Spaces of Conflict, Sounds of Solidarity. Gaye Theresa Johnson

      UNIVERSITY OF CALIFORNIA PRESS

      Berkeley·Los Angeles·London

      The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation.

      University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu.

      University of California Press

      Berkeley and Los Angeles, California

      University of California Press, Ltd.

      London, England

      © 2013 by The Regents of the University of California

      Library of Congress Cataloging-in-Publication Data

      Johnson, Gaye Theresa.

      Spaces of Conflict, sounds of solidarity : music, race, and spatial entitlement in Los Angeles / Gaye Theresa Johnson.

      p. cm.

      Includes bibliographical references.

      ISBN 978-0-520-27527-0—ISBN 978-0-520-27528-7

      eISBN: 9780520954854

      1. Los Angeles (Calif.)—Race relations—History. 2. Minorities—California—Los Angeles—Social conditions. 3. Minorities—Political activity—California—Los Angeles—History. 4. Community development—California—Los Angeles—History. 5. Popular music—Social aspects—California—Los Angeles. 6. Los Angeles (Calif.)—Social conditions.

      I. Title.

      F869.L89A2533 2013

      979.4’94-dc232012039813

      Manufactured in the United States of America

      22 21 20 19 18 17 16 15 14 13

      10 9 8 7 6 5 4 3 2 1

      In keeping with a commitment to support environmentally responsible and sustainable printing practices, UC Press has printed this book on Rolland Enviro100, a 100% post-consumer fiber paper that is FSC certified, deinked, processed chlorine-free, and manufactured with renewable biogas energy. It is acid-free and EcoLogo certified.

      For Mary Ella and Theresita, for Shanti and Fauna,

      for Clyde . . . with thanks.

      For Juanita and Hymon, for abiding love and faith.

      For Chuck and our Cayeloncita, for always.

      Contents

      Introduction: The Future Has a Past

      1.Luisa Moreno, Charlotta Bass, and the Constellations of Interethnic Working-Class Radicalism

      2.Spatial Entitlement: Race, Displacement, and Sonic Reclamation in Postwar Los Angeles

      3.Cold Wars and Counter WAR(s): Coalitional Politics in an Age of Violence

      4.“Teeth-Gritting Harmony”: Punk, Hip-Hop, and Sonic Spatial Politics

      5.Space, Sound, and Shared Struggles

      Conclusion: In This Great Future. . .

      Acknowledgments

      Selected Bibliography

      Index

      Introduction

      The Future Has a Past

      The unmistakable roots of the universal solidarity of the colored peoples of the world are no longer ‘predictable’ as they were in my father’s time—they are here.

      —Lorraine Hansberry¹

      This is a book about interracial antiracist alliances, about divisions among aggrieved minority communities, and about the cultural expressions that emerge from shared urban spaces. Examining Afro-Chicano politics from the 1940s to the present, I reveal the radical antiracist and egalitarian cultural politics that helped nurture and sustain working-class alliances, intellectual advances, and cultural practices that challenge traditional boundaries of race, space, and region. These politics have resulted in critical interethnic challenges to structures of dominance in Los Angeles, making this story relevant to the history of diverse urban political cultures in every American city.

      Relationships between African Americans and Mexican Americans in Los Angeles from World War II to the present have been characterized by both Conflict and coalition, by antagonisms and alliances. The histories of these two groups have been linked in the City of Angels (and all across the nation) by parallel but not identical histories of labor exploitation, housing segregation, and cultural demonization. Yet while sharing the experiences of containment and confinement, Black and Brown people have also been continually pitted against one another, manipulated by a white power structure to compete with each other for jobs, housing, prestige, and political power.

      Sharing struggles, spaces, and sounds has enabled Black and Brown people to work together for social justice in Los Angeles over the decades. This is a story of both continuity and rupture. Although racism persisted, resistance always existed. Different eras posed different problems and provoked different solutions. The racial order and racial landscape of today’s neoliberal global city is very different from that of the high-employment, high-wage metropolis of the 1940s and 1950s. Yet in the midst of enormous changes and transformations, Black and Brown residents of Los Angeles used the physical places they inhabited and the discursive spaces they imagined to assert their common humanity and forge shared struggles grounded in mutuality and solidarity. The political histories of these aggrieved communities entailed the creation of cultural forms that served as key conduits for the collective aspirations of disaffected youth in every generation. The key point underlying this book is that contemporary multiracial struggles for social justice did not emerge in a vacuum. Furthermore, the agents of these struggles deserve to hear and tell a better story about themselves as people and as a collective seeking freedom—a better story than the one that now dominates the discourse on Black–Brown relationships. In other words, the just future envisioned by radical social actors and multiracial movements has a past.

      I advance here a concept that I call “spatial entitlement,” a way in which marginalized communities have created new collectivities based not just upon eviction and exclusion from physical places, but also on new and imaginative uses of technology, creativity, and spaces. In many instances