Keeper of the Light. Diane Chamberlain
image alt="cover" target="_blank" rel="nofollow" href="#fb3_img_img_9072613c-8943-5ce0-b8f4-1759d700f33c.png"/>
Praise for
Diane Chamberlain
‘Fans of Jodi Picoult … will love this!’
—Heat magazine
‘Emotional, complex and laced with suspense, this fascinating story is a brilliant read.’
—Closer
‘An excellent read.’
—The Sun
‘This complex tale will stick with you forever.’
—Now magazine
‘This exquisite novel about love and friendship is written like a thriller … you won’t want to put it down.’
—Bella
‘A bittersweet story about regret and hope.’
—Publishers Weekly
‘A portrayal of lives turned upside down.’
—Star
‘A brilliantly told thriller’
—Woman
‘An engaging and absorbing story that’ll have you racing through pages to finish.’
—People’s Friend
‘This compelling mystery will have you on the edge of your seat.’
—Inside Soap
‘Chamberlain skilfully … plumbs the nature of crimes of the heart.’
—Publishers Weekly
‘So full of unexpected twists you’ll find yourself wanting to finish it in one sitting. Fans of Jodi Picoult’s style will love how Diane Chamberlain writes.’
—Candis
Also by Diane Chamberlain
The Lost Daughter
The Bay at Midnight
Before the Storm
Secrets She Left Behind
The Lies We Told
Breaking the Silence
The Midwife’s Confession
The Shadow Wife
Diane’s next novel will hit the shelves in May 2012
The Good Father
Keeper of the Light
Diane Chamberlain
GETS TO THE HEART OF THE STORY
ACKNOWLEDGMENTS
I’m indebted to Cher Johnson, Mary Kirk, Arlene Lieberman, Suzanne Schmidt, Laura and Pete Schmitz and Joann Scanlon for reading various drafts of Keeper with enthusiasm and insight.
Veterinarian Holly Gill, emergency room physician Martha Gramlich, Outer Banks nurse Betsy McCarthy, Outer Banks artist Chris Haltigan, stained glass artist Jimmy Powers, lighthouse enthusiasts David Fischetti, Hugh Morton and John Wilson and National Park Ranger Warren Wrenn all shared their expertise with me and graciously endured my endless questions. Also, The Keeper’s Log, issued by the United States Lighthouse Society, proved to be an invaluable source of inspiration.
I’m grateful to Peter Porosky for altering my vision and to my former editor, Karen Solem, for her faith, patience and wisdom.
CHAPTER ONE
Christmas 1990
It rained the entire day. It rained with such force that the shrubs next to the emergency room parking lot lay flat to the ground and the new roof sprang a leak. One of the nurses set a bucket on the floor of the waiting room to catch the water, and within an hour the rain had filled it to the brim.
Olivia Simon watched the downpour through the broad windows of her office. The rain sapped her concentration, and the journal on her desk was still open to the article she’d started hours before. There was something unnatural about this rain. It sucked the oxygen from the air and made it hard to breathe, and it pounded above her head like marbles falling on a sheet of tin. Just when she thought she could no longer tolerate the noise, it stopped. In the silence, Olivia watched the sky turn light and shiny, like the inside of an eggshell. Then suddenly, it was snowing.
She walked into the reception area, where Kathy Brash and Lynn Wilkes had been playing pinochle for the last abysmally quiet two hours.
“It’s snowing,” Olivia said.
They lifted their rained-dazed eyes to hers, then turned their heads toward the windows.
“Unreal.” Lynn stood for a better look, her white coat scraping a few cards from the table.
“It’s beginning to be an annual tradition on the Outer Banks,” Kathy said. “Last Christmas we actually got snowed in.”
Olivia looked at her watch. Five-thirty. She couldn’t afford to get stuck here tonight.
Lynn took her seat again. “Want us to deal you in, Olivia?”
Olivia declined, and returned to her office. She couldn’t make herself join them tonight. She was too antsy, too preoccupied. She needed to get home.
She sat behind her desk and dialed her home number.
“It’s snowing,” she said when Paul answered.
“Yeah, I know.” He sounded irritated. She was getting accustomed to the curt tone he used with her these days. “When are you getting out of there?”
“Soon. Just a half hour more.” She’d had no choice but to work today. Of the four emergency room physicians, she had the least seniority. She wished she could tell Paul that it had been worth her while coming in today, worth their being apart when, God knows, they needed the time together. But all she had seen in eleven long hours was a scraped knee and a case of severe post-turkey indigestion. On days like this, she found herself missing the chaos of Washington General, where she’d worked for the past ten years, where her seniority had given her some control over her schedule. It scared her these days, being away from Paul. When she wasn’t close enough to touch him, she was afraid he might disappear.
They’d spent last Christmas with his family in Philadelphia.
Paul had written a poem about her and stitched it into a sampler sometime during the long hours she was at work and he was not. The sampler hung in the study, and now each time she looked at it she wondered how the warmth Paul had felt for her one short year ago could have disintegrated so quickly.
“Turkey’s falling off the bone,” he said now. “Should I take it out?”
Olivia started to answer, but just then the police radio in the hall outside her office coughed to life.
“Hold on, Paul.” She held the receiver away from her ear and listened as Kathy sat down in front of the radio.
“Kill Devil Hills Emergency Room,” Kathy said.
“We’ve got a gunshot wound to the chest.” A male voice broke through the static. “Female. Mid to late thirties. Pulse one-fifty and thready. B.P. seventy-five over forty.”
“What’s your ETA?” Kathy asked.
“Fifteen minutes. Maybe twenty. It’s fucking snowing