The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 541, April 7, 1832. Various

      In No. 514 of The Mirror we explained the situation of the Lowther Arcade. We may here observe that this covered way or arcade intersects the insulated triangle of buildings lately completed in the Strand, the principal façade of which is designated West Strand.

      The Engraving represents the interior of the Arcade, similar in its use to the Burlington Arcade, and, although wider and more lofty, including three stories in height, it is not so long. The passage forms an acute angle with the Strand, running to the back of St. Martin's Church, and is divided by large pilasters into a succession of compartments; the pilasters are joined by an arch; and the compartments are domed over, and lighted in the centre by large domical lights, which illuminate the whole passage in a perfect manner. "All the shop-fronts are decorated in a similar manner, and the whole has been designed and executed with great care by the builder, Mr. Herbert. The shops on the exterior are designed to have the appearance of one great whole. The style of architecture is Grecian, and the order employed Corinthian: the angles are finished in a novel manner, with double circular buildings, having the roof domed in brick, with an ornament as a finish to the top of the dome. The effect of the whole would be agreeable if it had the appearance of a solid basement to stand upon; but as tradesmen find it necessary to have as much open space as possible to exhibit their goods, the mass of architecture above must appear to be supported by the window-frames of the shops, although in reality they are based upon small iron columns of four and six inches diameter, which are scarcely seen, and which offer the slightest possible impediment to the exhibition of goods."

      We may add that the Arcade at night is lit with gas within elegant vase-shaped shades of ground glass, branching from each side. The ornaments of the domes, especially that of the Caduceus, are introduced with good effect.

      We take the introduction of this and similar passages in the British metropolis to have been originally from the French capital. Thus, in Paris are the Passage des Panoramas; the Passage Delorme; the Passage d'Artois; the Passage Feydeau; the Passage de Caire; and the Passage Montesquieu. A more grandiloquent name applied by the French to some of their passages is galerie: we remember the Galerie Vivienne as one of the most splendid specimens, with its marchands of artificial luxuries. The Galerie Vero Dodat, (we think shorter than the Lowther Arcade,) is in the extreme of shop-front magnificence: the floor is of alternate squares of black and white marble, and the fronts are of plate-glass with highly-polished brass frames, and we doubt whether that common material, wood, is to be seen in the doors. This Galerie is named after its proprietor, M. Vero Dodat, an opulent charcutier, (a pork-butcher) in the neighbouring street; but we are unable to inform the reader by how many horse power his sausage-chopping machine is worked.

      VIRGINIA WATER

      In No. 533 of The Mirror is a Cut of the Cascade at Virginia Water (which by the way is a very correct one, with the keeper's lodge in the distance) which you state was the late King's own planing; but such was not the case, as it was built in the reign of George the Third; the late king merely added improvements about it, one of which was the building of a rude bridge a little below the cascade, of stones similar to the fall: this bridge connects a favourite drive down to the nursery.

      Brighton.

      E.E.

      FISHING IN CANADA

      It may be entertaining to many of your readers now that emigration occupies the thoughts of so many, to sketch a short account of the method chiefly employed in Canada, in capturing fish, which to very many settlers is an important adjunct to their domestic economy. Those living on the borders of the numerous lakes and rivers of Canada, which are invariably stored with fine fish, are provided with either a light boat, log, or what is by far the best, a bark canoe; a barbed fishing spear, with light tapering shaft, about twelve or sixteen feet long, and an iron basket for holding pine knots, and capable of being suspended at the head of the boat when fired. In the calm evenings after dusk, many of these lights are seen stealing out from the woody bays in the lakes, towards the best fishing grounds, and two or three canoes together, with the reflection of the red light from the clear green water on the bronzed faces of either the native Indian, or the almost as wild Backwoodsman, compose an extraordinary scene: the silence of the night is undisturbed, save by the gurgling noise of the paddles, as guided by the point of the spear; the canoe whirls on its axis with an almost dizzing velocity, or the sudden dash of the spear, followed by the struggles of the transfixed fish, or perhaps the characteristic "Eh," from the Indian steersman. In this manner, sometimes fifty or sixty fish of three or four pounds are speared in the course of a night, consisting of black bass, white fish, and sometimes a noble maskimongi. A little practice soon enables the young settler to take an active part in this pursuit. The light seems to attract the fish, as round it they thickly congregate. But few fish are caught in this country by the fly: at some seasons, however, the black bass will rise to it. A CANADIAN.

      THE ARBALEST, OR CROSS-BOW

      No. 538, of The Mirror, contains a very interesting memoir on the subject of the Cross-bow, but I do not find that the mode of bending the steel bow has been described; which from its great strength it is evident could not be accomplished without the assistance of some mechanical power. This in the more modern bows is attained by the application of a piece of steel, which lies along the front of the stem, and is moved forward on a pivot until the string is caught by a hook, and a lever is thus obtained, by means of which the bow is drawn to its proper extent. It seems to me that this is the description of bow of which your correspondent has furnished a drawing. Another mode, and which appears to have been applied to the ancient bows, was by a sort of two-handed windlass, with ropes and pulleys, called a "moulinet," which was temporarily attached to the butt-end of the Cross-bow; of this a drawing is given in the illustrations of Froissart's Chronicles, particularly in that one descriptive of the Siege of Aubenton; in which two bowmen are shown, one in the act of winding up the bow, and the other taking his aim, the moulinet, &c. lying at his feet. Of this latter description, there are two specimens preserved in the Tower of London, both of about the period of our Henry the Sixth.

      C.P.C.

      LINES TO A LARK