The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 556, July 7, 1832. Various

      SURREY ZOOLOGICAL GARDENS

      We commenced our last volume with three Vignette Views in the Surrey Zoological Gardens. The season was then cold and ungenial, the trees leafless; in short, it was about mid-winter, but the magic pencil of our artist invested his scenes with all the pride of summer. Upon the present occasion, our Engravings need not the aid of his creative fancy. The Gardens are now

      —the weather and the public are all propitious, and hundreds of gaily dressed folks are flocking to inspect the zoological and botanical curiosities of the place.

      During the six months since our last visit, Mr. Cross has been indefatigable. The grounds have been laid out under the superintendance of Mr. Henry Phillips, the author of Sylva Florifera, and it is almost impossible to give the reader an idea of their beauty and variety. The avenues to the various buildings are planted with forest-trees, and each tree and new plant has its name affixed on a tally; a botanical garden, on a small scale, is, moreover talked of.

      But we are forgetting the zoological tenants. The visiter enters by a broad walk, beside which Parrots, Maccaws, and Cockatoos are uncaged on perches; so that we may almost say with Montgomery:—

      To the right is a semicircular glazed house containing many beautiful foreign birds, and two Boas, which, from their torpidity, appear nearly as harmless as their shaggy namesakes that encircle many a fair neck. The movable aviaries are too numerous to describe; but we must notice, in one of them, a fine pair of Great Crowned Pigeons from New Guinea; their front colour is a bright slate, as is that of their crests of fine silky feathers. We next pass the circular Confectionary room, and reach the curvilinear glazed building of 300 feet in diameter. (See the Cut.) This has been planned by Mr. Henry Phillips; of the execution we spoke in The Mirror, No. 528. There are four entrances to this well-contrived building. Immediately within the wall, and all throughout the circle, is a channel of water containing gold and silver fish; from the margin of which plants are to be trained up within the glass. Next is a circular range of seats, then a broad walk, and in the centre of the building are placed the cages of carnivorous quadrupeds, as Lions, Tigers, Leopards, Hyaenas, &c. The Lions are especially worth notice: they are African and Asiatic, and the contrast between a pair from the country of the Persian Gulf with their African neighbours, is very striking. A sleek Lynx from Persia, with its exquisite tufted ears, and a docile Puma, will receive the distant caresses of visiters. The fronts of the cages are ornamented with painted rock-work, and our artist has endeavoured to convey an idea of the lordly Lion in his embellished dwelling. The whole building is admirably ventilated.

      Another addition is an octagonal walled enclosure, the entrances to which are surmounted by pairs of magnificent horns. Here are cages for large birds, as the Ostrich, Emu, and Cassowary; and foreign pecora, as the Llama and Camel, and a pair of Gnus of great beauty.

      Next is an enclosure containing two pair of fine Pelicans, and the solitary kennels of an Alpine and Cuban Dog: the Armadillo house, with a pair of eight-banded inmates: near the latter a sty or cage is preparing for Porcupines. At this extremity of the grounds, is the Deer paddock, with about forty specimens, among which the Axis or spotted varieties are very beautiful. We now reach a picturesque group of rock-work, (See the third Cut), the lower part of which is intended for Beavers, the upper craigs being at present occupied by Vultures and Eagles. The rock-work consists chiefly of granite, with a few masses of the rock of Gibraltar.

      Of the lake, hermitage, and boathouse we have already spoken. The long, or rather semicircular, glazed building is now finished for the Monkeys, as is an adjoining house for large birds of prey: here we should notice a fine Ruppell Vulture, from Senegal, (named after Major Ruppell, the celebrated traveller in Africa,) a chanting Falcon from Brazil, and a white Hawk, from New Holland, the latter especially rare in this country.

      Among the improvements we ought not to omit the affixing of the scientific and popular names to the abodes of the respective animals. This is one of the beneficial results of the honorary aid of Messrs. Swainson and Gray, the distinguished zoologists.

      By the way, there has been in these grounds a Fancy Fair with the laudable object of aiding the funds for the repair of the Ladye Chapel of St. Saviour's Southwark. We anxiously hope the faire ladyes were successful in their appeal to the fancy of their visiters.

      THE LATE MR. COLTON

      Having observed in several papers and periodicals, (amongst which is The Mirror, No. 553,) sketches of "the late Mr. Colton," and none of these tending, in my opinion, to convey a correct idea of the character of this extraordinary man; allow me to offer you a slight sketch of the latter period of his life.

      I am aware I shall be met by many with the squeamish proverb, De mortuis nil nisi bonum; though I am not disposed at this moment to enter on a discussion of the merits of this received axiom. Shakspeare tells us "The evil that men do, lives after them."

      Mr. Colton, or as he was vulgarly called, Parson Colton, arrived in Paris in the year 1825 or 1826, from America, to which country he sailed from England shortly previous to the murder of Weare. He was at that time in possession of very little money; this small stock he increased by borrowing upon the security of some valuable jewellery which he took out from his creditors in this country. With this sum he commenced his career as player at the public gaming-tables in Paris, more particularly that at 154 in the Palais Royal. The system upon which he played was at once bold and original, and attended with great success. I have good authority (his own) for stating, he was at one period a winner of upwards of £10,000. He subsequently lost nearly half this sum, and he expended the remainder in paintings by the ancient masters, of which, in the year 1828, he had a splendid collection. These pictures he intended for the English market; but in the latter part of the same year, he became unfortunate at the gambling tables, and they were parted with by degress, the proceeds lost, and their late owner, in a short time, reduced to beggary, or nearly so. His last literary labour, if it is worthy of the name, was a history of the Three Days of July, published by Galignani.

      In person, Mr. Colton was ungainly; he stooped much, his gait was slovenly, and his dress mean and dirty; the reason he assigned for not removing the dirt that accumulated on the lower part of his trousers and upon his boots, was that none but shoeblacks looked below the knee in so dirty a city as Paris. As if fond of contradiction, he wore at the same time a ridiculous superfluity of jewellery; his unwashed hands were adorned with rings, and his shirt, which probably had not visited his blanchisseuse for a fortnight, was garnished with numerous brooches and pins of considerable value. A heavy gold chain secured his watch in his waistcoat pocket, and he carried two massive gold boxes, one for snuff, though he took none himself, and the other for tobacco.