Opening Night. Ngaio Marsh

Opening Night - Ngaio  Marsh


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      NGAIO MARSH

      Opening Night

Image

       DEDICATION

       To The Management and Company of The New Zealand Student Players of 1949 in love and gratitude

      CONTENTS

       Cover

       Title Page

       4. Second Dress-Rehearsal

       5. Opening Night

       6. Performance

       7. Disaster

       8. After-Piece

       9. The Shadow of Otto Brod

       10. Summing Up

       11. Last Act

       About the Author

       Also by the Author

       Copyright

       About the Publisher

       CAST OF CHARACTERS

OF THE VULCAN THEATRE
Martyn Tarne
Bob Grantley Business Manager
Fred Badger Night Watchman
Clem Smith Stage Director
Bob Cringle Dresser to Adam Poole
Adam Poole Actor-manager
Helena Hamilton Leading Lady
Clark Bennington Her husband
Gay Gainsford His niece
J. G. Darcey Character actor
Parry Percival Juvenile
Jacques Doré Designer and assistant to Adam Poole
Dr John James Rutherford Playwright
OF THE CID NEW SCOTLAND YARD
Chief Detective-Inspector Alleyn
Detective-Inspector Fox
Detective-Sergeant Gibson
Detective-Sergeant Bailey Fingerprint expert
Detective-Sergeant Thompson Photographer
PC Lord Michael Lamprey
Dr Curtis

       CHAPTER 1

       Martyn at the Vulcan

      As she turned into Carpet Street the girl wondered at her own obstinacy. To what a pass it had brought her, she thought. She lifted first one foot and then the other, determined not to drag them. They felt now as if their texture had changed: their bones, it seemed, were covered by sponge and burning wires.

      A clock in a jeweller’s window gave the time as twenty-three minutes to five. She knew, by the consequential scurry of its secondhand, that it was alive. It was surrounded by other clocks that made mad dead statements of divergent times as if, she thought, to set before her the stages of that day’s fruitless pilgrimage. Nine o’clock, the first agent. Nine thirty-six, the beginning of the wait for auditions at the Unicorn; five minutes past twelve, the first dismissal. ‘Thank you, Miss–ah–Thank you, dear. Leave your name and address. Next, please.’ No record of her flight from the smell of restaurants but it must have been about ten-to-two, a time registered by a gilt carriage-clock in the corner, that she had climbed the stairs to Garnet Marks’ Agency on the third floor. Three o’clock exactly at the Achilles where the auditions had already closed, and the next hour in and out of film agencies. ‘Leave your picture if you like, dear. Let you know if there’s anything.’ Always the same. As punctual as time itself. The clocks receded, wobbled, enlarged themselves and at the same time spread before their dials a tenuous veil. Beneath the arm of a bronze nude that brandished an active swinging dial, she caught sight of a face: her own. She groped in her bag and presently in front of the mirrored face, a hand appeared and made a gesture at its own mouth with the stub of a lipstick. There was a coolness on her forehead, something pressed heavily against it. She discovered that this was the shop-window.

      Behind the looking-glass was a man who peered at her from the shop’s interior. She steadied herself with her hand against the window, lifted her suitcase and turned


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