MARTHA FINLEY Ultimate Collection – 35+ Novels in One Volume (Including The Complete Elsie Dinsmore Series & Mildred Keith Collection). Finley Martha
was the last; and here sinking down in an easy-chair, she gazed about her silently and tearfully. On one side the windows looked out upon a beautiful flower-garden, while beyond were hills and woods; on the other, glass doors opened out upon a grassy lawn, shaded by large trees, and beyond, far away in the distance, rolled the blue sea; all around her she saw the evidences of a father's thoughtful love; a beautiful piano, a harp, a small work-table, well furnished with every requisite; books, drawing materials—everything to give pleasure and employment; while luxurious couches and easy-chairs invited to rest and repose. Several rare pictures, too, adorned the walls.
Elsie was very fond of paintings, and when she had gazed her fill upon the lovely landscape without, she turned from one of these to another with interest and pleasure; but one was covered, and she was in the act of raising her hand to draw aside the curtain, when her nurse stopped her, saying, "Not now, darlin', try de piano first."
She opened the instrument as she spoke, and Elsie, running her fingers over the keys, remarked that it was the sweetest-toned she had ever heard.
Chloe begged her to play, urging her request on the plea that it was so very long since she had heard her, and she might not have another opportunity soon.
Just at that instant a little bird on a tree near the door poured forth his joy in a gush of glad melody, and Elsie, again running her fingers lightly over the keys, sang with touching sweetness and pathos—
"Ye banks an' braes o' bonny Doon,
How can ye look sae bright an' fair?
How can you sing, ye little bird,
An' I sae weary, full of care?" etc.
The words seemed to come from her very heart, and her voice, though sweet and clear, was full of tears.
Chloe sobbed aloud, and Elsie, looking lovingly at her, said softly, "Don't, dear mammy! I will sing a better one;" and she played and sang—
"He doeth all things well."
Then rising, she closed the instrument, saying, "Now, mammy, let me see the picture."
Chloe then drew aside the curtain; and Elsie, with clasped hands and streaming eyes, stood for many minutes gazing upon a life-sized and speaking portrait of her father.
"Papa! papa!" she sobbed, "my own darling, precious papa! Oh! could you but know how dearly your little Elsie loves you!"
"Don't now, darlin'! don't take on so dreadful! It jes breaks your ole mammy's heart to see her chile so 'stressed," Chloe said, passing her arm around the little girl's waist, and laying her head on her bosom.
"Oh, mammy, will he ever smile on me again? Shall I ever live with him in this dear home?" sobbed the poor child. "Oh! it is hard, hard to give it all up—to have papa always displeased with me. Oh, mammy, there is such a weary aching at my heart—is it never to be satisfied?"
"My poor, poor chile! my poor little pet, I'se sure it'll all come right by-an'-by," replied Chloe soothingly, as soon as emotion would suffer her to speak. "You know it is de Lord that sends all our 'flictions, an' you must 'member de pretty words you was jes a singin', 'He doeth all things well.' He says, 'What I do thou knowest not now, but thou shalt know here after.' De great God can change your father's heart, and 'cline him to 'spect your principles, and I do blieve he will do it."
Elsie sobbed out her dread of the boarding-school, with its loneliness and its temptations.
"Now don't you go for to be 'fraid of all dat, darlin'," replied her nurse. "Has you forgotten how it says in de good book, 'Lo, I am with you always, even unto the end of the world'? an' if he is with you, who can hurt you? Jes nobody."
A text came to Elsie's mind: "The eternal God is thy refuge, and underneath are the everlasting arms!" and lifting her head, she dashed away her tears.
"No," she said, "I will not be afraid; at least I will try not to be. 'The Lord is my light and my salvation; whom shall I fear? the Lord is the strength of my life; of whom shall I be afraid?' But, oh! mammy, I must go now, and I feel as if I were saying farewell to you and this sweet home forever; as if I were never to live in these pretty rooms—never to see them again."
"Hush! hush, darlin'! 'tain't never best to borrow trouble, an' I'se sure you'll come back one ob dese days," replied Chloe, forcing herself to speak cheerfully, though her heart ached as she looked into the soft, hazel eyes, all dimmed with tears, and marked how thin and pale the dear little face had grown.
Elsie was passing around the room again, taking a farewell look at each picture and piece of furniture; then she stood a moment gazing out over the lawn, to the rolling sea beyond.
She was murmuring something to herself, and Chloe started as her ear faintly caught the words: "In my Father's house are many mansions."
"Mammy!" said the child, suddenly turning and taking her hand, "look yonder!" and she pointed with her finger. "Do you see that beautiful, tall tree that casts such a thick shade? I want to be buried right there, where papa can see my grave when he sits in here, and think that I am with him yet. When I am gone, mammy, you must tell him that I told you this. It would be so pleasant to be there—it is such a lovely spot, and the distant murmur of the sea seems like a lullaby to sing the weary one to rest." She added, dreamily, "I would like to lie down there now."
"Why, what you talkin' 'bout, Miss Elsie? My chile musn't say such tings!" exclaimed Chloe in great alarm. "Your ole mammy 'spects to die long 'nough 'fore you do. You's berry young, an? 'tain't worth while to begin talkin' 'bout dyin' yet."
Elsie smiled sadly.
"But you know, mammy," she said, "that death often comes to the youngest. Mamma died young, and so may I. I am afraid it isn't right, but sometimes I am so sad and weary that I cannot help longing very much to die, and go to be with her and with Jesus; for they would always love me, and I should never be lonely any more. Oh! mammy, mammy, must we part?—shall I ever see you again?" she cried, throwing herself into her nurse's arms.
"God bless an' keep you, darlin'!" Chloe said, folding her to her heart; "de good Lord take care ob my precious lamb, an' bring her back to her ole mammy again, 'fore long."
Elsie shut herself into her own room on her return to Roselands, and was not seen again that day by any one but her maid, until just at dusk Adelaide rapped softly at her door.
Elsie's voice, in a low, tremulous tone, answered, "Come in," and Adelaide entered.
The little girl was just in the act of closing her writing-desk, and her aunt thought she had been weeping, but the light was so uncertain that she might have been mistaken.
"My poor darling!" she said in low, pitiful accents, as, passing her arm around the child's waist, she drew her down to a seat beside herself upon the sofa.
Elsie did not speak, but dropping her head upon Adelaide's shoulder, burst into tears.
"My poor child! don't cry so; better days will come," said her aunt soothingly, running her fingers through Elsie's soft curls.
"I know what has been the trial of to-day," she continued, still using the same gentle, caressing tone, "for I, too, had a letter from your papa, in which he told me what he had said to you. You have been to see your new home. I have seen it several times and think it very lovely, and some day I hope and expect you and your papa will be very happy there."
Elsie shook her head sorrowfully.
"Not now, I know," said Adelaide, "for I have no need to ask what your decision has been; but I am hoping and praying that God may work the same change in your father's views and feelings which has been lately wrought in mine; and then he will love you all the better for your steadfast determination to obey God rather than man."
"Oh, Aunt Adelaide! will it ever be?" sighed the poor child; "the time seems so very long! It is so dreadful to live without my papa's love!"
"He does love you, Elsie, and I really think he suffers nearly as much as you do; but he thinks he is right in what he requires