The Third Ghost Story Megapack. Мэри Элизабет Брэддон
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COPYRIGHT INFO
The Third Ghost Story Megapack is copyright © 2013 by Wildside Press LLC. All rights reserved. For more information, contact the publisher through wildsidepress.com or the Wildside Press Forums.
NOTE
Language has not been updated for “political correctness” and some stories may contain language which some might find offensive. Please note that languages change and evolve, and what was acceptable in the time of original publication may prove offensive to some today.
A NOTE FROM THE PUBLISHER
Over the last two years, our “Megapack” series of ebook anthologies has proved to be one of our most popular endeavors. (Maybe it helps that we sometimes offer them as free premiums to our email list!) One question we keep getting asked is, “Who’s the editor?”
The Megapacks (except where specifically credited) are a group effort. Everyone at Wildside works on them. This includes John Betancourt, Carla Coupe, Steve Coupe, Sam Cooper, Bonner Menking, Colin Azariah-Kribbs, A.E. Warren, and many of Wildside’s authors…who often suggest stories to include (and not just their own!).
A NOTE FOR OUR KINDLE READERS
The Kindle versions of our Megapacks employ active tables of contents for easy navigation…please look for one before writing reviews on Amazon that complain about the lack! (They are sometimes at the ends of ebooks, depending on your reader.)
RECOMMEND A FAVORITE STORY?
Do you know a great classic science fiction story, or have a favorite author whom you believe is perfect for the Megapack series? We’d love your suggestions! You can post them on our message board at http://movies.ning.com/forum (there is an area for Wildside Press comments).
Note: we only consider stories that have already been professionally published. This is not a market for new works.
TYPOS
Unfortunately, as hard as we try, a few typos do slip through. We update our ebooks periodically, so make sure you have the current version (or download a fresh copy if it’s been sitting in your ebook reader for months.) It may have already been updated.
If you spot a new typo, please let us know. We’ll fix it for everyone. You can email the publisher at [email protected] or use the message boards above.
—John Betancourt
Publisher, Wildside Press LLC
www.wildsidepress.com
THE MEGAPACK SERIES
The Adventure Megapack
The Christmas Megapack
The Second Christmas Megapack
The Cowboy Megapack
The Craig Kennedy Scientific Detective Megapack
The Cthulhu Mythos Megapack
The Detective Megapack
The Dan Carter, Cub Scout Megapack
The Ghost Story Megapack
The Second Ghost Story Megapack
The Third Ghost Story Megapack
The Horror Megapack
The Macabre Megapack
The Martian Megapack
The Military Megapack
The Mummy Megapack
The Mystery Megapack
The Science Fiction Megapack
The Second Science Fiction Megapack
The Third Science Fiction Megapack
The Fourth Science Fiction Megapack
The Fifth Science Fiction Megapack
The Sixth Science Fiction Megapack
The Penny Parker Megapack
The Pinocchio Megapack
The Pulp Fiction Megapack
The Rover Boys Megapack
The Steampunk Megapack
The Tom Corbett, Space Cadet Megapack
The Tom Swift Megapack
The Vampire Megapack
The Victorian Mystery Megapack
The Werewolf Megapack
The Western Megapack
The Wizard of Oz Megapack
AUTHOR MEGAPACKS
The B.M. Bower Megapa pack
The E.F. Benson Megapack
The Second E.F. Benson Megapack
The Wilkie Collins Megapack
The Philip K. Dick Megapack
The Randall Garrett Megapack
The Second Randall Garrett Megapack
The G.A. Henty Megapack
The M.R. James Megapack
The Murray Leinster Megapack
The Second Murray Leinster Megapack
The Andre Norton Megapack
The H. Beam Piper Megapack
The Rafael Sabatini Megapack
THE DEAD AND THE COUNTESS, by Gertrude Atherton
It was an old cemetery, and they had been long dead. Those who died nowadays were put in the new burying-place on the hill, close to the Bois d’Amour and within sound of the bells that called the living to mass. But the little church where the mass was celebrated stood faithfully beside the older dead; a new church, indeed, had not been built in that forgotten corner of Finisterre for centuries, not since the calvary on its pile of stones had been raised in the tiny square, surrounded then, as now, perhaps, by gray naked cottages; not since the castle with its round tower, down on the river, had been erected for the Counts of Croisac. But the stone walls enclosing that ancient cemetery had been kept in good repair, and there were no weeds within, nor toppling headstones. It looked cold and gray and desolate, like all the cemeteries of Brittany, but it was made hideous neither by tawdry gew-gaws nor the license of time.
And sometimes it was close to a picture of early beauty. When the village celebrated its yearly pardon, a great procession came out of the church—priests in glittering robes, young men in their gala costume of black and silver, holding flashing standards aloft, and many maidens in flapping white head-dress and collar, black frocks and aprons flaunting with ribbons and lace. They marched, chanting, down the road beside the wall of the cemetery, where lay the generations that in their day had held the banners and chanted the service of the pardon. For the dead were peasants and priests—the Croisacs had their burying-place in a hollow of the hills behind the castle—old men and women who had wept and died for the fishermen that had gone to the grande pêche and returned no more, and now and again a child, slept there. Those who walked past the dead at the pardon, or after the marriage ceremony, or took part in any one of the minor religious festivals with which the Catholic village enlivens its existence—all, young and old, looked grave and sad. For the women from childhood know that their lot is to wait and dread and weep, and the men that the ocean is treacherous and cruel, but that bread can be wrung from no other master.
Therefore the living have little sympathy for the dead who have laid down their crushing burden; and the dead under their stones slumber contentedly enough. There is no envy among them for the young who wander at evening and pledge their troth in the Bois d’Amour, only pity for the groups of women who wash their linen in the creek that flows to the river. They look like pictures in the green quiet book of nature, these women, in their glistening white head-gear and deep