Daughters of Belgravia; vol 3 of 3. Fraser Alexander

Daughters of Belgravia; vol 3 of 3 - Fraser Alexander


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      Daughters of Belgravia; vol 3 of 3

      CHAPTER I.

      “ARE YOU GOING TO MARRY ZAI?”

      “If I could but know after all,

      I might cease to hunger and ache,

      Though your heart were ever so small,

      If it were not a stone or a snake.”

      It is the truth that Gabrielle is desperately in love with Lord Delaval, and it is equally true that, thrusting all maidenly reserve to the four winds, she does not hesitate to let him know it.

      Last night – will she ever forget it? She was sitting in the twilight, shaded from view by the amber hangings of the music room. For an hour she had been singing the passionate French and Italian songs in which she could pour out her soul freely, but she had tired of it since he was not by for audience. So dashing her music aside she pulled a chair into the embrasure of the bay window, and with her chin resting on her hand, was soon lost in a waking dream, of which he, of course, was central figure.

      How long she sat there she never knew. Anyway, the purple twilight had merged into grey gloom, through which myriads of twinkling stars peered down at her flushed cheeks and passionate black eyes, when suddenly a voice startled her, a voice whose accents bore such genuine feeling in them, that for a moment it seemed unfamiliar to her ears.

      And this is what it said – while Gabrielle listened with beating heart and bated breath, rent with jealousy and rage.

      “Tell me! when is my probation to end? Have you no mercy for me?”

      “What for?” and Zai’s tone, in comparison with his, was strangely hard and cold.

      “What for? Don’t you know that I want to claim you before all the world? Don’t you know that I am longing to take my darling in my arms and swear on her sweet lips how I love her?”

      Whether Zai answered this phantasy tenderly or no, Gabrielle never knew, for the two passed the open door and were out of hearing.

      The two!

      Her faithless lover and her step-sister!

      Gabrielle flew upstairs noiselessly, and reaching her own room, locked the door.

      She was alone now – alone – thank God! alone! Here there were no mocking eyes to note her horrible folly, to laugh at her awful, awful anguish, here she could grind her white teeth in impotent rage, or grovel on the floor in humiliation and a futile passion. She flung off the pretty dress she had put on for dinner to please his eyes, a delicious mélange of white lace and vivid scarlet, the colour that suited best her soft creamy skin and coal-black hair, and matched the hue of her perfect lips, and she thrust impatiently aside the glittering bracelets and rings with which she loved to deck her rounded arms and tapering fingers.

      What were these baubles worth now, that she had lost the jewel of Lord Delaval’s heart?

      Vanitas Vanitatum!

      Sackcloth and ashes are the garments she should wear, poor, passionate, reckless creature, a victim to a worldling’s fickleness. And Gabrielle, the cynical, the votary of Balzac and Georges Sand, the unbeliever in true feeling, wept bitterly over the wreck that had been made of her life “for one man’s pleasure only.”

      Her strictly worldly surroundings forbade her from giving way to an honest violent grief that would serve for sluice-gates to her heart. And she smothered back the sobs that broke from her with a rapidity of passion that she couldn’t restrain.

      Poor soul, that a sojourn in Belgravia had starved, it could find no balm in Gilead, no physician, now that the one human creature she had placed on a pedestal to worship had tumbled down ignominiously, to her thinking the veriest lump of clay. And she writhed as she remembered that not only by words and looks, but even by kisses on her red lips, he had betrayed her.

      She positively wailed out her misery and her wrath in a low deep wail, weird enough to be a cry from one of Dante’s lost souls. Yet —

      “Is it worth a tear? is it worth an hour?

      To think of things that are well outworn,

      Of fruitless husk and fugitive flower,

      The dreams foregone, and the deed forborne?”

      Had she not lived long enough in her twenty-six years to know that man and fickleness are synonymous terms, and to be avoided?

      Apparently not – for even while she groans and moans over his shortcomings, a mighty love fills her for the man whom she adores with a wild, unreasoning, selfish passion, and whose happiness she would immolate unscrupulously, if it pleased her to have it so. It must be owned that Lord Delaval is both a flirt and a butterfly, and that he has played fast and loose with mostly all the pretty women he has come across.

      Flirting comes to him as to the manner born; it lurks in his ultramarine eyes, in the corners of his mouth, in his voice, in his manners, and in his actions, and he thinks nothing of it.

      Some women regret his love, some resign themselves to his fickle ways, but Gabrielle Beranger is not of the common herd. She is a law unto herself in all things. She can love well (in her fashion) and she can hate well, with her great black gleaming orbs, her white passion-tossed features, her tumultuous, unscrupulous spirit. She regrets now, bitterly, but she does not dream of growing resigned.

      “Tout vient a celui qui sait attendre,” she mutters to herself.

      Lord Delaval has laid a burthen on her which she cannot bear. She has but one stimulus left in life, but one object. It is to appeal to him – to his honour – to his love. If she fails – but she does not dream of failing.

      One thing, she will separate the man she loves, and the man who has loved her, after the fashion of some men’s love, from her step-sister. If not now, she will some day, even if Zai marries him.

      To her the words – “Those whom God hath joined together let no man put asunder,” are but idle prattle. A mere formula of the Church, a creed which her blind unbelief in all good things makes her mock at and fling aside like the voice of the wind.

      Gabrielle is one part Belgravian and three parts French, and has the faults of both. Honour and loyalty are dead letters to such women. Strong and practical of nature, animal in instinct and passion, savage and cruel in greed of love, is it likely that women possessing such qualifications can wage war and be beaten?

      Cunning, craftiness, deceit and falsity, ranged against truth, innocence, purity and simple mindedness, form a very uneven contest, my readers.

      And, in spite of the pleasant doctrine that goodness rears its head over badness, it is a fact that human creatures of the Gabrielle Beranger type have often a better time of it in this world than their purer sisterhood.

      Gabrielle is not going to leave Lord Delaval in ignorance of her sufferings, for she is not of the nature of a violet, or likely to let concealment like a worm, &c., &c.

      “Are you going to marry Zai?” she asks abruptly. She has come face to face with him – accidentally on purpose – in a walk that is out of sight of the windows at Sandilands.

      Lord Delaval, Greek almost in indolence and love of rest and luxury, has one habit to which most of our golden youth are not given – a habit of rising early and going out early.

      So that Gabrielle has him all to herself this bright sunny morning, while the Beranger family are still enjoying their slumbers.

      For an instant, surprise – and it must be confessed irritation at meeting her – keeps him silent, so she repeats —

      “Are you going to marry Zai?”

      He looks at her – to say that he quails would be perhaps going too far – but he is unmistakably nervous. There is more moral cowardice in men than in women as a rule.

      She stands like an image of Nemesis, right in the centre of the path – immovable – a trifle formidable, her tall figure pulled well up to its fullest height, her features rigid and white as a sheet, and only her big black eyes burning with quite a hungry ferocious


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