HAMMER!. Barbara Hammer

HAMMER! - Barbara Hammer


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      Table of Contents

       Epigraph

       Title Page

       Dedication

       Introduction

       70s

       The 70s were a glorious time of feminist ideals and lesbian bed-hopping.

       My Life as Henry Miller

       Use of Time in Women’s Cinema

       Stillness in Motion: A Study of Relationship and Film

       Lesbian Filmmaking: Self-Birthing

       80s

       Ever since I became an artist, I had wanted to move to New York City.

       International Audiences: Personal Experiences of a Filmmaker

       Touching and Receiving: A Lesbian Aesthetic

       White Out

       For an Active Cinema

       Conference Sex (or The Names Have Not Been Changed as There Are No Innocents)

       After Gertrude Stein

       Change of Location: Bodies of Flesh to Bodies of Earth/ Water

       Lesbian Mainstream: Economics Versus Radical Play

       Creative-Teaching Spaces: Home Movies

       The Artist as Teacher: Problems and Experiments

       Some Thoughts on Institutional Support, by a Media Artist

       The Invisible Screen: Lesbian Cinema

       90s

       By the end of the 80s, I was fed up with compromising my filmmaking.

       Risk-Taking as Alternative Living/ Art-Making: or, Why I Moved to the Big City

       Coming into Our Fullness: On Women Turning Forty

       The Politics of Abstraction

       When a Kiss Is Not a Kiss but Nitrate

       Censorship

       00s

       Aging is interesting.

       Maya Deren and Me

       Resisting Paradise

       Tender Fictions

       Wishes

       The Ephemeral Archive

       The Creative Process

       Acknowledgements

       Filmography

       Index

       Copyright Page

      “Now the gift of Hammer’s sounds and images is matched by that of her words. Beautifully designed and illustrated, HAMMER! is a striking book, from tis title to its impact.”

      —Patricia White, author of Uninvited: Classical Hollywood Cinema and Lesbian Representability

      “A candid and colorful memoir, HAMMER!offers valuable primary source material and original feminist film theory by a pioneer of avant-garde American cinema.”

       —Livia Bloom, film curator

      “Barbara Hammer is a true cinematic pioneer; her tremendous body of work continues to inspire audiences and artists alike.”

       —Jenni Olson, LGBT film historian

      For Florrie

      I thrive anywhere near you.

      Yours is the smile I cherish, the arms I rush home to;

      yours is the intellect I admire, the heart I know so big.

      Somewhere in the backyard of my mind a poet sings:

      She is singing to you.

      &

      For women artists everywhere

      May your pleasures in creating be huge;

      your path, sound; your fears, vanished;

      your successes valued.

      Yours is the future I write for.


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