The Good Daughter: A gripping, suspenseful, page-turning thriller. Alexandra Burt
a line of blood continuously forms.
“I don’t understand,” she says, and I realize she’s begun to sob.
I hug her but she remains stiff, her arms rigid beside her body. She has never been one for physical affection, almost as if hugs suffocate her. I rub her shoulders like she’s a little kid in need of comfort after waking from a bad dream. There, there. You’ll be okay.
I speak in short sentences; maybe brevity is what she needs. “I found a woman. She’s okay. I’m fine. Everything’s okay,” I say as I wrap a clean kitchen towel around her fingers.
“The police came to my house.” She pulls away from me, dropping the bloody towel on the floor. “I don’t like police in my house. You know that.”
“I’m not sure you understand. A woman almost died. I found her while I was running and they took her to the hospital. If I hadn’t—”
“You’ve been here long enough,” she says and starts banging random dishes in the sink, mascara running down her cheeks. “You came for a visit and you’re still here.”
“Mom.” She doesn’t mean to be cruel—she’s just in a mood, I tell myself. She needs me. I don’t know what’s going on with her but I can’t even think straight and all I want is to go to bed and sleep. “Please don’t get upset.”
“Can’t you just … lay low?”
The tinge of affection I just felt for her passes. I recall the time I didn’t lay low, years ago, right after I started school in Aurora. It was the end of summer, the question of enrollment no longer up in the air. I wondered how she had managed to enroll me in school, how she had all of a sudden produced the paperwork. “But remember,” she said, “stay away from the neighbors. I don’t want anyone in my house.” The girl—I no longer remember her name but I do recall she had freckles and her two front teeth overlapped—had chestnut trees in her backyard. One day, I suggested we climb the tree. When I reached for the spiky sheath that surrounded the nut, it cut into the palm of my hand and I jerked. I fell off the tree and I couldn’t move my arm. I went home without telling anyone my arm hurt. The next day a teacher sent me to the school nurse. They called my mother—I still wasn’t caving, still telling no one what had happened, still pretending my swollen arm was nothing but some sort of virus that had gotten ahold of me overnight—and an hour later my secretive behavior prompted them to question my mother regarding my injury. When I finally came clean, her eyes were cold and unmoving.
Laying low is still important to her. “What did you want me to do?” I ask with a sneer. “She’d be dead if it wasn’t for me.”
Even though she hardly looks at me, I can tell her eyes are icy. Her head cocks sideways as if she is considering an appropriate response. Her responses are usually quick, without the slightest delay in their delivery, yet this one is deliberate.
“I don’t need any trouble with the police,” she says.
“That’s what this is about? The police? What did you want me to do? Just leave her in the woods because my mother doesn’t want to be bothered? You can’t be serious.”
“I’m very serious, Dahlia. Very serious.”
“I have to go to bed. I’m exhausted. Can we talk later?”
“I’ve said all I had to say.”
I lie in bed, staring at the ceiling. I don’t want to think anymore—just for a few hours, I want to not think. I envy Jane in her coma. I wonder if she’s left her body behind. Has she returned to the woods, reliving what’s happened to her? And did she hear me when I spoke to her? Can one slip out of one’s body and back into the past, removed from time and space?
My mind has been playing tricks on me lately—all those childhood memories that have resurfaced, at the most inopportune moments, memories I didn’t know existed. I haven’t even begun to ask my mother the questions that demand answers.
Aurora; a phenomenon. A collision of air molecules, trapped particles.
I’m exhausted, yet sleep won’t come. I didn’t think coming back to Aurora was going to be so unsettling. There is no other explanation. It must be this town.
Quinn
The old, detached garage had been in desperate need of a paint job for years. The layers were peeling off and the bleached birch wood had been painted numerous times; multiple coats had merged into a shade that was hard to identify.
Killing time in the swinging chair on the front porch, Quinn listened to the metal poles screeching with every painful descent. First, the garage was there. Then it was gone. There, gone. She wished everything was that easy, that she could make things disappear. She went over the list in her mind; PE on Tuesdays and Thursdays—she was too heavy and sweated profusely—even though she liked watching the boys play football and loved the sound of the rumbling buzzer; church on Sundays came in a close second. She could do without the itchy tights and the leather shoes pinching her feet, the dress stretching tightly over her body, the scent of Play-Doh and gossip and old hymnals with gold-rimmed pages. But most of all, she wanted to make a woman disappear—the woman she was waiting for on the porch.
She hadn’t met her yet; in fact, she had just found out about her the previous morning. Her father had waited for her to come down for breakfast—she couldn’t remember the last time they’d had breakfast together—and he hadn’t even given her a chance to eat.
“I met a very nice lady,” he had said and set the coffee cup down. “And I hope you’ll grow to love her as much as I have.”
Just like that. There’d be another woman in the house. All those days and nights of business in some town were nothing more than a lie. He’d been out looking for a wife.
Quinn thought about all their plans, traveling for the summer—he had even promised he’d take her to Galveston this fall, had told her all about the hotel, the Galvez. He had described in detail how only rich and famous people and American presidents had frequented it in the past, Roosevelt and Eisenhower, even famous actors, like Jimmy Stewart and Frank Sinatra, and Howard Hughes. Suites were named after them and Quinn had been looking forward to the trip.
“What about Galveston?” Quinn had asked. “The hotel? The spa? Are we still going?”
“Don’t you worry,” Mr. Murray said and patted her arm, “we’ll go soon, I promise. Really soon.”
“The two of us?” Quinn asked.
“Sure. Maybe we all go?”
He had all but promised it would be just the two of them, and there’d be spas and a theater and restaurants where they’d serve fish with the head attached and he’d teach her how to use one of those fish knives with a spatula blade to separate the fish’s skeleton from the body. In a moment of clarity she admitted to herself that she’d have to give up on Galveston—it was never going to happen.
Quinn continued swinging with brisk speed, hypnotized, running her fingers through her hair. It was poufy and frizzy and regardless of how diligently she used the flat iron, it returned to its untamed state once she stepped into the humidity of a Texas summer day.
Quinn’s mind started to rush and her hands began to fidget as she recited ingredients from a cookbook. The old ladies at church, smelling of talcum powder, were always impressed.
“What’s your daddy’s favorite dish?” they’d ask, and Quinn tried not to stare at their hands covered in dark spots with veins like blue rivers running through them.
“Chicken-fried steak,” Quinn said and elaborated on the cut of meat—cube steak—and how she had to pound it fiercely with a meat mallet and then dip it in seasoned