Paul Clifford — Complete. Baron Edward Bulwer Lytton Lytton

PREFACE TO THE EDITION OF 1840.

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      This novel so far differs from the other fictions by the same author that it seeks to draw its interest rather from practical than ideal sources. Out of some twelve Novels or Romances, embracing, however inadequately, a great variety of scene and character—from “Pelham” to the “Pilgrims of the Rhine,” from “Rienzi” to the “Last Days of Pompeii,”—“Paul Clifford” is the only one in which a robber has been made the hero, or the peculiar phases of life which he illustrates have been brought into any prominent description.

      Without pausing to inquire what realm of manners or what order of crime and sorrow is open to art, and capable of administering to the proper ends of fiction, I may be permitted to observe that the present subject was selected, and the Novel written, with a twofold object: First, to draw attention to two errors in our penal institutions; namely, a vicious prison-discipline, and a sanguinary criminal code—the habit of corrupting the boy by the very punishment that ought to redeem him, and then hanging the man at the first occasion, as the easiest way of getting rid of our own blunders. Between the example of crime which the tyro