The Wit and Humor of America, Volume VII. Marshall Pinckney Wilder
p>The Wit and Humor of America, Volume VII. (of X.)
BREITMANN AND THE TURNERS
Hans Breitmann choined de Toorners
Novemper in de fall,
Und dey gifed a boostin' bender
All in de Toorner Hall.
Dere coomed de whole Gesangverein
Mit der Liederlich Aepfel Chor,
Und dey blowed on de drooms und stroomed on de fifes
Till dey couldn't refife no more.
Hans Breitmann choined de Toorners,
Dey all set oop some shouts,
Dey took'd him into deir Toorner Hall,
Und poots him a course of shprouts,
Dey poots him on de barrell-hell pars
Und shtands him oop on his head,
Und dey poomps de beer mit an enchine hose
In his mout' dill he's 'pout half tead!
Hans Breitmann choined de Toorners;—
Dey make shimnastig dricks;
He stoot on de middle of de floor,
Und put oop a fifdy-six.
Und den he trows it to de roof,
Und schwig off a treadful trink:
De veight coom toomple pack on his headt,
Und py shinks! he didn't vink!
Hans Breitmann choined de Toorners:—
Mein Gott! how dey drinked und shwore
Dere vas Schwabians und Tyrolers,
Und Bavarians by de score.
Some vellers coomed from de Rheinland,
Und Frankfort-on-de-Main,
Boot dere vas only von Sharman dere,
Und he vas a Holstein Dane.
Hans Breitmann choined de Toorners,
Mit a Limpurg' cheese he coom;
Ven he open de box it schmell so loudt
It knock de musik doomb.
Ven de Deutschers kit de flavor,
It coorl de haar on dere head;
Boot dere vas dwo Amerigans dere;
Und, py tam! it kilt dem dead!
Hans Breitmann choined de Toorners;
De ladies coomed in to see;
Dey poot dem in de blace for de gals,
All in der gal-lerie.
Dey ashk: "Vhere ish der Breitmann?"
And dey dremple mit awe and fear
Ven dey see him schwingen py de toes,
A trinken lager bier.
Hans Breitmann choined de Toorners:—
I dells you vot py tam!
Dey sings de great Urbummellied:
De holy Sharman psalm.
Und ven dey kits to de gorus
You ought to hear dem dramp!
It scared der Teufel down below
To hear de Dootchmen stamp.
Hans Breitmann choined de Toorners:—
By Donner! it vas grand,
Vhen de whole of dem goes a valkin'
Und dancin' on dere hand,
Mit de veet all wavin' in de air,
Gottstausend! vot a dricks!
Dill der Breitmann fall und dey all go down
Shoost like a row of bricks.
Hans Breitmann choined de Toorners,
Dey lay dere in a heap,
And slept dill de early sonnen shine
Come in at de window creep;
And de preeze it vake dem from deir dream,
And dey go to kit deir feed:
Here hat' dis song an Ende—
Das ist Des Breitmannslied.
CUPID, A CROOK
The first night assignment Francis Holt received from his city editor was in these words: "Mr. Holt, you will cover the Tenderloin to-night. Mr. Fetner, who usually covers it, will explain what there is to do."
Fetner, when his own work was done that night, sought Holt to help him with any late story which might be troublesome to a new man. They were walking up Broadway when Fetner, lowering his voice, said: "Here's Duane, a plain-clothes man, who is useful to us. I'll introduce you."
As the reporters, in the full flood of after-theater crowds, stood talking to the officer, a young man hurrying past abruptly stopped and stepped to Duane's side.
"Well, Tommy, what's up with you?" the officer asked. Holt noted that Tommy, besides being breathed, was excited. His coat and hat had the provisional look of the apparel of house servants out of livery, and his trousers belonged to a livery suit. Tommy hesitated, glancing at Duane's companions, but the officer said: "Tell your story: these are friends of mine."
"I was just on my way to the station house to see the captain, but I'm glad I met you, for we don't want the papers to say anything, and there's always reporters around the station."
Holt would have stepped back, but Fetner detained him, while Duane said cheerfully: "You're a cunning one, Tommy. Now, what's wrong?"
"Well," began the youth in the manner of a witness on the stand, "I was on duty in the hall this evening and noticed one of our tenants, Mr. Porter H. Carrington, leave the house about ten o'clock. I noticed that he had no overcoat, which I thought was queer, for I'd just closed the front door, because it was getting chilly."
At the mention of the name Holt started, and now paid close attention to the story.
"I was reading the sporting extra by the hall light," Tommy continued, "when, in about twenty minutes, Mr. Carrington returned—that is, I thought it was Mr. Carrington—and he says to me, 'Tommy, run up to my dressing-room and fetch my overcoat.' 'Yes, sir,' I says; 'which one?' for he has a dozen of 'em. 'The light one I wore to-day,' he says, and I starts up the stairs, his apartment being on the next floor, thinking I'd see the coat he wanted on a chair if he'd worn it to-day. I'd just got to his hall and was unlocking the door, when he comes up behind me and says, 'I'll get it, Tommy; there's something else I want.' So in he goes, handing me a dime, and I goes back to the hall. In about fifteen minutes he comes downstairs wearing an overcoat and carrying a bundle, tosses me the key and starts for the door. He's the kind that never carries a bundle, so I says to him, 'Shall I ring for a messenger to carry your package?' 'No,' says he, and leaves the house."
Tommy paused, and there was a shake of excitement in his voice when he resumed: "In five minutes Mr. Carrington comes back without any overcoat, and says, Tommy, run upstairs and get me an overcoat.' I looks, and he was as sober as I am at this minute, Mr. Duane, and I begins to feel queer. It sort of comes over me all of a sudden that the voice of the other man I'd unlocked the door