Emily Jacir & Susan Buck-Morss. Susan Buck-Morss

Emily Jacir & Susan Buck-Morss

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100 Notes – 100 Thoughts / 100 Notizen – 100 Gedanken

Nº004: Emily Jacir & Susan Buck-Morss

dOCUMENTA (13), 9/6/2012 – 16/9/2012

Artistic Director / Künstlerische Leiterin: Carolyn Christov-Bakargiev

Agent, Member of Core Group, Head of Department /

Agentin, Mitglied der Kerngruppe, Leiterin der Abteilung: Chus Martínez

Head of Publications / Leiterin der Publikationsabteilung: Bettina Funcke

Managing Editor / Redaktion und Lektorat: Katrin Sauerländer

English Copyediting / Englisches Lektorat: Philomena Mariani

Proofreading / Korrektorat: Sam Frank, Cordelia Marten

Graphic Design and E-Book Implementation / Grafische Gestaltung und E-Book-Produktion: Leftloft

Production / Verlagsherstellung: Stefanie Langner

Illustrations / Abbildungen: p. / S. 1: Fridericianum, September 1941 (detail / Detail), Photohaus C. Eberth, Waldkappel; Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel; p. / S. 30: © The Israel Museum/David Harris; p. / S. 33: © 2011 Digital image, The Museum of Modern Art, New York/Scala, Florence; p. / S. 39: © Roger M. Richards/rogermrichards.com; p. / S. 44: © 2009 Emily Jacir; p. / S. 45 top / oben: © Eyad Albaba/ddp images; bottom / unten: © João Silva/PictureNet

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ISBN 978-3-7757-3033-4 (E-Book)

ISBN 978-3-7757-2853-9 (Print)

Gefördert durch die

funded by the German Federal

Cultural Foundation

We cannot be held responsible for external links; the content of external links is the full responsibility of the operators of these sites. / Für externe Links können wir keine Haftung übernehmen. Die Inhalte der verlinkten Seiten sind ausschließlich von deren Betreiber zu verantworten.

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“History breaks down into images, not into stories.”

Walter Benjamin

History is layered. But the layers are not stacked neatly. The disrupting force of the present puts pressure on the past, scattering pieces of it forward into unanticipated locations. No one owns these pieces. To think so is to allow categories of private property to intrude into a commonly shared terrain wherein the laws of exclusionary inheritance do not apply. The history of humanity demands a communist mode of reception.

The goal is nothing short of a different world order. It will require rescuing the past based on a de-privatized, de-nationalized structure of collective memory. There is little danger of a new triumphalism in this task. Human universality is a scarred idea, and the sources of the scarring must be remembered along with its moments of inspiration. Extreme inhumanities are part of a communist transmission of the past. The human disaster in Gaza cannot be made the legacy of Israel any more than the Holocaust belongs solely to the Germans. Neither historical role, of victim or oppressor, is encoded in our DNA. Past injury is not a license to kill.

Art teaches us to see things. It is Anschauungsunterricht—training in observation.

Draw a New Angel that matches Benjamin’s description.

Конец ознакомительного фрагмента.

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