In Another World. Gerald Dawe

In Another World - Gerald Dawe


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      IN

      ANOTHER

      WORLD

      GERALD DAWE was born in Belfast in 1952. He is a graduate of Ulster University and the National University of Ireland, Galway where he taught for many years before moving to Trinity College, Dublin in 1988. He was Professor of English and Fellow of Trinity College until his retirement in 2017. He has published many collections of poetry and several volumes of essays, and he is the recipient of various awards and honours, including the Macaulay Fellowship in Literature.

      He was recently Visiting Scholar at Pembroke College, Cambridge and has been Visiting Professor at Boston College and Villanova University, Philadelphia. His work has appeared in numerous anthologies and has been translated into many languages. His latest poetry collection, Mickey Finn’s Air, was published in 2014; Of War and War’s Alarms: Reflections on Modern Irish Writing appeared in 2015. He lives in Dún Laoghaire, County Dublin.

      By Gerald Dawe

      Poetry

       Sheltering Places

       The Lundys Letter

       Sunday School

       Heart of Hearts

       The Morning Train

       Lake Geneva

       Points West

       Selected Poems

       Mickey Finn’s Air

       Early Poems

       The Night Fountain: Selected Early Poems

      of Salvatore Quasimodo (with Marco Sonzogni)

      Prose

       The Proper Word: Collected Criticism

       The Lagan Series: 2007–2015

       Of War and War’s Alarms: Reflections on Modern Irish Writing

      Editor

       The Younger Irish Poets

       The New Younger Irish Poets

       Earth Voices Whispering: An Anthology of Irish War Poetry 1914–1945

       The Cambridge Companion to Irish Poets

      GERALD DAWE

      IN

      ANOTHER

      WORLD

       Van Morrison & Belfast

      First published in 2017 by

      Merrion Press

      10 George’s Street

      Newbridge

      Co. Kildare

      Ireland

       www.merrionpress.ie

      © Gerald Dawe, 2017

      9781785371462 (Cloth)

      9781785371516 (Kindle)

      9781785371523 (Epub)

      9781785371530 (PDF)

      British Library Cataloguing in Publication Data

      An entry can be found on request

      Library of Congress Cataloging in Publication Data

      An entry can be found on request

      All rights reserved. Without limiting the rights under copyright reserved alone, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of both the copyright owner and theabove publisher of this book.

      Interior design: Sin É Design

      Typeset: Sabon 11/15 pt

      Cover photograph: Margaret Lonergan

      Cover design: edit+ and Margaret Lonergan, www.stuartcoughlan.com

       Serious, often grave, but inculcated with such sympathy and passion and affection that any obscurity is the enemy. It’s as if what Gerald Dawe has to tell us is so vital that clarity – such a virtue – is a moral matter.

      –Richard Ford

       For Joe and Ellison, Eon and Maria, and the rest of the gang.

       If I ventured in the slipstream

       Between the viaducts of your dream

       Where the immobile steel rims crack

       And the ditch in the back roads stop

       Could you find me?

      –Van Morrison, ‘Astral Weeks’

       Beyond the back door was a view of mountainsides in the moonlight.

       I let out a yahoo. The night was on.

      –Jack Kerouac, On the Road

      CONTENTS

       PREFACE

       ONE

       TWO

       THREE

       FOUR

       FIVE

       SIX

       SEVEN

       ACKNOWLEDGEMENTS

       SELECT BIBLIOGRAPHY

      Belfast in the 1960s was full of music. The city centre had many clubs and dance halls, pubs and ‘hops’ where an extraordinary variety of music was performed. From traditional Irish music to trad jazz to music hall (the dying embers) to showbands and to the proliferating urban sound of R & B – that rawer, passionate, bluesy encounter that became a signature of the times. Certainly for many of the young generation born in the post-war provincial city, venues such as The Maritime or Sammy Houston’s Jazz Club became meccas of dance and live music. Before the curtain dropped in the late 1960s and the city, despite the best efforts of thousands of ordinary men and women who braved the terror, fell into a kind of fragmented darkness, Belfast’s vibrant music scene was a liberation.

      In record shops like Dougie Knight’s, in boutiques like John Patrick’s or Dukes, and in clubs like The Maritime (and its successor, Club Rado), you could live in Belfast’s city centre and bypass the sectarian bile. People really did get on with it; and


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