Harper's New Monthly Magazine, No. XI.—April, 1851—Vol. II.. Various

Harper's New Monthly Magazine, No. XI.—April, 1851—Vol. II. - Various


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ghastly, wire-drawn, drunken faces. "Mercy upon us! what ominous tokens are in that doleful countenance of yours! The candle gives out its warning-sheet for the bespoken of the grave; the sea has its sights and sounds for the doomed man who is to sup with the fishes; the cricket challenges death in the hearth; the devil gives three knocks at the door when some miserable wretch is passing through the mortal agony; and there are signs in your face of a living torture, which any man galloping by may see. What does it mean? Is the leaf only turned over by the wind, and will the next blast whisk it back again? or are its fibres riven past recovery?"

      I could not bear this tantalizing mockery; and if I had not been afraid of exciting the malice of that fiendish nature, there must have been an explosion at this moment. I managed, however, to control myself, and spoke to him calmly, but with a resolution in my voice which admitted of no mis-construction. "Now, listen to me, my friend," I said, "and understand distinctly what I am going to say. You have extraordinary talents for sarcasm, but I must ask you not to practice them upon me. I don't like to be questioned and criticised in this way. I dare say you don't intend any thing beyond an idle joke; but I don't like being made the subject of jokes. I covet no favor from you but to be spared your gibes – and that is not much for you to grant."

      "The hardest thing in the world to grant!" he answered. "To be spared my gibes! What is to become of us, if I'm not to have my gibes? You might as well ask me to look you straight in the face and not to see you. Nonsense! you mustn't impose such a penance upon me."

      "But why do you jest with me in this way? Do you think I am a fit object for burlesque and buffoonery?"

      "Burlesque and buffoonery?" he returned, twitching his mouth as if he were stung to the quick; "I do not burlesque you, and I am not a buffoon."

      "Then drop this strange humor of yours, and try to be serious with me."

      "Do you desire me to be serious with you?"

      "Most assuredly I do. I don't understand any thing else."

      "Then it is a bond between us henceforth," he cried, in a tone of deep earnestness. "From this hour I jest with you no more."

      As he spoke he glanced at me darkly under his eyebrows, and turned into the house. I was rather taken by surprise at this new manifestation of his versatile genius, and followed him mechanically, utterly forgetful of the wise resolution with which I had set out.

      We went into the drawing-room. Astræa was surrounded by a group o girls, some kneeling, others dispersed about her, while she was directing their employment on a piece of tapestry on a large frame. The tableau was striking, and I thought Astræa never looked so well Her fine figure was thrown into a graceful attitude, the head slightly averted, and one hand pointing to the tracery, while the other was raised in the air, suspending some threads of the embroidery. The face that formed a circle round her were looking up, beaming with pleasure and presented an animated picture. Here was Astræa in a new aspect. I felt the injustice her flippant critics had committed in unsexing her, and depriving her of her domestic attributes.

      Our entrance disturbed the group, and, springing up, they took to flight like a flock of birds.

      "You see, Astræa," said the dwarf, in a sharp voice, meant to convey sneer through a compliment, "you are not allowed to be useful in this world. You are invaded at all your weak points: the force of you attraction will not suffer you to enjoy even your needle in private."

      "A truce, sir, to this folly!" exclaimed Astræa, turning from him an advancing to meet me.

      The dwarf twirled painfully on his chair, as if the scorn had taken full effect upon him. We had both struck him in the same place. Had we premeditated a plan of operations for wounding his vanity we could not have acted more completely in concert.

      "I hope," said I, desiring to change the subject, "you have recovered our merriment of last night?"

      "Merriment?" interposed Mephistophiles; "Good! Your merriment You and Astræa were like dull citizens yawning over a comedy, which we were fools enough to act for you. When next we play in that fashion may we have a livelier audience."

      "The reproach, I am afraid, is just," I observed, looking at Astræa. But she was not disposed to give the vantage ground to Mephistophiles. "I hope next time you may have an audience more to your liking," she observed; "tastes differ, you know, in these matters."

      "Yes, that's quite true," returned the dwarf, dryly; "but your tastes, it seems agree wonderfully."

      Thus Astræa and I were coupled and cast together by the mime, who evidently took a vindictive delight in committing us to embarrassments of that kind. To have attempted to extricate ourselves would probably have only drawn fresh imputations upon us; so we let it pass.

      Every body has observed what important events sometimes take their spring in trifles. The destiny of a life is not unfrequently determined by an accident. I felt that there was something due to Astræa or the freedom to which she was exposed on my account. Yet it was an exceedingly awkward subject to touch upon. The very consciousness of this awkwardness produced or suggested other feelings that involved me in fresh difficulties. I felt that I ought to apologize for having brought this sort of observation upon her; but I also felt that explanations on such subjects are dangerous, and that it is safer to leave them unnoticed. The impulse, however, to say something was irresistible; and what I did say was not well calculated to help me out of the dilemma.

      "I feel," said I, quite aware at the moment I spoke that it would have been just as well to have left my feelings out of the question – "I feel that I ought to apologize t you for bringing discredit on your taste. The whole fault of the dullness lies with me."

      "Not at all," she replied; "I am perfectly willing to take my share of it. Be assured that the highest compliment is often to be extracted from some people's sarcasms."

      This was a "palpable hit," and I apprehended that it would rouse the dwarf to a fierce rejoinder. But he had left the room, and we were alone.

      There was a pause; and Astræa, who had more courage under the embarrassment than I could command, was the first to speak. "They mistake me," she said slowly; "it has been my misfortune all my life to be misunderstood. Per aps the error is in myself. Possibly my own nature is at cross-purposes, marring and frustrating all that I really mean to do and say. I try to adapt myself to other people, but always fail. Even my motive are misinterpreted, and I can not make myself intelligible. It must be some original willfulness of my nature, that makes me seem too proud to the proud, and too condescending to the humble; but certain it is that both equally mistake me."

      "I do not mistake you, Astræa," I cried, startled by the humility of her confession.

      "I feel you do not," she answered.

      "They say you are scornful and unapproachable – not so! You are as timid at heart as the fawn trembling in its retreat at the sound of the hunter's horn. But you hold them, with whom you can not mingle, by the bond of fear. You compel them to treat you with deference, from the apprehension that they might otherwise become familiar. The translate your high intelligence into haughtiness; and because they can not reach to your height, they believe you to be proud and despotic."

      "I know not how that may be," she returned; "but I will acknowledge that my feelings must be touched before the mere woman's nature is awakened. They who do not know me think – "

      "That you are insensible to that touch," said I, supplying the unfinished sentence; "they libel you, Astræa! Achilles had only one vulnerable spot, but that was fatal. Protected in all else, you are defenseless on one point, and when that is struck your whole nature is subjugated. Do I describe you truly? When the woman is awakened, the insensibility and fortitude in which you are shut up will melt away – your power will be reduced to helplessness: absorbing devotion, unbounded tenderness, which are yearning for their release, will flow out; the conqueror will become the enslaved, living, not for victories which you despise, but for a servitude which will bring your repressed enthusiasm into action. For this you would sacrifice the world – pride, place, applause, disciples, flattery!"

      "Not a very agreeable picture – but, I am afraid, a faithful one."

      "Strong feelings and energy of character


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