Dark Angels. Grace Monroe

       THREE

      There was no traffic–quite right too, normal people should be in bed at this time of night/morning. The cobbles were greasy and wet though, and I had to keep my speed down to stop the bike from skidding on the road.

      Driving conditions were treacherous. I had no time to enjoy the beautiful buildings as me and Awesome climbed Dundas Street in the heart of the New Town.

      Stuck at the traffic lights at the bottom of Hanover Street, the Sphinx sitting atop of the National Gallery stared down ominously at me. If she was foretelling something, I couldn’t read her warnings, but I knew that the day would bring a stark new world for someone. Out there, somewhere, a wife was waking up to the news that her husband was dead. Does he have children, I wondered? If so, how will they feel? They will be expected to walk upright, go to work or school, and keep a roof over their heads. Crime rips people apart and I see it every day, it’s what pays my mortgage and it’s what keeps me awake at night. It surprises me that more people don’t seek revenge.

      The lights changed, and my musings continued. I always think on my bike, solve problems, but Kailash Coutts eluded me. What could this man have done that was so heinous it warranted his murder? Kailash was the self-appointed dissolute ruler of the city. Her wealth, which was considerable, was built on men’s depravity, but to acquire her fortune, she must have seen everything (and been well paid for it). What could have been so new to her, or so terrible, that she felt she had to deal with it–permanently?

      I wanted to know who this man was who had been dismissed by her. He was probably white, with the usual number of fingers and toes; he was doubtless older than my twenty-eight years. He would be ordinary by most standards, and I’d imagine his wife and work colleagues would have no idea of his secret life. Or would they? One thing my work has taught me: you can never tell someone else’s vice, unless you have that particular sin in you. It was a truth I often saw in my work. Edinburgh is the city of split personalities, its establishment was the inspiration for the original schizo-boys, Dr Jekyll and Mr Hyde, and there were plenty of men out there who still led pretty effective double-lives of suburban normality married to episodes in the likes of Kailash Coutts’ dungeon. There wasn’t much I could say in favour of Kailash herself, but at least what you saw with her was what you got, or in any event, it was after the Roddie Buchanan scandal.

      Edinburgh Castle sat, impenetrable on its rock, shrouded in mist, as I turned down the Royal Mile, past Deacon Brodie’s pub. The sign on the tavern wall told the true tale of his downfall and continued the myth of two-faced Edinburgh denizens: ‘worthy by day, a gentleman burglar by night, hung on the very gallows he invented’. As a child, I had stood with my mother in front of the painting of the hanging Deacon, relentlessly questioning her: was he my namesake? Was I named after Deacon Brodie? To my disappointment, she always blasted my romanticism out of the water, repeatedly telling me that I was named after the old tea factory that our thirteenth-storey flat overlooked. I still clung to the hope that I had more in common with a licentious, gambling, thieving criminal hanged for his sins than a packet of tea.

      On the opposite corner to the pub that still drew me in, outside the High Court, sat a statue of Hume, the father of Scottish law. Draped in a sheet, I felt the artist could have used some aesthetic licence–the sagging pectorals of the carved man made me swerve every time I drove past, although it appeared that only the pigeons and I took any notice of him.

      I increased my speed and Parliament House sped by. The route to St Leonard’s was a trail of the crime history of Edinburgh, and the narrow closes where body snatchers and serial killers Burke and Hare plied their trade to keep university anatomists busy flew past. Now a city of repute, the Capital could not easily erase its disreputable past. The new Scottish Parliament building at the foot of the Mile did nothing to expunge its notoriety–a series of architectural and financial disasters had led us to a point where the whole business had made Edinburgh a laughing-stock and bought only a few dodgy constructs with what looked like bingo-winner stone cladding.

      On every corner in Edinburgh, I see an imprint of crime overlaid onto the landscape. I looked up at Arthur’s Seat, the Salisbury Crags looming ominously in the early morning skyline, and remembered the German bride thrown over its cruel edges to her death. Not too heartbreaking for her new husband as he collected the insurance money. Everywhere was the same, every place had a story of cruelty or jealousy or lust or evil. St Leonard’s Police Station nestles at the foot of Arthur’s Seat, in the heart of Edinburgh’s Old Town, and is not averse to putting a few new nasty stories into the history of the city. Ordinarily, the streets around the station are, by and large, deserted. But as I approached it in the early hours, it looked like a three-ringed circus. This spelled trouble.

      Reporters with notepads and tape recorders, like flies on a corpse. They were everywhere. A television crew was on the street, a man in a sodden trench coat talking into a microphone, his face serious as a grinding camera recorded him for the morning news.

      They were all waiting impatiently, for my arrival. I could have kicked myself for not stopping to put some make-up on, but I genuinely hadn’t realised there would be this much interest in Kailash so early on in the case. Someone at St Leonard’s must have made a tidy backhander alerting the hacks to this one. Reluctantly, I parked and made my way towards them–I didn’t want to look dazed and tired in a million homes tomorrow, but without the benefit of a full-blown Jo Malone overnight kit and emergency make-up box in my backpack, I’d have to accept it.

      Jack Deans was the first one to notice me as I pulled off my helmet. I always feel obliged to say, ‘Jack Deans, prize-winning investigative journalist’ when I introduce him to anyone. I preferred not to recognise that I still got a very worrying flutter every time the fucked-up waster looked at me. Christ knows why. He was a decade past his best–and that would have been if he had spent his best years sober. A former international rugby player, he towered above me. His eyes slowly lowered to meet mine. They were deep, deep blue and he managed to draw me into his stare–or maybe he was sleep-deprived too and couldn’t focus very well.

      Deans was definitely handsome, in a worn out sort of way. In his younger years, he covered war zones and corrupt dictators; in his latter years he had lost himself in a morass of laughable conspiracy theories and discovered that he couldn’t quite find enough clarity at the bottom of a bottle of Laphroaig. He claimed he wasn’t drinking these days, but I’d seen him slip enough times to know that he didn’t have a permanent pass for the wagon. I had to shake myself out of my very private but still highly mortifying crush on Deans–he’d never let me live it down if he ever found out. His grey black hair flopped over his right eye as he approached me and I drew myself to my full height (five foot four plus the three inches I got from the rather snazzy Cuban heels on my hand-made biker boots).

      ‘Brodie!’ shouted Deans, his voice shaped by a past affair with whisky and cigarettes. (‘No! No! No!’ I told myself. ‘It’s shaped by booze and fags and cancer and hardened arteries and all sorts of manky stuff. He is not not not sexy.’)

      ‘I take it you’re here for Kailash?’

      The woman had turned into Madonna–she