The House of Mirth. Edith Wharton

The House of Mirth - Edith Wharton


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      THE HOUSE OF MIRTH

      Edith Wharton

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       Copyright

      William Collins

      An imprint of HarperCollinsPublishers

      1 London Bridge Street,

      London SE1 9GF

       WilliamCollinsBooks.com

      This eBook edition published by William Collins in 2015

      Life & Times section © HarperCollinsPublishers Ltd

      Gerard Cheshire asserts his moral right as author of the Life & Times section

      Classic Literature: Words and Phrases adapted from

       Collins English Dictionary

      Cover by e-Digital Design

      Cover image: Portrait of a Young Woman, c.1900 (oil on canvas), Dagnan-Bouveret, Pascal Adolphe Jean (1852–1929)/Private Collection/Archives Charmet/Bridgeman Images.

      A catalogue record for this book is available from the British Library.

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      Source ISBN: 9780008110581

      Ebook Edition © May 2015 ISBN: 9780008110598

      Version: 2015-04-01

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       Life & Times

      Wharton and Class

      Many novelists use their prose as a means of expressing their frustrations with the contradictions and hypocrisies of human behaviour, often because they themselves do not adhere particularly stringently to the rules of etiquette that exist in their society. Of course 19th century societies in Britain and the USA were prone to formalizing polite society as a way of distinguishing the haves from the have-nots. Edith Wharton was born into a privileged American family, but she was equipped with the sensibilities to notice the contrasting absurdity with which many of her class went about their lives in public and in private. Like many other novelists before her, Wharton saw that people were people wherever they happened to fit in the hierarchy of society. They were equally capable of honourable and dishonourable behaviour; it is just that the upper class tended to cover up the latter and exaggerate the former for the sake of keeping up appearances. Wharton was not vitriolic though, for her writing is imbued with humour even though it criticises between the lines. The Age of Innocence is essentially a story about vanity, pride, judgement, temptation and prejudice in the well-to-do cohort of late 19th century US society. Underpinning the tale is the double-standard.

       The Age of Innocence

      The Age of Innocence is fundamentally about a gentleman who is engaged to be married, but allows his affections to stray toward another woman who is separated from her husband and about to divorce. In today’s occidental society the plot would barely raise an eyebrow, but in its period it would have been viewed as an absolute scandal. Wharton published the book in 1920, some 40-odd years after the time in which the story is set, but she was 58 years old and very familiar with the subject matter as she had been born and raised in the environment she describes. Even in the first quarter of the 20th century divorce was considered something of a taboo, so the book caused quite a stir. Wharton had, herself, been in a loveless marriage for almost three decades and had experienced a nervous breakdown following her divorce in 1913, so writing The Age of Innocence must have been therapeutic as well as a vessel through which Wharton could show the world her views. The basic premise of her story was that if you belong to a society that will trap you in marriage, you better be very sure that you are marrying the right person.

      In society today, the finger of judgement is no longer pointed at those who do not succeed in marriage. As a consequence, many contemporary readers have an interest in Wharton’s genre. While they see that an overly formalized society can make marriage oppressive and generate double-standards, they also see that a lack of formality leads to a society where marriage is entirely devalued.

      Wharton’s masterpiece is about as personal as one can get as a writer. The central character, Newland, still goes ahead with his marriage despite his obsessive feelings for the other woman, Countess Ellen. His wife, May, is consequently destined for a life of betrothal with unrequited love. So too


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