Red Mars. Kim Stanley Robinson
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RED MARS
KIM STANLEY ROBINSON
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
HarperVoyager An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF
First published in Great Britain by HarperCollinsPublishers 1992
Copyright © Kim Stanley Robinson 1992
Cover photograph © Detlev van Ravenswaay/Science Photo Library
Cover layout design © HarperCollinsPublishers Ltd 2013
Kim Stanley Robinson asserts the moral right to be identified as the author of this work
A catalogue copy of this book is available from the British Library
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Source ISBN: 9780007115907
Ebook Edition © MARCH 2013 ISBN: 9780007401703
Version: 2019-05-29
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Contents
PART FIVE Falling Into History
Mars was empty before we came. That’s not to say that nothing had ever happened. The planet had accreted, melted, roiled and cooled, leaving a surface scarred by enormous geological features: craters, canyons, volcanoes. But all of that happened in mineral unconsciousness, and unobserved. There were no witnesses – except for us, looking from the planet next door, and that only in the last moment of its long history. We are all the consciousness that Mars has ever had.
Now everybody knows the history of Mars in the human mind: how for all the generations of prehistory it was one of the chief lights in the sky, because of its redness and fluctuating intensity, and the way it stalled in its wandering course through the stars, and sometimes even reversed direction. It seemed to be saying something with all that. So perhaps it is not surprising that all the oldest names for Mars have a peculiar weight on the tongue – Nirgal, Mangala, Auqàkuh, Harmakhis – they sound as if they were even older than the ancient languages we find them in, as if they were fossil words from the Ice Age or before. Yes, for thousands of years Mars was a sacred power in human affairs; and its color made it a dangerous power, representing blood, anger, war and the heart.
Then the first telescopes gave us a closer look, and we saw the little orange disk, with its white poles and dark patches spreading and shrinking as the long seasons passed. No improvement in the technology of the telescope ever gave us much more than that; but the best Earthbound images gave Lowell enough blurs to inspire a story, the story we all know, of a dying world and a heroic people, desperately building canals to hold off the final deadly encroachment of the desert.
It was a great story. But then Mariner and Viking sent back their photos, and everything changed. Our knowledge of Mars expanded by magnitudes, we literally knew millions of times more about this planet than we had before. And there before us flew a new world, a world unsuspected.
It seemed, however, to be a world without life. People searched for signs of past or present Martian life, anything from microbes to the doomed canal-builders, or even alien visitors. As you know, no evidence for any of these has ever been found. And so stories have naturally blossomed to fill the gap, just as in Lowell’s time, or in Homer’s, or in the caves