Dr Johnson and Mr Savage. Richard Holmes
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Dr Johnson and Mr Savage
Richard Holmes
To the Rose in the Grove
… For as Johnson is reported to have once said, that ‘he could write the Life of a Broomstick’.
Boswell
Table of Contents
Appendix Note on Savage’s birth and identity
When Samuel Johnson was compiling his great Dictionary of the English Language, which defines more than forty thousand words, he decided to illustrate his definitions with suitable literary quotations. ‘I therefore extracted,’ he explained in his Preface, ‘from Philosophers principles of science, from Historians remarkable facts, from Chymists complete processes, from Divines striking exhortations, and from Poets beautiful descriptions.’
To do this, he read and annotated over two hundred thousand passages from innumerable English authors across four centuries. He marked up these passages, and handed them to his clerks in his attic at Gough Square to be entered into eighty large vellum notebooks.
He was working at great speed, and he chose his illustrations entirely at random. Most of them are from the great classics of English literature, such as Shakespeare, Milton, Dryden and Pope. But of the 116,000 quotations eventually included, he chose seven from the works of his strange friend Richard Savage. These quotations, and the seven words they illustrate, may have a curious significance. Since they were chosen rapidly and at random, from such a vast source, they could be thought to reveal unconscious links and symbolic meanings. If considered as a form of ‘association-test’, these seven words must instinctively have brought Richard Savage to Johnson’s mind. Thus, to an analyst they might suggest something about the nature of that most puzzling relationship. Here are the seven words, and their illustrations, in alphabetical order.
1. ‘Elevate’ | to raise with great conceptions. |
Savage: ‘Now rising fortune elevates his mind, He shines unclouded, and adorns mankind.’ | |
2. ‘Expanse’ | a body widely extended without inequalities. |
Savage: ‘Bright as the Etherial, glows the green expanse.’ | |
3. ‘Fondly’ | with great or extreme tenderness. |
Savage: ‘To be fondly or serenely kind.’ | |
4. ‘Lone’ | solitary, unfrequented, having no company. |
Savage: ‘Here the lone hour a blank of life displays.’ | |
5. ‘Squander’ | to scatter lavishly, to spend profusely, to throw away in idle prodigality. |
Savage: They often squandered, but they never gave.’ | |
6. ‘Sterilise’ | to make barren, to deprive of fecundity or the power of production. |
Savage: ‘Go! sterilize the fertile with thy rage.’ | |
7. ‘Suicide’ | self-murder, the horrid crime of destroying one’s self. |
Savage: ‘Child of despair, and Suicide my name.’ |
Everyone knows the great Dr Johnson, and the scholars seem to know him in minutest detail; almost no one knows anything definite now about the obscure, minor poet Richard Savage.1 But Johnson and Savage were friends – intimate friends – in London for about two years in the 1730s. In those dark days in the city, dark for them both in many senses, the position was almost exactly reversed. Johnson was then unknown, and Savage was notorious. Thereby hangs a small, but haunting mystery of biography.
Sir John Hawkins, Johnson’s earliest official biographer, thought the friendship was the single most inexplicable fact about Johnson’s entire career. ‘With one person, however, he commenced