My Studio Neighbors. Gibson William Hamilton
ibson
My Studio Neighbors
A FAMILIAR GUEST
SOLITUDE! Where under trees and sky shall you find it? The more solitary the recluse and the more confirmed and grounded his seclusion, the wider and more familiar becomes the circle of his social environment, until at length, like a very dryad of old, the birds build and sing in his branches and the "wee wild beasties" nest in his pockets. If he fails to be aware of the fact, more's the pity. His desolation is within, not without, in spite of, not because of, his surroundings.
Here in my country studio—not a hermitage, 'tis true, but secluded among trees, some distance isolated from my own home and out of sight of any other—what company! What occasional "tumultuous privacy" is mine! I have frequently been obliged to step out upon the porch and request a modulation of hilarity and a more courteous respect for my hospitality. But this is evidently entirely a matter of point of view, and, judging from the effects of my protests at such times, my assumed superior air of condescension is apparently construed as a huge joke. If the resultant rejoinder of wild volapük and expressive pantomime has any significance, it is plain that I am desired to understand that my exact status is that of a squatter on contested territory.
There are those snickering squirrels, for instance! At this moment two of them are having a rollicking game of tag on the shingled roof—a pandemonium of scrambling, scratching, squealing, and growling—ever and anon clambering down at the eaves to the top of a blind and peeping in at the window to see how I like it.
A woodchuck is perambulating my porch—he was a moment ago—presumably in renewed quest of that favorite pabulum more delectable than rowen clover, the splintered cribbings from the legs of a certain pine bench, which, up to date, he has lowered about three inches—a process in which he has considered average rather than symmetry, or the comfort of the too trusting visitor who happens to be unaware of his carpentry.
The drone of bees and the carol of birds are naturally an incessant accompaniment to my toil—at least, in these spring and summer months. The tall, straight flue of the chimney, like the deep diapason of an organ, is softly murmurous with the flurry of the swifts in their afternoon or vesper flight. There is a robin's nest close by one window, a vireo's nest on a forked dogwood within touch of the porch, and continual reminders of similar snuggeries of indigo-bird, chat, and oriole within close limits, to say nothing of an ants' nest not far off, whose proximity is soon manifest as you sit in the grass—and immediately get up again.
Fancy a wild fox for a daily entertainment! For several days in succession last year I spent a half-hour observing his frisky gambols on the hillside across the dingle below my porch, as he jumped apparently for mice in the sloping rowen-field. How quickly he responded to my slightest interruption of voice or footfall, running to the cover of the alders!
The little red-headed chippy, the most familiar and sociable of our birds, of course pays me his frequent visit, hopping in at the door and picking up I don't know what upon the floor. A barn-swallow occasionally darts in through the open window and out again at the door, as though for very sport, only a few days since skimming beneath my nose, while its wings fairly tipped the pen with which I was writing. The chipmonk has long made himself at home, and his scratching footsteps on my door-sill, or even in my closet, is a not uncommon episode. Now and then through the day I hear a soft pat-pat on the hard-wood floor, at intervals of a few seconds, and realize that my pet toad, which has voluntarily taken up its abode in an old bowl on the closet floor, is taking his afternoon outing, and with his always seemingly inconsistent lightning tongue is picking up his casual flies at three inches sight around the base-board.
A mouse, I see, has heaped a neat little pile of seeds upon the top of the wainscot near by—cherry pits, polygonum, and ragweed seeds, and others, including some small oak-galls, which I find have been abstracted from a box of specimens which I had stored in the closet for safe-keeping. I wonder if it is the same little fellow that built its nest in an old shoe in the same closet last year, and, among other mischief, removed the white grub in a similar lot of specimen galls which I also missed, and subsequently found in the shoe and scattered on the closet floor?
I have mentioned the murmur of the bees, but the incessant buzzing of flies and wasps is an equally prominent sound. Then there is the occasional sortie of the dragon-fly, making his gauzy, skimming circuit about the room, or suggestively bobbing around against wall or ceiling; and that occasional audible episode of the stifled, expiring buzz of a fly, which is too plainly in the toils of Arachne up yonder! For in one corner of my room I boast of a prize dusty "cobweb," as yet spared from the household broom, a gossamer arena of two years' standing, which makes a dense span of a length of about two feet from a clump of dried hydrangea blossoms to the sill of a transom-window, and which, of course, somewhere in its dusty spread, tapers off into a dark tunnel, where lurks the eight-eyed schemer, "o'erlooking all his waving snares around."
Sooner or later, it would seem, every too constant buzzing visitor encroaches on its domain, and is drawn to its silken vortex, and is eventually shed below as a clean dried specimen; for this is an agalena spider, which dispenses with the winding-sheet of the field species—epeira and argiope. Last week a big bumble-bee-like fly paid me a visit and suddenly disappeared. To-day I find him dried and ready for the insect-pin and the cabinet on the window-sill beneath the web, which affords at all times its liberal entomological assortment—Coleoptera, Hymenoptera, Diptera, and Lepidoptera. Many are the rare specimens which I have picked from these charnel remnants of my spider net.
Ah, hark! The talking "robber-fly" (Asilus), with his nasal, twangy buzz! "Waiow! Wha-a-ar are ye?" he seems to say, and with a suggestive onslaught against the window-pane, which betokens his satisfied quest, is out again at the window with a bluebottle-fly in the clutch of his powerful legs, or perhaps impaled on his horny beak.
Solitude! Not here. Amid such continual distraction and entertainment concentration on the immediate task in hand is not always of easy accomplishment.
The Rose-bush Episode
Last week, after a somewhat distracted morning with some queer beguiling little harlequins on the bittersweet-vine about my porch, of which I have previously written, I had finally settled down to my work, and was engaged in putting the finishing touches upon a long-delayed drawing, when a new visitor claimed my attention—a small hornet, which alights upon the window-sill within half a yard from my face. To be sure, she was no stranger here at my studio—even now there are two of her yonder beneath the spider-nest—and was, moreover, an old friend, whose ways were perfectly familiar to me; but this time the insect engaged my particular attention because it was not alone, being accompanied by a green caterpillar bigger than herself, which she held beneath her body as she travelled along on the window-sill so near my face. "So, so! my little wren-wasp, you have found a satisfactory cranny at last, and have made yourself at home. I have seen you prying about here for a week and wondered where you would take up your abode."
The insect now reaches the edge of the sill, and, taking a fresh grip on her burden, starts off in a bee-line across my drawing-board and towards the open door, and disappears. Wondering what her whimsical destination might be, my eye involuntarily began to wander about the room in quest of nail-holes or other available similar crannies, but without reward, and I had fairly settled back to my work and forgotten the incident, when the same visitor, or another just like her, again appeared, this time clearing the window-sill in her flight, and landing directly upon my drawing-board, across which she sped, half creeping, half in flight, and tugging her green caterpillar as before—longer than herself—which she held beneath her body.
"This time I shall learn your secret," I thought. "Two such challenges as this are not to be ignored." So I concluded this time to observe her progress carefully. In a moment she had reached the right-hand edge of my easel-board, from which she made a short flight, and settled upon a large table in the centre of the room, littered with its characteristic chaos of professional paraphernalia—brushes, paints, dishes, bottles, color-boxes, and cloths—among which she disappeared. It was a hopeless task to disclose her, so I waited patiently to observe the spot from which she would emerge, assuming that this, like the window-sill and my easel, was a mere way-station