Confessions of a Barefaced Woman. Allison Joseph

Confessions of a Barefaced Woman - Allison Joseph


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Confessions of a Barefaced Woman

      Confessions of a Barefaced Woman

Images

       poems

      Allison Joseph

      Images Red Hen Press | Pasadena, CA

      Confessions of a Barefaced Woman Copyright © 2018 by Allison Joseph All Rights Reserved

      No part of this book may be used or reproduced in any manner whatsoever without the prior written permission of both the publisher and the copyright owner.

      Book layout by Madison R. Foster

      Library of Congress Cataloging-in-Publication Data

      Names: Joseph, Allison, 1967–author.

      Title: Confessions of a barefaced woman / Allison Joseph.

      Description: First edition. | Pasadena, CA: Red Hen Press, [2018]

      Identifiers: LCCN 2017029207 |

       ISBN 9781597096096 (softcover: acid-free paper) | ISBN 9781597097550

      Subjects: LCSH: African American women—Poetry.

      Classification: LCC PS3560.O7723 A6 2018 | DDC 811/.54—dc23

      LC record available at https://lccn.loc.gov/2017029207

      The National Endowment for the Arts, the Los Angeles County Arts Commission, the Ahmanson Foundation, the Dwight Stuart Youth Fund, the Max Factor Family Foundation, the Pasadena Tournament of Roses Foundation, the Pasadena Arts & Culture Commission and the City of Pasadena Cultural Affairs Division, the City of Los Angeles Department of Cultural Affairs, the Audrey & Sydney Irmas Charitable Foundation, the Kinder Morgan Foundation, the Meta & George Rosenberg Foundation, the Allergan Foundation, the Riordan Foundation, and the Amazon Literary Partnership partially support Red Hen Press.

Images

      First Edition

      Published by Red Hen Press

       www.redhen.org

      ACKNOWLEDGMENTS

      Poems from this collection previously appeared in Atlanta Review, Baltimore Review, Chiron Review, Connecticut Review, El Dorado Poetry Review, Folio, Green Mountains Review, Lake Effect, Limestone Circle, Pacific Coast Journal, Perceptions, Quercus Review, Soundings East, Shenandoah, Sidewalks, Smartish Pace, Spillway, Spindrift, Spoon River Poetry Review, Sundog: the Southeast Review, Tamaqua, Tongue: A Literary and Visual Arts Journal, Verseweavers, and Wellspring.

      CONTENTS

      ON THE SUBWAY

      IN THE PUBLIC LIBRARY

      FUTURE DOCTOR

      BAD DOGS

      FIRST SCHOOL DANCE

      FATHER’S MOTHER

      READING ROOM

       SPIRIT OF ’76

       LITTLE BROTHERS

       ADVICE ON BEING A PESKY LITTLE SISTER

       PENMANSHIP

       NOTHING BUT WORDS

       MY TUTOR

       FOR BEAUTY’S SAKE

       DINNER HOUR

       FIRST CONCERT

       ADOLESCENT CONFESSION

       POEM FOR THE PURCHASE OF A FIRST BRA

       ELEGY FOR RICK JAMES

       O HOLY NIGHT

       BIRTH OF A NATION

       FOR MY BROTHER

       SOME OF MY BEST FRIENDS ARE WHITE PEOPLE

       HEADSTONE

       AFTER SHAVING MY HEAD, I BEGIN TO THINK BEAUTY IS OVERRATED

       CONFESSIONS OF A BAREFACED WOMAN

       A HISTORY OF AFRICAN-AMERICAN HAIR

       TO BE YOUNG, NOT-SO-GIFTED, AND BLACK

       THE RELUCTANT INTEGRATIONIST

       GRACE JONES AT THE REPUBLICAN NATIONAL CONVENTION

       THE OTHER ALLISON

       VACATIONS

       EX-NEW YORKERS

       THE AISLES OF MISFIT EQUIPMENT

       THE VAGINA BUSINESS

       IN PRAISE OF THE PENIS

       VENUS DE MILO TAKES A SEXUAL ENLIGHTENMENT FOR WOMEN CLASS

       NAPE

       WHY MEN WHISTLE

       ON VIEWING TWO DIFFERENT DATE RAPE MOVIES

       JANIS JOPLIN VISITS CHEERLEADING CAMP

       ROLE MODELS

       DAUGHTER, MOTHER, SISTER, WIFE

       WHAT WOMEN WANT

       BAD MEALS THREATEN OUR MARRIAGE

       FLIRTATION

       JUNK FOOD

       DINNER PARTY

       WHY I’M NOT A SCHOLAR

       IT WASN’T A LOVE CONNECTION

       THE IDEAL LISTENER

       HOMAGE TO LEONARDO DREW’S NUMBER 8.

       I LOVE YOU, JIMMY POQUETTE

       BALLADE FOR DOROTHY PARKER

       MISERY: A GUIDE

       THE LIARS

       REGRETS

       ON THE SUBWAY

      It was comic on Seinfeld: Jerry looks up to see a naked man

      across the aisle, an unfolded New York Times placed

      strategically over his lower girth. They trade insults

      and fat jokes, banter like Abbott and Costello by episode’s end.

      But it isn’t funny on the number six train

      when I look up from my chem book, see a man

      across the aisle both clothed and exposed,

      his pants held up by rope, dirt clumped in his matted hair,

      long body sprawled out, limbs splayed, head wobbling.

      He


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