Hedy Lamarr. Ruth Barton

Hedy Lamarr - Ruth Barton


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       Screen Classics

      Screen Classics is a series of critical biographies, film histories, and analytical studies focusing on neglected filmmakers and important screen artists and subjects, from the era of silent cinema to the golden age of Hollywood to the international generation of today. Books in the Screen Classics series are intended for scholars and general readers alike. The contributing authors are established figures in their respective fields. This series also serves the purpose of advancing scholarship on film personalities and themes with ties to Kentucky.

      SERIES EDITOR

      Patrick McGilligan

      BOOKS IN THE SERIES

      Von Sternberg John Baxter

      The Marxist and the Movies: A Biography of Paul Jarrico Larry Ceplair

      Warren Oates: A Wild Life Susan Compo

      Being Hal Ashby: Life of a Hollywood Rebel Nick Dawson

      Some Like It Wilder: The Life and Controversial Films of Billy Wilder Gene D. Phillips

      Claude Rains: An Actor's Voice David J. Skal with Jessica Rains

      Buzz: The Life and Art of Busby Berkeley Jeffrey Spivak

      Hedy Lamarr

      The Most Beautiful Woman in Film

      Ruth Barton

      THE UNIVERSITY PRESS OF KENTUCKY

      Copyright © 2010 by The University Press of Kentucky

      Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University.

      All rights reserved.

      Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508–4008 www.kentuckypress.com

      14 13 12 11 10 5 4 3 2 1

      Library of Congress Cataloging-in-Publication Data

      Barton, Ruth.

      Hedy Lamarr : the most beautiful woman in film / Ruth Barton.

      p. cm.—(Screen classics)

      Includes bibliographical references and index.

      ISBN 978–0–8131–2604–3 (hardcover : alk. paper) 1. Lamarr, Hedy, 1913–2000. 2. Actors—United States—Biography. I. Title.

      PN2287.L24B37 2010

      791.430'28092–dc22

      [B]

      2010013914

      This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.

      Manufactured in the United States of America.

      

Member of the Association of American University Presses

       For Willie, Conal, Eoin, and Paddy

      Contents

       Acknowledgments

       Introduction: Waxworks

       1. A Childhood in Döbling

       2. The Most Beautiful Girl in the World

       3. Ecstasy

       4. Fritz Mandl

       5. The Most Beautiful Woman in the World

       6. To the Casbah!

       7. This Dame Is Exotic

       8. The Siren of the Picture Show

       9. The Rather Unfeminine Occupation of Inventor

       10. Enter: Loder

       11. Exit: Loder

       12. Independence

       13. No Man Leaves Delilah!

       14. Acapulco

       15. Houston, Texas

       16. A Filthy, Nauseating Story

       17. Final Years

       Appendix: Lichtwitz Family Tree

       Filmography

       Notes

       Bibliography

       Index

       Illustrations

      Acknowledgments

      Without the persistent advice and encouragement of Patrick McGilligan, this book would never have been finished. I would also like to thank the University Press of Kentucky—Leila Salisbury and Anne Dean Watkins and my anonymous readers—for their many and helpful comments along the way. I am particularly grateful to Chris Horak, without whose advice this would have been a lesser book; I haven't acknowledged his interventions on every occasion but they are threaded through everything I have written. Like everyone who has ever conducted archival research, I am indebted to the expertise of librarians. For their generous assistance, I wish to thank Ned Comstock at USC Special Collections and the staff at the Columbia University Archives, Margaret Herrick Library, Kiesler Stiftung Wien, New York Public Library, the UCLA and USC archives, and the Wien Bibliothek. Most of all, I would like to thank Rick Berg at USC for his enthusiasm, comments, and DVDs.

      Many others also helped with answers to personal queries and assistance with research. Special thanks to Charles Amirkhanian; Marie-Theres Arnbom; Susanne Bach; Thomas Balhausen; Marlis Schmidt and Peter Spiegel, Austrian Film Archive Vienna; Matthew Bernstein;


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