One Remained Seated: A Classic Crime Novel. John Russell Fearn

One Remained Seated: A Classic Crime Novel - John Russell Fearn


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      BORGO PRESS BOOKS BY JOHN RUSSELL FEARN

      1,000-Year Voyage: A Science Fiction Novel * Anjani the Mighty: A Lost Race Novel (Anjani #2)

      Black Maria, M.A.: A Classic Crime Novel (Black Maria #1)

      The Crimson Rambler: A Crime Novel

      Don’t Touch Me: A Crime Novel

      Dynasty of the Small: Classic Science Fiction Stories

      The Empty Coffins: A Mystery of Horror

      The Fourth Door: A Mystery Novel

      From Afar: A Science Fiction Mystery

      Fugitive of Time: A Classic Science Fiction Novel

      The G-Bomb: A Science Fiction Novel

      The Genial Dinosaur (Herbert the Dinosaur #2)

      The Gold of Akada: A Jungle Adventure Novel (Anjani #1)

      Here and Now: A Science Fiction Novel

      Into the Unknown: A Science Fiction Tale

      Last Conflict: Classic Science Fiction Stories

      Legacy from Sirius: A Classic Science Fiction Novel

      The Man from Hell: Classic Science Fiction Stories

      The Man Who Was Not: A Crime Novel

      Manton’s World: A Classic Science Fiction Novel

      Moon Magic: A Novel of Romance (as Elizabeth Rutland)

      The Murdered Schoolgirl: A Classic Crime Novel (Black Maria #2)

      One Remained Seated: A Classic Crime Novel (Black Maria #3)

      One Way Out: A Crime Novel (with Philip Harbottle)

      Pattern of Murder: A Classic Crime Novel

      Reflected Glory: A Dr. Castle Classic Crime Novel

      Robbery Without Violence: Two Science Fiction Crime Stories

      Rule of the Brains: Classic Science Fiction Stories

      Shattering Glass: A Crime Novel

      The Silvered Cage: A Scientific Murder Mystery

      Slaves of Ijax: A Science Fiction Novel

      Something from Mercury: Classic Science Fiction Stories

      The Space Warp: A Science Fiction Novel

      A Thing of the Past (Herbert the Dinosaur #1)

      Thy Arm Alone: A Classic Crime Novel (Black Maria #4)

      The Time Trap: A Science Fiction Novel

      Vision Sinister: A Scientific Detective Thriller

      Voice of the Conqueror: A Classic Science Fiction Novel

      What Happened to Hammond? A Scientific Mystery

      Within That Room!: A Classic Crime Novel

      THE GOLDEN AMAZON SAGA

      1. World Beneath Ice

      2. Lord of Atlantis

      3. Triangle of Power

      4. The Amethyst City

      5. Daughter of the Amazon

      6. Quorne Returns

      7. The Central Intelligence

      8. The Cosmic Crusaders

      9. Parasite Planet

      10. World Out of Step

      11. The Shadow People

      12. Kingpin Planet

      13. World in Reverse

      14. Dwellers in Darkness

      15. World in Duplicate

      16. Lords of Creation

      17. Duel with Colossus

      18. Standstill Planet

      19. Ghost World

      20. Earth Divided

      21. Chameleon Planet (with Philip Harbottle)

      COPYRIGHT INFORMATION

      Copyright © 1946 by John Russell Fearn

      Copyright © 2007 by Philip Harbottle

      Published by Wildside Press LLC

      www.wildsidebooks.com

      DEDICATION

      To my comrades at the Fylde Writing Society.

      INTRODUCTION

      The man in the ill-fitting grey overcoat and with a slouch hat pulled well down over his eyes might have been alone in the railway compartment for all the attention he paid to his fellow-travellers.

      He was preoccupied with his own thoughts, tracing backwards through fifteen years. His body was freed at last from implacable walls and iron-hard routine, but not his mind. It insisted on lingering in the circumscribed area of a prison cell. Even now, speeding away from it on this rickety, noisy train, he could still feel the cold walls that had hemmed him for so long.

      With a squeak and a rattling of doors the train stopped, shattering the countryside with a volcanic outburst from its safety valve. The man in grey lurched to his feet, took down a cheap suitcase from the rack, and then opened the door. He stepped out into a cold, bracing wind, wavering station lights, and the clangour of milk cans. Far away a voice was mournfully wailing “Lang’orn! Hall change for Lex’am!”

      Feeling for his ticket, the stranger walked towards the exit barrier. He was revealed now as tall and heavy-shouldered. His face was powerful, with a strong, ugly mouth, long, pointed nose, and bushy eyebrows. Handing in his ticket to an inspector at the barrier, he asked:

      “Where’s a good place to stop for a day or two?”

      “Might try the ‘Golden Saddle’, sir. Not bad. Straight up the ’igh Street there.”

      “Thanks,” the other said briefly; then with a sudden squaring of his shoulders, like a man who has much to do, he turned to face the fitful lights which bobbed along the vista outside the station entrance.

      Langhorn was an agglomeration of ill-assorted frontages, of shops that were unashamedly converted houses, of higgledy-piggledy roofs and badly planned forecourts jutting out on to the pavement to snare the unwary.

      Here and there, however, modernism had arrived. It showed itself in a closed snack bar sandwiched between two old buildings; it was revealed again in the façade of a cinema. The stranger noticed that the hotel he sought was anything but modern, even though it had a clean, inviting aspect. His attention swung back to the cinema directly facing it across the narrow street.

      The cinema’s entrance way was marked by two rotund pillars of white tiling supporting a red canopy. The place called itself LANGHORN CINEMA in red stone cubist letters over the entrance. Postwar fuel regulations forbade neon outside, but beyond the glass doorway in the foyer, lilac tubes flickered in and out attractively and spasmodically illuminated the placarded features of Hedy Lamarr.

      As yet it was only half-past six and the cinema was not open to the public. It possessed no sign of life at all except for the ginger head of a girl just visible through the grille of the advance-booking office. It was cunningly imbedded in one the huge side pillars, and so was set beyond the doors and almost on the street itself.

      The stranger hesitated. For some reason the place had an uncommon fascination for him, so much so he walked up the four pseudo-marble steps and looked into the foyer intently through the glass barrier.

      Looking out onto the chilly night from the warmth of her cashier’s box, Mary Saunders saw the stranger’s dogged, putty-grey face in profile, illuminated ever and


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