IN SEARCH OF LOST TIME - Complete 7 Book Collection (Modern Classics Series). Marcel Proust
her convent, or the Curé's brother, a tax-collector at Châteaudun, who had just retired on a pension or had come over to Combray for the holidays. On first noticing them you have been impressed by the thought that there might be in Combray people whom you 'didn't know at all,' simply because, you had failed to recognise or identify them at once. And yet long beforehand Mme. Sauton and the Curé had given warning that they expected their 'strangers.' In the evening, when I came in and went upstairs to tell my aunt the incidents of our walk, if I was rash enough to say to her that we had passed, near the Pont-Vieux, a man whom my grandfather didn't know:
"A man grandfather didn't know at all!" she would exclaim. "That's a likely story." None the less, she would be a little disturbed by the news, she would wish to have the details correctly, and so my grandfather would be summoned. "Who can it have been that you passed near the Pont-Vieux, uncle? A man you didn't know at all?"
"Why, of course I did," my grandfather would answer; "it was Prosper, Mme. Bouilleboeuf's gardener's brother."
"Ah, well!" my aunt would say, calm again but slightly flushed still; "and the boy told me that you had passed a man you didn't know at all!" After which I would be warned to be more careful of what I said, and not to upset my aunt so by thoughtless remarks. Everyone was so well known in Combray, animals as well as people, that if my aunt had happened to see a dog go by which she 'didn't know at all' she would think about it incessantly, devoting to the solution of the incomprehensible problem all her inductive talent and her leisure hours.
"That will be Mme. Sazerat's dog," Françoise would suggest, without any real conviction, but in the hope of peace, and so that my aunt should not 'split her head.'
"As if I didn't know Mme. Sazerat's dog!"—for my aunt's critical mind would not so easily admit any fresh fact.
"Ah, but that will be the new dog M. Galopin has brought her from Lisieux."
"Oh, if that's what it is!"
"It seems, it's a most engaging animal," Françoise would go on, having got the story from Théodore, "as clever as a Christian, always in a good temper, always friendly, always everything that's nice. It's not often you see an animal so well-behaved at that age. Mme. Octave, it's high time I left you; I can't afford to stay here amusing myself; look, it's nearly ten o'clock and my fire not lighted yet, and I've still to dress the asparagus."
"What, Françoise, more asparagus! It's a regular disease of asparagus you have got this year: you will make our Parisians sick of it."
"No, no, Madame Octave, they like it well enough. They'll be coming back from church soon as hungry as hunters, and they won't eat it out of the back of their spoons, you'll see."
"Church! why, they must be there now; you'd better not lose any time. Go and look after your luncheon."
While my aunt gossiped on in this way with Françoise I would have accompanied my parents to mass. How I loved it: how clearly I can see it still, our church at Combray! The old porch by which we went in, black, and full of holes as a cullender, was worn out of shape and deeply furrowed at the sides (as also was the holy water stoup to which it led us) just as if the gentle grazing touch of the cloaks of peasant-women going into the church, and of their fingers dipping into the water, had managed by agelong repetition to acquire a destructive force, to impress itself on the stone, to carve ruts in it like those made by cart-wheels upon stone gate-posts against which they are driven every day. Its memorial stones, beneath which the noble dust of the Abbots of Combray, who were buried there, furnished the choir with a sort of spiritual pavement, were themselves no longer hard and lifeless matter, for time had softened and sweetened them, and had made them melt like honey and flow beyond their proper margins, either surging out in a milky, frothing wave, washing from its place a florid gothic capital, drowning the white violets of the marble floor; or else reabsorbed into their limits, contracting still further a crabbed Latin inscription, bringing a fresh touch of fantasy into the arrangement of its curtailed characters, closing together two letters of some word of which the rest were disproportionately scattered. Its windows were never so brilliant as on days when the sun scarcely shone, so that if it was dull outside you might be certain of fine weather in church. One of them was filled from top to bottom by a solitary figure, like the king on a playing-card, who lived up there beneath his canopy of