The Greatest Uncanny Stories of E. F. Benson - 25 Titles in One Edition. E.F. Benson

      I

      Reconciliation

       Table of Contents

      Garth Place lies low in a dip of the hills which, north, east, and west, enclose its sequestered valley, as in the palm of a hollowed hand. To the south the valley broadens out and the encompassing hills merge themselves into the wide strip of flat country once reclaimed from the sea, and now, with intersections of drainage dykes, forming the fat pasture of the scattered farms. Thick woods of beech and oak, which climb the hillsides above the house up to the top of the ridge, give it further shelter, and it dozes in a soft and sundered climate of its own when the bleak uplands above it are swept by the east winds of spring or the northerly blasts of winter; and, sitting in its terraced garden in the mild sunshine of a clear December day, you may hear the gale roaring through the tree-tops on the upper slopes, and see the clouds scudding high above you, yet never feel a breath of the wind that shreds them seawards. The clearings in these woods are thick with anemones and full-blown clumps of primroses a month before the tiniest bud has appeared in the copses of the upland, and its gardens are still bright with the red blossoms of the autumn long after the flower-borders in the village that huddles on the hill-top to the west have been blackened by the frosts. Only when the south wind blows is its tranquillity disturbed, and then the sound of the waves is heard, and the wind is salt with the sea.

      The house itself dates from the beginning of the seventeenth century, and has miraculously escaped the destructive hand of the restorer. Its three low storeys are built of the grey stone of the district, the roof is made of thin slabs of the same, between which the blown seeds have found anchorage, and the broad mullioned windows are many-paned. Never a creak comes from its oaken floors, solid and broad are its staircases, its panelling is as firm as the walls in which it is laid. A faint odour of wood smoke from the centuries of fires that have burned on its open hearths pervades it, that and an extraordinary silence. A man who lay awake all night in one of its chambers would hear no whisper of cracking wood-work, or rattling pane, and all night long there would come to his listening ears no sound from outside but the hoot of the tawny owl, or in June the music of the nightingale. At the back a strip of garden has been anciently levelled out of the hillside, in front the slope has been built up to form a couple of terraces. Below, a spring feeds a small sheet of water, bordered by marshy ground set with tufts of rushes, and out of it a stream much stifled in herbage wanders exiguously past the kitchen garden, and joins the slow-flowing little river which, after a couple of miles of lazy travel, debouches through broadening mud-flats into the English Channel. Along the further margin of the stream a footpath with right-of-way leads from the village of Garth on the hill above to the main road across the plain. Just below the house a small stone bridge with a gate crosses the stream and gives access to this footpath.

      I first saw the house to which now for so many years I have been a constant visitor when I was an undergraduate at Cambridge. Hugh Verrall, the only son of its widowed owner, was a friend of mine, and he proposed to me one August that we should have a month there together. His father, he explained, was spending the next six weeks at a foreign health resort. Mine, so he understood, was tied in London, and this really seemed a more agreeable way of getting through August than that he should