Cost. Roxana Robinson
things, besides that party, were vanishing—the names and places she depended on, the familiar links that made up her past. This was happening gradually, as though pieces of her mind were breaking off and floating away, like ice in a river. She couldn't stop it, she didn't want to think about it.
But now, standing at the bureau, this realization rose up around her, closing in on her like a high breaking wave. She felt as though she were being held helpless and still, while the rest of her awareness slid past her, increasingly fast. Who were you if you had no past? If you existed nowhere but in this room, right now? If your life were being swept away from you?
Katharine stood still, disoriented by the thought. She held on to the bureau with both hands, bracing herself, as though this were a fast current she might be able to resist. She looked down at the hands before her: they did not seem to be hers. They were mottled and swollen, slow with arthritis, the knuckles thick. She'd always had graceful hands, pale, with long narrow fingers. Hadn't she?
She stood without moving in her daughter's yellow guest room, gripping the bureau and looking down at her things as though they might keep her steady: the blue cotton scarf, which was right in front of her; the spray bottle of lavender cologne—the scent reminding her of her mother—missing its cap; a round silver pin etched with leaves—a birthday present, years ago, but from whom? One of the children, she thought: it still held a strong charge of affection. She saw all these things in front of her, whole, present, while that thought ranged greedily through her mind—radical, bewildering, calamitous—her memory was gone.
Julia, in the kitchen, was making lunch, moving quickly, her movements hurried, slightly inept: having her parents in the house put her on high alert, her pulse thrumming. When they were here, there was not enough of her. She should be everywhere, all the time—in the bedroom, helping her mother find a lost comb; in the cellar, looking for a tool for her father; out on the porch, quickly sweeping it before lunch; in the kitchen, fixing meals.
Julia wanted her parents here—she loved them—but their presence altered her gravity. She had to struggle to stay upright. As she swung open the door of the refrigerator, leaning into its chilly radiance, taking out the wrapped packet of ham, the mayonnaise, she could feel the beat of anxiety, the hurrying of her pulse. Down the hall, in the yellow room, were her parents, breathing, speaking, about to need something.
What she felt when her parents were here was something large and unsayable, confusing, nearly unbearable. Affection, anxiety, resentment— although she was an adult, with her own children, nearly grown, and she should long ago have moved beyond this confusion. But her parents' presence still unsettled her. When they were here, the house seemed small and ill equipped, the doors put on backward, the light switches unconnected, a troubling dreamscape where nothing was right.
Deliberately, Julia slowed herself down. She drew a long breath. Relax. Deliberately she took down the blue-and-white-striped plates, set them down on the counter. You can't do everything, she told herself sensibly. (Why did good advice come in platitudes?) Her parents enjoyed it here. The visit itself, that was what she was giving them. Julia liked having them here, liked offering them all this, the summer day, the house, with its faintly spicy, cedary smell. The early-morning twittering of finches in the lilacs. The sun on the tall ferns that crowded the back porch. The long pink grass of the meadow, rippling down to the cove. These were the things her parents were here for. And herself. Her parents were here to see her. They loved her.
She drew another long, calming breath, releasing the clutch of anxiety. She picked up the jar of mayonnaise. Twisting the top, she felt its hidden threads turn smoothly beneath her hands, unlocking the grip of metal on glass, and felt sudden pleasure at the way things worked, at the way one neat circular motion did exactly what it should. A ripple of admiration for the whole mechanized world of gears, cogs, ratchets, levers, pulleys—the physical systems that made things work. It was brilliant, the way people—men, really, engineers were mostly men, despite feminism—had established such ingenious control over the world of objects.
What she wanted was to make her parents happy. It didn't matter when they had lunch, or if the porch had been swept. She unwrapped the damp translucent packet of meat. (There was something indecent about sliced ham, about the look of it, that pink succulence, its clinging moistness.)
Julia sliced a tomato, opening its juicy scarlet core, then lapping the slices in a neat circle on a plate. She opened the jar of mustard, for her mother and herself. Her father's sandwich would not have mustard or lettuce. The list of things her father did not like was legion: Edward viewed the world as a student project offered up to him for correction.
Edward's presence flooded through the house, powerful, demanding, judgmental. At any moment he might appear in the doorway, offering criticism, finding fault. The day before, while Julia was fixing dinner, Edward had arrived in the kitchen with a peremptory request for a flashlight to check beneath the sink in his bathroom.
“Water's dripping onto the floor,” he announced. “I want to see what's going on.”
“It's probably only condensation on the pipes,” said Julia, her heart sinking. “Not a leak.” Surely she'd know if there were a leak? Surely this wasn't a leak?
“I'd like to have a look at it,” he told her, as though she hadn't spoken. “Could I have a flashlight?”
He'd stood in the doorway, waiting, while Julia stopped chopping carrots to root through the kitchen drawer. She found a flashlight, but it was dead, and there seemed to be only one new battery—a mystery, since they came in pairs.
“Sorry,” she said, irritated at herself. Her father turned without a word and went back down the hall.
It was a fact that the house was shabby, and that many aspects of it were primitive or provisional. Julia and her ex-husband Wendell—both underpaid university professors—had always had less money than her parents, and now that she was single again, Julia had even less than be fore. Her father, who'd been a brilliant and successful neurosurgeon, had offered her no financial help during the divorce, believing that beds should be made and then lain in. He'd always seemed to take a stern relish in reminding her of her impecuniousness, pointing out the flaws in her house, her life, and the way she ran them. Now that she was poorer it seemed to Julia that he did this more often, as though being poor were merely an oversight on her part, and, if offered enough convincing evidence from him, she would change her mind and decide to be rich.
It was the constant threat of her father's appearance, his criticisms and demands, that made Julia feel harried. (“Rattled,” her mother would say. “Nettled.” She used those old-fashioned expressions. No one nowadays would know what a nettle felt like, the faint silvery irritation made by the leaves against your bare leg.)
She must relax, Julia told herself. Though why was he so rude about her house? And so casually rude, as though finding fault were his right. As though he had some special entitlement to criticism.
She drew another deep breath and laid out the slices of bread on the counter in rows, like bread solitaire. She spread the mayonnaise, smoothing it creamily out to the edges. The tangible world: she admired the rich surface of the mayonnaise. Opaque, succulent. How would you paint it, she wondered, and get both the glitter and opacity? Who used that heavy, creamy brushstroke? Chase? Sargent? It all looked like a painting already.
Her father was eighty-eight, her mother eighty-six. Julia loved them, and they were getting old. She didn't think of them as actually old, but as getting old. They were nearing that country, their bodies were less present in the world, they were losing height and weight and bulk. Her parents were being diminished. She could feel them moving away, withdrawing, sweeping out like the tide toward the distant horizon.
Her father appeared now in the doorway.
How is it, she thought, that when we see someone, all the disembodied thoughts and emotions of that-person coalesce in that figure, that presence? How does the body carry that dense weight of being?
Her father's body held him, his character within it. If the body was lost, all his thoughts and feelings, his opinions, his irascibility,