stone, between earth and heaven; and in the blue light of its slanting shadow, on weekdays sometimes, at noon, when there was no service (at one of those rare moments when the airy, empty church, more human somehow and more luxurious with the sun shewing off all its rich furnishings, seemed to have almost a habitable air, like the hall—all sculptured stone and painted glass—of some mediaeval mansion), you might see Mme. Sazerat kneel for an instant, laying down on the chair beside her own a neatly corded parcel of little cakes which she had just bought at the baker's and was taking home for her luncheon. In another, a mountain of rosy snow, at whose foot a battle was being fought, seemed to have frozen the window also, which it swelled and distorted with its cloudy sleet, like a pane to which snowflakes have drifted and clung, but flakes illumined by a sunrise—the same, doubtless, which purpled the reredos of the altar with tints so fresh that they seemed rather to be thrown on it for a moment by a light shining from outside and shortly to be extinguished than painted and permanently fastened on the stone. And all of them were so old that you could see, here and there, their silvery antiquity sparkling with the dust of centuries and shewing in its threadbare brilliance the very cords of their lovely tapestry of glass. There was one among them which was a tall panel composed of a hundred little rectangular windows, of blue principally, like a great game of patience of the kind planned to beguile King Charles VI; but, either because a ray of sunlight had gleamed through it or because my own shifting vision had drawn across the window, whose colours died away and were rekindled by turns, a rare and transient fire—the next instant it had taken on all the iridescence of a peacock's tail, then shook and wavered in a flaming and fantastic shower, distilled and dropping from the groin of the dark and rocky vault down the moist walls, as though it were along the bed of some rainbow grotto of sinuous stalactites that I was following my parents, who marched before me, their prayer-books clasped in their hands; a moment later the little lozenge windows had put on the deep transparence, the unbreakable hardness of sapphires clustered on some enormous breastplate; but beyond which could be distinguished, dearer than all such treasures, a fleeting smile from the sun, which could be seen and felt as well here, in the blue and gentle flood in which it washed the masonry, as on the pavement of the Square or the straw of the market-place; and even on our first Sundays, when we came down before Easter, it would console me for the blackness and bareness of the earth outside by making burst into blossom, as in some springtime in old history among the heirs of Saint Louis, this dazzling and gilded carpet of forget-me-nots in glass.
Two tapestries of high warp represented the coronation of Esther (in which tradition would have it that the weaver had given to Ahasuerus the features of one of the kings of France and to Esther those of a lady of Guermantes whose lover he had been); their colours had melted into one another, so as to add expression, relief, light to the pictures. A touch of red over the lips of Esther had strayed beyond their outline; the yellow on her dress was spread with such unctuous plumpness as to have acquired a kind of solidity, and stood boldly out from the receding atmosphere; while the green of the trees, which was still bright in Silk and wool among the lower parts of the panel, but had quite 'gone' at the top, separated in a paler scheme, above the dark trunks, the yellowing upper branches, tanned and half-obliterated by the sharp though sidelong rays of an invisible sun. All these things and, still more than these, the treasures which had come to the church from personages who to me were almost legendary figures (such as the golden cross wrought, it was said, by Saint Eloi and presented by Dagobert, and the tomb of the sons of Louis the Germanic in porphyry and enamelled copper), because of which I used to go forward into the church when we were making our way to our chairs as into a fairy-haunted valley, where the rustic sees with amazement on a rock, a tree, a marsh, the tangible proofs of the little people's supernatural passage—all these things made of the church for me something entirely different from the rest of the town; a building which occupied, so to speak, four dimensions of space—the name of the fourth being Time—which had sailed the centuries with that old nave, where bay after bay, chapel after chapel, seemed to stretch across and hold down and conquer not merely a few yards of soil, but each successive epoch from which