watch found in the pocket of A; upon which, the testimony of C being contradicted by B, – no, by D, – why then A, that is to say C, – no D, – joining B, they convict C, – no, no, A, – against the affidavit of C. – So this being pretty clear, child, I leave the application to you.

CHARLOT

      Very obliging, Sir. But suppose now, Sir, it should appear that the attention of Sir Luke Limp is directed to some other object, would not that induce you to —

SERJEANT

      Other object! Where?

CHARLOT

      In this very house.

SERJEANT

      Here! why the girl is non compos; there's nobody here, child, but a parcel of Abigals.

CHARLOT

      No, Sir?

SERJEANT

      No.

CHARLOT

      Yes, Sir, one person else.

SERJEANT

      Who is that?

CHARLOT

      But remember, Sir, my accusation is confined to Sir Luke.

SERJEANT

      Well, well.

CHARLOT

      Suppose then, Sir, those powerful charms which made a conquest of you, may have extended their empire over the heart of Sir Luke?

SERJEANT

      Why, hussy, you don't hint at your mother-in-law?

CHARLOT

      Indeed, Sir, but I do.

SERJEANT

      Ay; why this is point blank treason against my sovereign authority: but can you, Charlot, bring proof of any overt acts?

CHARLOT

      Overt acts!

SERJEANT

      Ay; that is any declaration by writing, or even word of mouth is sufficient; then let 'em demur if they dare.

CHARLOT

      I can't say that, Sir; but another organ has been pretty explicit.

SERJEANT

      Which?

CHARLOT

      In those cases a very infallible one – the eye.

SERJEANT

      Pshaw! nonsense and stuff. – The eye! – The eye has no authority in a court of law.

CHARLOT

      Perhaps not, Sir, but it is a decisive evidence in a court of love.

SERJEANT

      Hark you, hussy, why you would not file an information against the virtue of madam your mother; you would not insinuate that she has been guilty of crim. con.?

CHARLOT

      Sir, you mistake me; it is not the lady, but the gentleman I am about to impeach.

SERJEANT

      Have


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<p>1</p>

Alluding to Mr. Garrick's Prologue to the Jubilee.