Ghost Girl: The true story of a child in desperate peril – and a teacher who saved her. Torey Hayden
easel. “Man, boog, that’s not even a picture. Want me to show you how to paint something real?” He snatched the paintbrush out of Philip’s hand. Picking up the container of black paint, he dipped the brush in and began to draw a long, black line over Philip’s blodges of color. Indignant at this interference, Philip howled.
“Jeremiah,” I cried, abandoning Reuben to halt what I feared would turn into real trouble. “That’s Philip’s painting. Now give him back his brush. You’ve already had your turn.”
“Jesus, lady, I’m just going to help the little booger. Look at this, it ain’t even a picture. And you sure ain’t teaching him how to do it right.”
Philip had begun to dance in frustration, trying to grasp the brush from Jeremiah’s hand. Jeremiah, both bigger and more agile, kept it just out of reach. Black paint dripped everywhere.
“Give it back,” I demanded.
“Want me to teach you how to make Mr. T?” Jeremiah offered suddenly. “You ought to like that. He’s a black guy, just like you, only he’s a big booger. You gonna be a big booger someday? Yeah? I bet you are.” He put his free arm around Philip’s shoulder in buddy-buddy fashion. “But you know something I can never figure out about you black people?” Jeremiah continued, as Philip, charmed by his attention, wrapped an arm around Jeremiah’s waist. “I can never figure out how come the blackness just sort of wears off your hands. How come that happens? Look much better to me, man, if you was black all over.” And with unexpected swiftness, he began painting Philip’s palm black and then continued right on up his shirt sleeve.
Philip howled again. I separated the two boys, sending Jeremiah off to the “quiet chair” I’d placed just outside the cloakroom door and explaining he needed to sit there until he could keep his act together.
Jeremiah was not enthusiastic about this imposition on his freedom and got up immediately, shouting and swearing, I physically replaced him and was then obliged to stand over him for the fifteen minutes or so it took him to settle down. Even then, he muttered crossly under his breath, “Man, lady, you’re gonna regret this.”
Jadie might as well have been a ghost. No one spoke to her, looked at her, or even acknowledged her presence in the room. And this attitude was mutual. Jadie went about her business with absorption, but she gave no indication that there was anyone else in the room besides herself.
When it was Jadie’s turn at the easel, she painted an elaborate picture of a white house with a blue roof. Beside it grew a lollipop-shaped tree and in front was a peculiarly shaped figure, rather like a bell with legs coming from it. It had yellow hair flowing down the sides, so I took it to be a person, probably a girl. The painting was small, covering only the bottom third of the paper. She made a strip of blue sky at the top and added a shining sun. This left the middle largely blank.
“I like that,” I said, when she’d stepped back to view it. “You’ve used a lot of colors. Who’s this?” I pointed to the figure.
“Man, lady, don’t you take no hint?” Jeremiah shouted. “She don’t talk. You been told that already. So don’t go hassling folks about what’s wrong with them. How’d you like it, if people kept getting at you for being so dumb? You can’t help that, can you?”
“Thank you for your thoughts, Jeremiah, but I’m talking to Jadie just now.”
At that moment the recess bell rang. Jeremiah shot out the door and Philip scampered after him, leaving me with Reuben and Jadie. I realized I should have been hustling out the door after them, either to catch Jeremiah and bring him back for a more appropriate exit or at least to supervise his departure, but I didn’t. I stood a moment longer to see if anyone would reappear in the doorway or if any horrible noises would signal disaster. When nothing happened, I glanced over at Reuben, self-stimulating happily in the far corner, and then back to Jadie. Pointing directly to the figure on the painting, I asked again, “Who’s this person?”
Silence.
“Who’s this?”
Still silence.
I knew I had to work quickly now to keep the silence from growing potent. My research had yielded a highly successful method of treating the most salient symptom of the elective mutism syndrome—the refusal to speak—and it was both simple and efficient. All that was needed was for someone unknown to the child to come in, set up expectations immediately that the child would speak, and then provide an unavoidable opportunity to do so. Consequently, as a new teacher, I was in an ideal position to get Jadie to speak, but I had to do so right away before we’d established a relationship that included her silence. I also knew that to provide the “unavoidable opportunity,” I had to be persistent, clinging like a terrier to my question, and not let the inevitable wall of silence deter me.
“Who’s in this picture?” Silence. “Tell me what figure we have here.” Silence. “What person is this?”
Still silence. I could see her muscles tense. Her hands began to tremble.
“Who’s this?” I asked again, intensifying my voice abruptly, not making it sound angry, not even louder, just intense. And unavoidable. I tapped the picture smartly with the eraser end of the pencil I was holding.
“A girl,” she whispered.
“Pardon?”
“A girl,” she murmured in a hoarse half whisper.
“I see. What’s her name?”
Silence.
“What do you call her?”
“Tashee.” Still the hoarse whisper.
“Tashee? That’s an interesting name. Is she a friend of yours?”
Jadie nodded.
“What’s Tashee doing in this picture?”
“Standing in front of her grandma’s house.”
“Oh, so this is her grandma’s house. It’s pretty, all blue and white like that. Especially the door. You’ve made a beautiful door. And how old is Tashee?”
“Six.”
“Same age as you, then?”
“No, I’m eight. I was seven, but I just had my birthday at Christmastime.”
“I see. Do you and Tashee play together sometimes?”
“No.”
“Have you been to her grandma’s house with her?”
A pause. Jadie regarded the picture. “I don’t know her grandma. She just talked about her sometimes.”
“Oh.”
Jadie touched the figure on the paper with one finger and some of the yellow paint smeared. Lifting her finger, she examined it. “I should have made her hair black.”
“Tashee doesn’t have yellow hair?”
Jadie shook her head. “No. Her hair was black, like Jeremiah’s. Black and straight. I think maybe she was an Indian, but I don’t know for sure.”
“I see.” Then I smiled at her. “I like this picture a lot. Maybe we can put it on the back counter to dry. Then I think maybe we’d better get outside to join the others, don’t you?”
Jadie bent to put the lids back on the paints. I glanced over to see what Reuben was up to. Curled in a fetal position among the cushions, he lay, eyes closed, and gently stroked the skin alongside his temples. “Reuben? Reub, come on. Time to go outside.”
“You didn’t? Holy cow. Holy Toledo. Glen? Glen, did you hear this? She’s been here six hours and she’s got Jadie Ekdahl talking.